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Édition critique d'un traité grammatical arabe du viie/xiiie siècle, dit Imlāʾ ʿalā al-Kāfiyaẗ(«la Scolie du Précis») ou Šarḥ al-Kāfiyaẗ («Le Commentaire du Précis»), ce travail présente l'autocommentaire (1-601) fait par Ibn al-Ḥāğib (désormais IḤ, m. 646/1249) de son propre épitomé grammatical, al-Kāfiyaẗ fī al-naḥw («le Précis en syntaxe»), lui-même résumé du Mufaṣṣal («Capitulaire») de Zamaḫšarī (m. 538/1144). Cette édition se fonde sur quatre sources : trois manuscrits médiévaux (Damas ixe/xve, Dublin xe/xive et Londres 717/1317) et une édition imprimée ancienne (Istanbul, 1311/1894). Un ensemble de notes d'apparat critique justifient le choix de l'éditeur scientifique. Le texte est par ailleurs complété par une table détaillé des matières/notions, des index (versets coraniques, vers poétiques et auteurs cités) et une bibliographie. L'édition est introduite par une partie française qui rapelle l'histoire de l'édition occidentale de textes grammaticaux arabes dans laquelle elle s'insère (Introduction, I, ii-viii) et présente les détails techniques de l'édition en question (Int., II, ix-xvi). Ce travail s'attarde ensuite sur la vie de IḤ et présente ses maîtres, disciples et entourage afin de mieux connaître ce grammairien et jurologue arabe médiéval (Présentation, I, 2-28). / This work, as a critical edition of an Arabic grammatical treatise from the seventh/thirteenth century, called al-Imlāʾ ʿalā al-Kāfiyaẗ(«The Scolia of the Precis») or Šarḥ al-Kāfiyaẗ(«The Commentary on the Precis»), presents the self-commentary (p. 1-601) made by Ibnn al-Ḥāğib (now IḤ, d. 646/1249) of its own grammatical epitome, al-Kāfiyaẗfī al-naḥw («The Precis of the Syntax»), itself being the Mufaṣṣal's summary of Zamaḫšaī's (d. 538/1144). This edition is based on four sources: three medieval manuscripts (Damascus ninth/fifteenth, Dublin tenth/fourteenth and London 717/1317) and an ancient printed edition (Istanbul, 1311/1894). A set of notes that are critical apparatus justify the choice of the editor. The text is also supplemented with a detailes table of contents/concepts, index (Qur'anic verses, poetic verses and quoted authors) and an bibliography. The edition is introduced by a French section that reminds the history of Western editing of Arabic grammatical texts in which this work takes place (Introductio, I, ii-viii) and presents the technical details of the edition in question (Int., II, ix-xvi). Then this work focuses on IḤ's life and presents his masters, followres and acquaintance to learn more about this medieval Arab grammarian and law specialist (Presentation, I, 28-28). Follows a presentation of the works of IḤ, both in grammar and law fields and, in detail, the basic texte (matn) of the self-commentary, al-Kāfiyaẗ(Pres., II, 29-40).

In thesis themes of typography and computer font of OpenType format is described in details. At the beginning attention is paid to historical development of typeface, where stress is laid mainly on development of Roman and white letter with their characteristics. Having presented basis of typography work is concentrated on topic of digital font with emphasis on possibilities of OpenType format. Further its characteristics and advantages were listed compared to another formats and it was evaluated as format appropriate also for creating font in education process. Letterspacing and kerning were mentioned between basic graphical modifications in creating fonts. In theoretical part of the thesis they were examined in available programs designed for creating font in OpenType format. Except free available means into summary were included also commercial types due to absence of more advanced instruments and functions with free available applications. In evaluation was found that the most convenient for education is Fontlab Fontographer commercial program, free Type lite and Fontforge indicated for Open-source platform. Practical part of the thesis is focused on two chosen programs for creating main font characteristics. The goal was to detect if it is possible to reach identical results when using both programs. Fontographer program enabled to use wide tool palette dedicated to vector graphic processing by means of Adobe Illustrator similar instrument. In the case of Type lite program there were rather less instruments, what is sufficient for elementary work and familiarization with creating of digital typeface. Freeware shortage is basic absence of kerning, spacing or hinting functions. Comparing program possibilities, it falls that freeware programs based on OS Windows with their functionality are sufficient only for entry level users. The best option within free available programs is Fontforge for OS Linux which supports mentioned typographic functions. Fontographer was recommended for teaching of basic characteristics of OpenType font format. Another goal of the thesis was creating of recommended work procedure for creating basic characteristics of OpenType font for students, that is enclosed at the end of the thesis.