Thesis (Ph. D.)--Universität Greifswald, 1900. / Vita. Includes bibliographical references.

In this thesis we have not entered the names of all the authors who wrote in the Venetian language in the course of the XX century, but only the names of those who distinguished themselves. / This thesis does not deal exclusively with poetry, but it includes also prose, theatre and journalism. In fact, analyzing so many and such varied works allowed us to formulate working hypotheses on the origins, evolution and various motivations of their respective authors. It also supplied us with some clues as to why they chose to write in a regional language and, sometimes, in one of its dialects. / Our work has taken into account the literary production in other regional languages of Italy, as well as the theoretical writings on this subject. / Owing to the synoptic presence of all of these elements, this thesis fills an existing gap and thus offers a positive contribution to contemporary scholarship on regional languages and literatures.

The regions of James II, III, and IV in the second half of the fifteenth century in Scotland saw a distinctive flowering of advice to princes literature. This is the first account of its kind to examine in detail the sources, arguments, and extent of political comment of each individual work. In particular it employs both literary and historical sources to reveal the largely unrecognized impact of continental, especially French, political thought, on a number of writers. The study opens with a consideration of the poem De Regimine Principum, a politically very forthright advice work, influential for a century or so after its composition. Chapter 2 deals with the writings of Sir Gilbert Hay, whose work shows clear influences from the continent, particularly in the Buik of King Alexander, which is also seen to have interesting links with De Regimine Principum. Chapter 3 discusses the romance Lancelot of the Laik, a poem less precise in its allusions, but clearly indicative of a number of recurrent preoccupations in Scottish advisory literature in the areas of justice and kingly minorities. The two following chapters examine The Talis of the Fyve Bestes, which gives a markedly nationalistic evocation of good kingship, and The Buke of the Chess, where Scottish advice to princes is seen at its least politically aware. In Chapter 6 advice appears in yet another genre, the devotional poem The Contemplacioun of Synnaris, where the wider associations of `kingship' with the nosce te ipsum tradition are apparent. Chapters 7 and 8 concern The Thre Prestis of Peblis and John Ireland's Meroure of Wyssdome, possibly produced around the same time, but presenting their advice in very different manners: the Thre Prestis adroitly worked and entertaining, the Meroure, highly theological and drawing strongly on continental writers, notably the sermons of Jean Gerson. In conclusion it is shown that through this context we can best appreciate the purpose and formidable execution of Robert Henryson's advice to princes fable lq The Lion and the Mouse.

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Writers and poets who wrote in the "language of Venice" are far more numerous than is commonly reported in the history of Italian literature. It is the purpose of this dissertation to present and highlight their works. / Since here we mainly deal with writers and poets of the second half of the twentieth century, for which there is no roll call, we deemed it appropriate to research and introduce them, supplying for each of them detailed biobibliographical data. / In the course of our work we tried to sketch a subdivision of the matter which keeps in mind what has been previously done, but which is also new if one takes into account the whole scope and breadth of this literature.

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John Bellenden's Chronicles of Scotland (1531-r. 1537) is a humanist Scots translation of Hector Boece's Scotorum Historia (1527). As the first full-scale printed national history in the vernacular, the Chronicles assumed a pivotal role in sixteenth-century Scottish literary culture. Despite its contemporary importance,however, relatively little critical attention has been paid to Bellenden's work itself, primarily due to the misconception that it is a neutral translation of the Scotorum Historia. However, as Bellenden successively revised his text in several stages with stylistical, ideological and material alterations, the Chronicles needs to be evaluated as an individual literary work. The <en>Chronicles reveals much about translation practice, cultural attitudes and book history in early modern Scotland. This thesis situates John Bellenden as a leading vernacular humanist whose concern to heighten the quality of vernacular Scots gave major impetus to the vernacular tradition in Scottish historiography. Chapter 1 shows how Bellenden's overall translation policy is indebted to humanist literary precepts and shows how its embodiment evolves through the course of his revision work. The following three chapters, which deal with Books 1, 12 and 16 of the Chronicles respectively, demonstrate the changing nature of Bellenden's translation and revision practice. A comparative analysis of the first manuscript version, three intermediary manuscript versions and the final printed version exhibits how Bellenden's attitude towards the Chronicles is affected by his ultimate respect for humanistic quality, and his consideration of his patrons and his audience. Chapter 5 examines the contemporary reception of the Chronicles. The conclusion seeks to reevaluate the congruity of the Chronicles with the contemporary cultural milieu and its influence on subsequent historiography and literature within and outwith early modern Scotland.

Questa dissertazione e imperniata sulla parola masca, che denota un personaggio popolare e antichissimo di genere femminile, riscontrabile esclusivamente nel folclore e nella letterature della regione italiana del Piemonte. Si attribuisce a questo personaggio la facolta rarissima di esercitare tanto il bene che il mate, a seconda de¡ casi. / La tesi si basa su ricerche storiche e linguistiche che traggono i loro dati dai recessi piu remoti della civilta celtica in territorio piemontese, dove essa e prosperata dall'inizio del 4° secolo a.C. fino al 1° secolo della nostra era, epoca alta quale questa regione fu inglobata dall'impero romano. / Basandosi su dati storici e archeologici, la ricerca prende atto di un substrato celtico persistente e profondo nella cultura e nella tradizione piu antiche del Piemonte. In modo particolare si concentra l'attenzione sulla derivazione dei personaggio della masca da una figura religiosa dei Druidi, venerata fervidamente dai Celti, i quali attribuivano a questa divinita il dualismo tipico (bene-male) che si riscontra nel personaggio oggetto di questo studio. / In seguito si traccia il discrimine tra la masca e le streghe demoniache con cui la prima e spesso e del tutto erroneamente confusa ed associata. Una volta tracciata questa distinzione si possono riallacciare i legami tra la masca e il suo sacrale pristino ove ('equilibrio sotteso tra bene e mate e permanente e inestricabile dagli attributi fondamentali della dea celtica centrale, la Grande Madre. / Le ricerche etimologiche per appurare l'origine della parola masca non fanno che confermare la dualita e l'equilibrio tra il bene e il mate inevitabilmente compresente in questa parola e nel personaggio ch'essa denota. / Si passa in rassegna la tradizione orale e la letteratura del Piemonte (tanto in lingua piemontese che in lingua italiana) per, inventariare i diversi significati che possono assumere questa parola e questo personaggio. Si perviene a dimostrare che la dicotomia di valori e di poteri contrastanti insiti nella religione dei druidi rimane ad un dipresso la stessa nel personaggio delta masca. Ci si puo imbattere in questo dualismo di valori opposti e antitetici anche in altri personaggi del folclore piemontese, strettamente connessi alta masca, quali il mascon, i1 setmin o anche in personaggi mitologici, come la faja, il faunet e il servan. / La somma di queste prove letterarie, folcloriche, archeologiche e filologiche avalla l'attribuzione di un carattere unico, non demoniaco, al personaggio della masca, che riannoda strettamente la letteratura e la tradizione orale del Piemonte alta religione dei druidi e al passato celtico, fornendo altresi scorci preziosi su uno dei capitoli piu oscuri del passato delle etnie europee.

Thesis (M.A.)--Indiana University, YEAR. / Title from screen (viewed on August 26, 2009). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jane E. Schultz, Jonathan R. Eller, Robert Rebein. Includes vita. Includes bibliographical references (leaves 80-83).

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