This paper details the process of creating the UNO Graduate thesis film Alien on a Savage Planet. Each major step in the filmmaking process is covered: screenwriting, producing, directing, cinematography, sound, production design, costumes, hair and makeup, workflow, editing, color correction, music and post- sound. A comprehensive assessment of the filmmaking process and the successes and failures of the project are discussed in length.

The goal of my thesis is to analyze physical and moral survival in three novels from King's oeuvre. Scholars have attributed survival in King's universe to factors such as innocence, imaginative capacity, and career choice. Although their arguments are convincing, I believe that physical and moral survival ultimately depends on a character's knowledge of the dark side of human nature and an understanding of moral agency. I have chosen three novels that span several decades of Kings work-'Salem's Lot, Needful Things, and Desperation-to illustrate the relationship between knowledge and survival. In 'Salem's Lot, King uses the main character's interest in the horror genre to emphasize the importance of an exposure to the dark side of human nature. In Needful Things, King vividly shows the dire consequences of naiveté, or in other words, uneducated innocence. Desperation represents a culmination of King's ideas. The final novel in my analysis shows the power of youth tempered by knowledge of human nature and informed by religious conviction. King links religion and horror to show the power of both in religious survival and to show the ultimate morality of horror.

Early research on just why it might be the case that “the mass of men lead lives of quiet desperation” suggested that denial of relevance was a significant factor. Asking why denial of relevance would be significant and how it might be resolved began to raise issues of the very nature of questions. Pursuing the nature of questions, in light of denial of relevance and Thoreau’s “quiet desperation” provoked a journey of modeling questions and constructing a biography of the initial question of this research and its evolution. Engaging literature from philosophy, neuroscience, and retrieval then combined with deep interviews of successful lawyers to render a thick, biographical model of questioning.

The main question of this work is which view existentialists philosophers have about the death. The main intentension of this work is to demonstrate the different kinds of understanding the death by individual authors. We look for the answers of the questiones, if we can find the different forms of the death. The questiones, which way authors akcept the dead in their works, or if being of the death affect their work. At the end I want to refer of the question of life after the death. If authors belived in the life after the dead or if they didn´t. The work is written with consciousness, that the death has its own secret, that is hardly to answer.