Submitted by Sara Ribeiro (sara.ribeiro@ucb.br) on 2018-01-24T19:55:17Z No. of bitstreams: 1 AlexandreAntoniodeMedeirosAlvaresDissertacao2016.pdf: 3814336 bytes, checksum: 6f0cfae2ef19ebfee8c00b4ca252c94d (MD5) / Approved for entry into archive by Sara Ribeiro (sara.ribeiro@ucb.br) on 2018-01-24T19:55:42Z (GMT) No. of bitstreams: 1 AlexandreAntoniodeMedeirosAlvaresDissertacao2016.pdf: 3814336 bytes, checksum: 6f0cfae2ef19ebfee8c00b4ca252c94d (MD5) / Made available in DSpace on 2018-01-24T19:55:42Z (GMT). No. of bitstreams: 1 AlexandreAntoniodeMedeirosAlvaresDissertacao2016.pdf: 3814336 bytes, checksum: 6f0cfae2ef19ebfee8c00b4ca252c94d (MD5) Previous issue date: 2016-09-12 / It comes to this work the airing of some of the concepts and definitions of the structural aspects of television language, from the point of view of discursive semiotics, an appreciation of their serialized narrative structure. Our effort was dedicated to a narratological analysis of the series Game of Thrones, production fictional epic genre, which uses the embodiment of this narrative genre to institutionalize a sense of tonality, to Elizabeth Duarte, which transfers significant elements, narratological enclaves a literary substance to another, the televisual substance through action of transtext, seen in Genette. These characteristics, understood here as strategies for hearing adherence of Duarte, correlate the narrative structure, in view of the actantial function, as defined by Barthes: the function, the action and actant narration in the course of plot facts. Thus, the relationship between the production instance and the reception instance (one side measured by adherence to the discursive strategies and other lends credibility by identification with the dramatic stories and characters) are perceived as structuring, reorganised, mobilizing and upgraders narrative. / Apresentamos neste trabalho a retomada de alguns dos conceitos e defini????es dos aspectos estruturais da linguagem televisiva, do ponto de vista da semi??tica discursiva, numa aprecia????o de sua estrutura narrativa serializada. Nosso esfor??o dedicou-se a uma an??lise narratol??gica da s??rie Game of Thrones, produ????o de g??nero ??pico ficcional, a qual utiliza a personifica????o desse g??nero narrativo para institucionalizar uma sensa????o de tonalidade, no sentido de Elizabeth Duarte, que transfere elementos significativos, enclaves narratol??gicos de uma subst??ncia liter??ria para outra, a subst??ncia televisual, por meio da transtextualiza????o, visto em Gerard Genette. Essas caracter??sticas, entendidas aqui como estrat??gias para ader??ncia da audi??ncia de Duarte, correlacionam-se ?? estrutura da narrativa, na perspectiva da fun????o actancial, como definido por Roland Barthes: a fun????o, a a????o e a narra????o do actante no desenrolar dos fatos da trama. Dessa forma, as rela????es entre a inst??ncia de produ????o e a inst??ncia da recep????o (de um lado mensuradas pela ader??ncia ??s estrat??gias discursivas e do outro credibilizadas pela identifica????o com os dramas e personagens) s??o percebidas como estruturantes, reorganizadoras, mobilizadoras e atualizadoras da narrativa.