This thesis deals with the course of literary career and with the forms of work of Lenka Procházková, an author, whose literary career started in the turn of late seventies and early eighties in the unofficial literature. As a signee of Charta 77 and a daughter of Jan Procházka - highly acclaimed, yet unpopular for the regime after 1968 - she became a banned author, whose work could not be published within an official structure of Czech literature in the seventies and eighties. Her literary career continues until these days. In the Introduction part the reasons why our interest is aimed at Lenka Procházková in the first place are being described. The basis goals of our work are also stipulated within the Introduction section. In section Fundaments of Research hypotheses for the approach to the following analyses are introduced. In Sources of Information part all used sources are being introduced - already published literary works as well as sources unpublished or materials which have not been compiled yet (archive materials, letters, reminiscences of observers, family and friend eyewitnesses etc.) In the chapter called Life Circumstances accompanying and determining the literary career of Lenka Procházková we present a comprehensive and detailed biography of the author which cannot be found...

Dissertation work Andrej Krob follows Krob`s remarkable journey to theatre from meeting Vaclav Havel during his military service in 1957, through Krob`s arrival to Divadlo Na zabradli in the early sixties of 20th century and especially his collaboration with director Jan Grossman, next to who Krob gradually work his way up from stage technician to the director. From the numerous Krob`s productions is the attention paid to the very first one, almost unknown directorial act, student production of Kral Ubu, presented on chateau Breznice in 1964, however this dissertation is mostly dedicated to the selected and key Krob`s productions of Vaclav Havel`s plays. Meeting this author was for Krob personaly as well as for his directorial poetics progress entirely fundamental. That`s why this work describes and analyses in detail semi illegal production of Havel`s play Zebracka opera, presented by Krob in Horni Pocernice in 1975, which has became establishing production of Divadlo na tahu, as well as Krob`s production of the same play from 1995. Separate chapter of dissertation has been also dedicated to Krob`s video production of Havel`s play Pokouseni from 1988 that brings unique opportunity of artistic performance observation. This dissertation determines at the very end, based on in-depth analysis of the...

The diploma thesis, based primarily on the method of oral history, deals with selected chapters from the life of Petr Rýgr, a dissident and a person belonging to the circle of parallel culture. It is conceived as an episodic biography, while in the course of the research it follows the topic of the desire for a free life in a represive regime. The time limit corresponds to the period, called as "normalization" in socialist Czechoslovakia. The work captures the life of a dissident on a regional scale, on the border of the districts of Trutnov and Náchod. Rýgr's life is viewed in the text from several perspectives, primarily the self-concept of the protagonist, the view of his friends, and then the view of the author of the work based on the interpretation of interviews and the study of written sources. The individual chapters deal with Rýgr's adolescence, the possible degree of formation by opinion authorities, Václav Havel or Jaroslav Foglar, as well as life in a parallel, unofficial world, the issue of work duty or the October 1989 event when Petr Rýgr sent an advertisement to Rudé právo congratulating Václav Havel alias Ferdinand Vaňek on his birthday. The work subscribes to a personalistic approach, while in accordance with it, the researched personality of Petr Rýgr is perceived as a phenomenon...

The degree work deals with the last century period of the 80s and 90s in the Pilsen region. Generally, it was time of lack of freedom and intolerance when all the state power was concentrated in one political party - the Czechoslovak Communist Party. With support of police this party manipulated with citizens' dignity, rights and thinking. Through description of some civic activities the work records groups of independent thinking in the Pilsen region. These activities were source of independent atmosphere; that's why they were supervised by the state power; their protagonists were monitored and their activities were supressed. In the work the independent areas are divided into chapters: church, music, scouting, camping, ecology. Another chapter focuses on the local dissent activities. Its members were predominantly from the above mentioned groups. Last chapter deals with unofficial publishing (samizdat) in this period. The aim of the degree work is to find (or at least to outline) the starting points and reasons that finally brought members of various groups (often diametrically opposite) together on the way of independent activities, dissent and unofficial publishing (samizdat).

The text tries to bring a different point of view on what citizenship is and what it means, other than political or legal interpretation. It searches for pre-political and pre-legal basis of citizenship able to protect its rights and freedoms as defined by, for example, the Charter of Fundamental Rights and Freedoms or as legally guaranteed in democracies. The theoretical part of the text is based on treatises of Czechoslovak dissidents who examined the phenomenon of citizenship, being themselves citizens of illiberal regime. The treatises originate mainly in the 1970s and look at the citizen through the eyes of the dissent of "normalised" Czechoslovakia. The view is broadened by further interviews focusing on the topic of citizenship with three more dissidents. The goal is to find what citizenship should carry within, what it should mean in order to be able to defend its space, the space which officially belongs to it in democratic conditions.

The diploma thesis deals with the architectonic tendencies in 1980s in Czechoslovakia which were aside the stream of the official design studios and The Czech architects Union. The aim of the diploma thesis, based on the particular examples of free architectural groups, exhibitions and other activities they had in common, to create vivid and complex image of tendencies in monitored period. The situation of centralized building production is described in the introducing part - what made the youngest and middle generation of architects to attempt at the change of architectonic production and also the status of own profession. In individual chapters you can learn about syndicates "Středotlací", "Vokolo Vosmýho", "Obecní dům" and "Zlatí Orli". The first common exhibitions of graphic artists and architects in early 80s and later the exhibitions of painted/paper architecture arranged by "Technical magazine" between 1985 and 1990 are introduced in the paper. It introduces the activity of Jiří Ševčík who was the essential theorist of contemporary architecture. He devoted his work to mediate foreign, most often postmodern, theory of architecture. The thesis is trying to pass an opinion on the specific point of view of contemporary local interpretation of postmodernism and also to introduce application of...