Déportations dans des grands transports de mille personnes, petits convois d'une cinquantaine de détenus, fusillades, massacres aveugles ... La répression allemande en France occupée fut multiforme. La déportation fut une forme de cette répression, celle qui fit le plus de victimes en France occupée entre 1940 et 1944. Ce fut un vaste transfert forcé de dizaines de milliers de personnes vers le système concentrationnaire et carcéral du Reich: d'au moins 60 500 personnes depuis les zones nord et sud occupées. Ce travail entend démontrer que pour connaître le groupe de ces déportés, il faut d'abord cerner les processus à l'œuvre dans leur déportation. Pour cela, nous avons pensé le processus grâce à la notion de politiques de déportation. Elle permet de réfléchir aux objectifs des acteurs allemands, de cerner les procédures des transferts et d'exposer leurs résultats. Ce travail propose également une indispensable mise en perspective de ces politiques de déportation avec l'ensemble du dispositif répressif mis en place en France occupée. Enfin, parce que cet objet n'avait pu être défini et travaillé après la guerre en suivant cette approche, nous expliciterons 1e rôle des représentations, des mémoires et leurs conséquences sur l'historiographie. / Deportations by means of large-scale transports of 1,000 people, small convoys of 50 prisoners, killing executions, reckless slaughter. ... German repression in Occupied France took many forms. The measure of this repression that claimed the largest number of victims in Occupied France from 1940 to 1944 was deportation. Tens of thousands - at least 60,500 people from France's northern and southern occupied zones - were subject to this enormous forced transfer to the Reich's concentrationary and prison systems. This study demonstrates that to comprehend deportees as a group, we must first focus on the steps involved in their deportation. The concept of deportation policies has enabled us to think through such a process. By envisaging deportation as a congeries of policies, we can examine the objectives of the Germans, specify transfer conditions, and explain their results. Further, this work offers an indispensable contextualization by placing these deportation policies within the larger framework of the repressive methods established in Occupied France. Finally, because this subject could not be delimited and explored using this approach after the World War Il, we discuss the function of representations and of memory, as well as their ramifications for historiography.

Nesta dissertação são analisadas fontes iconográficas do I milênio a.C. na Assíria representando mulheres deportadas. Examinam-se representações de mulheres na arte assíria, resgatando-se a memória de sujeitos subalternos na historiografia e suas funções no cenário bélico. Realiza-se um catálogo temático das representações de mulheres deportadas na arte assíria, com uso de fontes editadas, contendo ficha técnica, com descrição iconográfica e interpretação. Além de se estudar como eram representadas as mulheres deportadas e quais funções os assírios davam para estas mulheres nas narrativas bélicas, vemos como se representava o outro, o estrangeiro inimigo, vencido e cativo. Nota-se, ademais, que os assírios ressaltavam aspectos da sua compreensão de feminilidade, assim como denotavam a distinção étnica e de gênero que marcava a identidade dessas mulheres, oriundas de diversas regiões sob domínio do impérioassírio (884-631 a.C.). / This work plan to do an analysis of iconographic sources from the I millennium B.C. in Assyria. The studies of these iconographic sources are widespread among Assyriologists and scholars of Assyrian art. However, little is attentive to the presence of women in Assyrian art. Besides being subaltern historiography subject as a whole, women and their role in war are poorly studied objects. In this paper, I intend to develop a critical and analytical view of how the deported women were represented, and what actions the Assyrians gave to these women in warlike narratives, besides representing the other, the stranger, the Assyrians were concerned to emphasize aspects of their understanding of femininity, as well as emphasized the gender distinction in aspects that marked the identity of these women, coming from different parts that were on the domain of the Assyrianempire.

Nesta dissertação são analisadas fontes iconográficas do I milênio a.C. na Assíria representando mulheres deportadas. Examinam-se representações de mulheres na arte assíria, resgatando-se a memória de sujeitos subalternos na historiografia e suas funções no cenário bélico. Realiza-se um catálogo temático das representações de mulheres deportadas na arte assíria, com uso de fontes editadas, contendo ficha técnica, com descrição iconográfica e interpretação. Além de se estudar como eram representadas as mulheres deportadas e quais funções os assírios davam para estas mulheres nas narrativas bélicas, vemos como se representava o outro, o estrangeiro inimigo, vencido e cativo. Nota-se, ademais, que os assírios ressaltavam aspectos da sua compreensão de feminilidade, assim como denotavam a distinção étnica e de gênero que marcava a identidade dessas mulheres, oriundas de diversas regiões sob domínio do impérioassírio (884-631 a.C.). / This work plan to do an analysis of iconographic sources from the I millennium B.C. in Assyria. The studies of these iconographic sources are widespread among Assyriologists and scholars of Assyrian art. However, little is attentive to the presence of women in Assyrian art. Besides being subaltern historiography subject as a whole, women and their role in war are poorly studied objects. In this paper, I intend to develop a critical and analytical view of how the deported women were represented, and what actions the Assyrians gave to these women in warlike narratives, besides representing the other, the stranger, the Assyrians were concerned to emphasize aspects of their understanding of femininity, as well as emphasized the gender distinction in aspects that marked the identity of these women, coming from different parts that were on the domain of the Assyrianempire.

Nesta dissertação são analisadas fontes iconográficas do I milênio a.C. na Assíria representando mulheres deportadas. Examinam-se representações de mulheres na arte assíria, resgatando-se a memória de sujeitos subalternos na historiografia e suas funções no cenário bélico. Realiza-se um catálogo temático das representações de mulheres deportadas na arte assíria, com uso de fontes editadas, contendo ficha técnica, com descrição iconográfica e interpretação. Além de se estudar como eram representadas as mulheres deportadas e quais funções os assírios davam para estas mulheres nas narrativas bélicas, vemos como se representava o outro, o estrangeiro inimigo, vencido e cativo. Nota-se, ademais, que os assírios ressaltavam aspectos da sua compreensão de feminilidade, assim como denotavam a distinção étnica e de gênero que marcava a identidade dessas mulheres, oriundas de diversas regiões sob domínio do impérioassírio (884-631 a.C.). / This work plan to do an analysis of iconographic sources from the I millennium B.C. in Assyria. The studies of these iconographic sources are widespread among Assyriologists and scholars of Assyrian art. However, little is attentive to the presence of women in Assyrian art. Besides being subaltern historiography subject as a whole, women and their role in war are poorly studied objects. In this paper, I intend to develop a critical and analytical view of how the deported women were represented, and what actions the Assyrians gave to these women in warlike narratives, besides representing the other, the stranger, the Assyrians were concerned to emphasize aspects of their understanding of femininity, as well as emphasized the gender distinction in aspects that marked the identity of these women, coming from different parts that were on the domain of the Assyrianempire.

Diploma thesis Deportation of the Kalmyk people to Siberia (1943-1957) is devoted to one of the tragic chapters in the history of the Kalmyks, people living in the Lower Volga region in Russia. In the diploma thesis the issue of the Kalmyk deportation in the Soviet Union during World War II is analysed in a broader context. The issue of deportation as a foudation of the thesis is put into a wider context. The concept of deportation and repressive policies was established by a state government in the first half of the 20th century. Deportations were used by the apparatus of government of the Soviet Union as one of the forms of repressive sanctions to regulate conditions in the state. Political, social and economic situation in the first half of the 20th century in Russia was impacted by the Stalinist period. The period of J. V. Stalin's rule over the Soviet Union (1922-1952) was entered into the history of Russia as a period of mass repressions (collectivization, persecution of the kulaks, church dignitaries and political dissenters, the "great terror", deportations on the eve of World War II, total deportations during the World War II). Repressions were one of the strategies used by the government to concentrate power in the hands of the Communist Party and to strengthen the regime in the country....