Doctorat en psychologie (D. Ps)--Université du Québec à Trois-Rivières, 2006. / Comprend des réf. bibliogr.: f. [118]-120. Également disponible en format microfiche.

Reproduction de : Thèse de doctorat : Lettres et arts : Lyon 2 : 2007. / Titre provenant de l'écran-titre. Bibliogr.

Thèse--Lettres et sciences humaines--Paris, 1970. / Contient la musique de nombreuses chansons spirituelles. Liste par titre des chansons citées. Bibliogr. p. 474-480. Index.

Esta tese tem como perspectiva a hipótese segundo a qual os conceitos de Eu-Pele e de Envelopes Psíquicos, desenvolvidos pelo psicanalista Didier Anzieu, permitem um viés importante na compreensão da questão da constituição dos limites e fronteiras psíquicos, nas patologias da anorexia e da bulimia na clínica psicanalítica. Tomando como eixo principal na abordagem desses quadros patológicos o tema dos limites - eu/outro, dentro/fora, corpo/psique, são discutidas as concepções dos autores Brusset, Jeammet e McDougall, referentes às condições necessárias para o estabelecimento dos limites nessas patologias alimentares. É realizado um percurso pela obra de Didier Anzieu de tal forma a permitir, a partir dos conceitos de eu-pele e envelopes psíquicos, a compreensão da teorização do autor acerca dos limites e fronteiras, que serão, posteriormente, articulados a sua presença na anorexia e na bulimia. Por fim, é possível afirmar que falhas nas funções e constituição do eu-pele e dos envelopes psíquicos, acarretam um sério comprometimento na constituição dos limites do psiquismo nas patologias alimentares da anorexia e da bulimia / This thesis is based on the perspective that the concepts of skin-ego and psychic envelope, developed by the psychoanalyst Didier Anzieu, bring an important contribution for the comprehension of the problematic of the constitution of psychic limits and boundaries in the disorders of anorexia and bulimia in the psychoanalytic clinic. Taking this as the main theoretical framework for the understanding of these pathological frames, the question of the limits - I/other, inside/outside, body/psyche - is discussed based on contributions from Brusset, Jeammet and McDougall, concerning the necessary conditions for the establishment of the limits within these pathologies. It is undertaken, therefore, a reading of the work of Didier Anzieu, in a way to allow, from the concepts of skin-ego and psychic envelope, the comprehension of the proposition of the author on the limits and boundaries for the articulation with anorexia and bulimia. Finally, we argue that the lack in the function and constitution of the skin-ego and psychic envelope, brings serious consequences to the constitution of the psychic limits in the eating disorders of anorexia and bulimia

Esta tese tem como perspectiva a hipótese segundo a qual os conceitos de Eu-Pele e de Envelopes Psíquicos, desenvolvidos pelo psicanalista Didier Anzieu, permitem um viés importante na compreensão da questão da constituição dos limites e fronteiras psíquicos, nas patologias da anorexia e da bulimia na clínica psicanalítica. Tomando como eixo principal na abordagem desses quadros patológicos o tema dos limites - eu/outro, dentro/fora, corpo/psique, são discutidas as concepções dos autores Brusset, Jeammet e McDougall, referentes às condições necessárias para o estabelecimento dos limites nessas patologias alimentares. É realizado um percurso pela obra de Didier Anzieu de tal forma a permitir, a partir dos conceitos de eu-pele e envelopes psíquicos, a compreensão da teorização do autor acerca dos limites e fronteiras, que serão, posteriormente, articulados a sua presença na anorexia e na bulimia. Por fim, é possível afirmar que falhas nas funções e constituição do eu-pele e dos envelopes psíquicos, acarretam um sério comprometimento na constituição dos limites do psiquismo nas patologias alimentares da anorexia e da bulimia / This thesis is based on the perspective that the concepts of skin-ego and psychic envelope, developed by the psychoanalyst Didier Anzieu, bring an important contribution for the comprehension of the problematic of the constitution of psychic limits and boundaries in the disorders of anorexia and bulimia in the psychoanalytic clinic. Taking this as the main theoretical framework for the understanding of these pathological frames, the question of the limits - I/other, inside/outside, body/psyche - is discussed based on contributions from Brusset, Jeammet and McDougall, concerning the necessary conditions for the establishment of the limits within these pathologies. It is undertaken, therefore, a reading of the work of Didier Anzieu, in a way to allow, from the concepts of skin-ego and psychic envelope, the comprehension of the proposition of the author on the limits and boundaries for the articulation with anorexia and bulimia. Finally, we argue that the lack in the function and constitution of the skin-ego and psychic envelope, brings serious consequences to the constitution of the psychic limits in the eating disorders of anorexia and bulimia

Esta dissertação expõe uma investigação sobre como a música pode tocar o sujeito humano, sobretudo no Real da teoria lacaniana, em uma experiência denominada, pelo psicanalista francês Alain Didier-Weill, Nota Azul, e perscrutar elementos da música que atingem o sujeito ouvinte no que ele sente e pensa o traduzir e mobilizar identificações da ordem racional e da ordem inconsciente. O trabalho constitui-se de um levantamento teórico sobre o entendimento da música como linguagem, a partir dos olhares da Linguística e da Psicanálise, expondo a forma como a música pode falar sobre os mais diversos afetos humanos aquilo que se sabe dizer sobre o que se sente e também aquilo que escapa à linguagem. Atém-se à teoria da Nota Azul, que vem falar desse lugar inapreensível pelo entendimento. Apresenta a pesquisa qualitativa realizada, composta de entrevista com cinco sujeitos músicos em escuta sobre suas experiências como ouvintes de música e sobre como se sentem tocados por ela. A análise de dados seguiu as diretrizes da análise de conteúdo de Bardin (2016). Os resultados obtidos trouxeram dados significativos sobre como a música é uma importante via da arte que tenta dar conta de questões profundas do sujeito humano. / The present dissertation exposes an investigation about the way music can touch the human subject, especially in relation to the Real in lacanian theory, in an experience called the Blue Note by French psychoanalyst Alain Didier-Weill, and examines musical elements which touch the listener in what he/she feels and thinks translating and mobilizing identifications in rational and unconscious level. The work is a theoretical research about music as language, from the Linguistics and Psychoanalysis perspective, showing the way music can talk to a variety of human affections what it is possible to be said and also what escapes from language. The theory of Blue Note talks about this place which is inapprehensible. We use qualitative research, with interviews made with five musicians when they shared their experiencies as music listeners and how they feel touched by it. The data analysis followed the content analysis guidelines by Bardin (2016). The results brought significant data about how music is an aspect of art that tries to understand deep issues about the human subject.

This dissertation examines the role the medium of comics plays in the construction and subversion of anti-Arab and Islamophobic discourse. It seeks to address the following questions in particular: how does the medium of comics interpellate subjects regarding the Western discursive formation that conflates Arab, Muslim, and terrorist? What does the medium of comics afford creators in subverting dominant discourses that dehumanize Arabs and Muslims? I argue that as a hypermedium in which text and repeated images are in continual tension, comics challenge the sort of foundational notion of truth necessary for dominant discourse. I use a Foucauldian lens to examine several comics in relation to larger discursive formations. In Chapter 1, I explain the problem, my methods, and my theory in more detail. In Chapter 2, I apply this theory as a lens to examine the rhetorical work the medium plays in subverting dominant discourse in Palestine, a nonfiction piece of comics journalism. I use Chapter 3 to problematize the assertions made in the first two chapters by looking at an instance where comics are used to reinscribe dominant discourse. Specifically, I analyze the graphic adaptation of The 9/11 Report. Chapter 4 acts as something of a retort to Chapter 3; it examines In the Shadow of No Towers to interrogate the ways in which Art Spiegelman explicitly addresses not only the issues he grappled with as a New Yorker during and after 9/11, but the complex relations of representation that arose from the event. Chapter 5 I examine how subversion works when a hypermedium is further remediated by analyzing Didier LeFevre's The Photographer: Into War-Torn Afghanistan with Doctors without Borders. The Conclusion is devoted to discussing the implications of this study, both in terms of pedagogy and in terms of theorizing the relationship and differences between image and text. I argue that comics demonstrate the productive ideological tensions that exist between modes of signification (such as verbal and visual). An understanding of this ideological tension is key for scholars of visual rhetoric and hegemonic discourse. / Ph. D.

Made available in DSpace on 2016-04-28T20:38:32Z (GMT). No. of bitstreams: 1 Beatriz Chacur Biasotto Mano.pdf: 1462970 bytes, checksum: 9f7ffd171c7d3d7a813fb9eb5ff07146 (MD5) Previous issue date: 2012-10-19 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This thesis aims at presenting a clinical model that we call the Clinic of the Container. As Clinic of the Container we formulate a psychoanalytic perspective in which the focus of attention is shifted to the Ego/Self, taking as a vertex the structure and function of psychic containment. We propose to make the containing structure of the Ego/Self an object of listening and clinical intervention: a listening, sensitive to the effects of its deformations and malformations that invariably arise in the clinic, and to intervene in order to promote changes in the containing structure of the Ego/Self. The thesis proposes the development of some metapsychological and conceptual foundations and clinical concepts underlying the clinical model proposed here: a metapsychological conception of the psychic apparatus from the perspective of psychic spatiality and its relation to the containing structure of the self, and a genetic metapsychology of the self as containing structure. Then we will present, through clinical material, the Clinic of the Container. Along the way, we will make ourselves heirs to Bion and Didier Anzieu / Esta tese tem como propósito a apresentação de um modelo de clínica que denominamos Clínica do Continente. Como Clínica do Continente formulamos uma perspectiva da clínica psicanalítica em que o foco da atenção é deslocado para o Eu, tendo como vértice sua estrutura e sua função de continente psíquico. Propomos fazer da estrutura continente do Eu um objeto de escuta e intervenção clínica: escuta sensível aos efeitos de suas deformações e más-formações que invariavelmente se apresentam na clínica, e intervir no sentido de promover transformações da estrutura continente do Eu. A tese propõe-se à elaboração de alguns fundamentos metapsicológicos e conceituais subjacentes ao modelo clínico aqui proposto: uma concepção metapsicológica do aparelho psíquico sob a perspectiva da espacialidade psíquica e sua relação com a estrutura continente do Eu; e uma metapsicologia genética do Eu como estrutura continente. Em seguida apresentaremos, através de material clínico, a Clínica do Continente. Nesse percurso, nos faremos herdeiros de Bion e Didier Anzieu

Thèse en recherche-création Cotutelle avec l'Université de Lorraine, Nancy, France / Cette thèse porte sur le récit de retour aux origines dans la littérature contemporaine française et se concentre sur des auteurs transclasses, c’est-à-dire qui ont quitté leur milieu d’origine et changé de statut social. Elle s’intéresse spécifiquement à un corpus d’auteurs originaires de régions non attractives de l’Hexagone. Elle concentre son analyse sur des textes de Nicolas Mathieu, Annie Ernaux, Didier Eribon, Édouard Louis et Raymond Depardon. Ce travail détermine d’abord ce qui est entendu par « récit de retour » en littérature, notamment lorsqu’il s’agit de représenter les campagnes qui intéressent ces auteurs. Il dégage des poétiques du retour chez chacun de ces auteurs, en observant l’hybridité générique qui les traverse : la photobiographie et le documentaire avec Depardon, le roman avec Ernaux et Mathieu, l’autobiographie avec Louis, l’essai avec Eribon. Dans un second temps, la thèse examine la temporalité et la géographie du retour, en particulier les motifs de la nostalgie et du déplacement. La thèse explore ensuite le point de vue de l’auteur, narrateur ou personnage transclasse sur son milieu d’origine, point de vue tantôt décalé, renouvelé ou surplombant. À cette recherche succède un texte de création, Je t’envoie des photos des primevères dans le sable, qui allie, en deux temps, fiction et enquête photolittéraire et qui questionne lui aussi le geste de retour aux origines en milieu rural. / This thesis focuses on the return to origins in contemporary French narratives. It examines the works of authors who left their hometown or their village and experienced social mobility. It specifically investigates the works of authors who come from post-industrial and non-touristy areas in France: Nicolas Mathieu, Annie Ernaux, Didier Eribon, Édouard Louis and Raymond Depardon. First, this work analyzes what the notion of return in literature implies, especially when French rural life is represented. The study aims to define a poetics of return for each of these texts, focusing on how these books are multi-genre or genre-bending: photobiography and documentary with Depardon, fiction with Ernaux and Mathieu, autobiography with Louis, essay with Eribon. In a second part, we examine the temporality and the geography of return, in particular nostalgia and displacement. This thesis also explores the author, narrator or character’s point of view on their background, as someone who left and changed their social status: the final chapter analyzes how this point of view has shifted, how it is renewed, but also how it can present itself as distant and apart. A creative text follows this research: titled I am sending you pictures of the primroses in the sand, it brings fiction and documentary (which includes photographs) together and reflects on the return gesture within rural areas.

« C’est seulement lorsque nous nous ouvrons à ce qui est plein de secret et plein de grâce comme à cela qui nous donne proprement à penser, qu’il nous est aussi donné de penser ce que nous tenons pour la malignité du mal », notait Heidegger au moment de méditer la vérité de l’être dans l’exploration de la dimension inouïe au sein de laquelle elle se déploie, à l'heure de mettre fin à la philosophie pour commencer seulement à penser.Comment comprendre que l’expérience du mal ait pu accompagner le chemin de la pensée ? N’est-ce pas cette singulière concomittance qui en éclaire, à l’époque du nihilisme, l’implacable urgence, ainsi que l’indifférence apparente aux questions éthiques ? Car si le mal est accessible à la pensée par delà la différence ontologique, c'est qu'il n’est pas qu’une valeur et excède la législature de la morale. Que signifie-t-il alors et que peut vouloir dire en lever le règne ?Répondre à cette question n'ira pas sans impliquer un retour sur la signification philosophique et théologique du mal, au moment d'en attester, à l'instant de penser, l'incomplétude. Le champ dans lequel Heidegger a pu de manière ou d'autre faire sienne cette tâche n’implique-t-il pas alors de soustraire au silence sa singulière relation au christianisme, dont la morale à laquelle il s'agit de retrancher la vérité du mal porte aussi la trace ?Et si la pensée de l’Ereignis s’accomplit comme surmontement de tout mal, si c’est la paix des choses et des mortels qu’il s’agit d’y construire, la résonance du silence qui structure la langue pour en faire le plus haut de ses modes et dont nous recevons en y répondant ce que nous avons de plus propre, le dire, de quelle paix la pensée en chemin peut-elle porter l'annonce ? Quel sens revêt à cet égard la responsabilité dont l’essence de la langue nous rend face à l’être, titulaires ? / As he takes to addressing the question of being, Heidegger writes: « Only when we open ourselves to what is full of secrets and full of grace as we do to something that makes us think, are we also enabled to think what we consider as the malignancy of evil. »How is one to understand that the experience of evil goes along with the path of thinking ? Is it not this concurrence alone that can explain why evil seemingly ignores ethical questions ? For one can think of evil beyond mere metaphysics as it is not only a value and overrides the laws of morality. What is, then, the meaning of evil, and what could it possibly mean to undo its domination ? Answering this question necessarily implies to reassess the philosophical, and biblical, meaning of evil, with its incompleteness being asserted as the thinking process begins. Aiming at uprooting the truth of evil out of the Christian morality, marked as it is by silence, one wonders whether the field in which Heidegger sets out to make this task his own in one way or another, indeed involves to remove silence off its special relationship to Christianity ?