This thesis surveys the major works on the topic of verbal aspect. Chapter 1 provides an introduction, giving the background to the issue and listing some of the major contributors to the topic, Stanley Porter, Rodney Decker, Buist Fanning, and Constantine Campbell. Chapter 2 reviews and analyzes the contributions of these authors in this area of study. Further, this thesis seeks to clarify the topic, by exposing each author's views concerning the major matters of debate and by listing some subjects in verbal aspect that are in need of further study; in particular, the issue of the aspect of the perfect verb form, the aspect of the future verb form, and the historical present. Finally, chapter 3 demonstrates the importance of this issue for the study of Scripture, specifically, the study of the New Testament, and it gives suggestions for further study in this area.

The following thesis is a brief view of the 2017-2018 production of Marco Ramirez’s contemporary play The Royale, as produced by Theatre UNO, the theatre production arm of the University of New Orleans’ Department of Film & Theatre. This thesis will include initial responses, analysis, interpretation, production synthesis and communication, and reflection with conclusions on performance, directing, and pedagogy in academic theatre. This thesis is supported by documentation of the production process, including a scored script. The play was performed in New Orleans, Louisiana at the University of New Orleans Performing Arts Center’s Robert E. Nims Theatre, November 9-19, 2017; the University of New Orleans Performing Arts Center’s Soundstage, February 17, 2018; and in San Angelo, Texas at the Angelo State University’s Auditorium Theater, twice on March 2, 2018, as part of the Kennedy Center American College Theatre Festival, Region VI (KCACTF VI).

The topic of this diploma thesis is an analysis of history of special language of architecture in Paul Decker´s ?Ausführliche Anleitung zur Civilbaukunst (Bd.1)?. This thesis is divided into nine basic parts. The first, second and third parts characterize the special language, baroque and Paul Decker´s life and work. The following parts concentrate on the analysis of the special language presenting in this Decker´s work, that means on morphology, word-formative processes, the role of metaphors and foreign words, polysemy and synonyms, hyponyms, hyperonyms and co-hyponyms as well as the relation between verbal and nonverbal language part.