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Sean O'Casey und das deutschsprachige Theater : 1948-1974 : empirische Untersuchungen zu den Mechanismen der Rezeption eines anglo-irischen Dramatikers / Peter Stapelberg.Stapelberg, Peter. January 1900 (has links)
Dissertation--Philosophie--Freiburg im Breisgau, 1978. / Bibliogr. p. 342-385.
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Non verba sed vim kritisch-exegetische Untersuchungen zu den Fragmenten archaischer römischer Tragiker /Lennartz, Klaus. January 1994 (has links)
Revision of the author's Thesis (Universität zu Köln, 1993). / Includes bibliographical references and index.
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Non verba sed vim kritisch-exegetische Untersuchungen zu den Fragmenten archaischer römischer Tragiker /Lennartz, Klaus. January 1994 (has links)
Revision of the author's Thesis (Universität zu Köln, 1993). / Includes bibliographical references and index.
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Höllischer Ehrgeiz und himmlische Macht : Herrschafts- und Magiediskurse im Theater der englischen Renaissance /Coffey, Alexandra. January 2009 (has links)
Thesis--Universität München, 2007. / Includes bibliographical references (p. 467-496)
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Theater im Medienzeitalter : das postdramatische Theater von Elfriede Jelinek und Heiner MüllerJaeger, Dagmar January 2007 (has links)
Zugl.: Amherst (MA), Univ., Diss., 2001
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Václav Havel a Slawomir Mrozek - absurdní divadlo za železnou oponou / Václav Havel and Slawomir Mrozek - Theater of the Absurd behind the Iron CurtainLaiblová Urban, Izabela January 2013 (has links)
Izabela Laiblová Urban Dissertation "Václav Havel and Sławomir Mrożek - Theater of the Absurd behind the Iron Curtain" Abstract: Dissertation is devoted to the analysis of dramatic works of Václav Havel and Sławomir Mrożek in the context of the Theater of the Absurd, trying to answer the question whether it is possible to include plays of these East European writers into this literary movement. Dissertation discusses the impact of political, social and cultural situation on the entry of the Theater of the Absurd behind the Iron Curtain reflecting the perception of the trend in Czechoslovakia and Poland. It describes the key thematic areas of both authors' dramatic plays, such as the relationship between humans and the system, the individual and the group as well as type of dramatic characters. It focuses also on the language of Havel's and Mrożek's plays with its several characteristics, such as phraseology taken from the language of communist propaganda as well as combining different styles - official, administrative and others. The dissertation discusses the composition Havel's and Mrożek's with their significant differences, outlined by comparing the relationship "circle - funnel", respectively "circle - spiral". The research is focused mainly on early plays of both authors. In the case of Havel's plays...
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