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The Occult as a Dramatic Device in Shakespearean TragedyGray, Myrtle Seldon 08 1900 (has links)
What this study will demonstrate is that Shakespeare's use of occult manifestations is not as superficial as it is sometimes said to be. On the contrary, it is the contention of this study that, especially in certain of the major tragedies, occult phenomena are integral to the main action, provide the play with essential motivation, and, in fact, are indispensable to a proper resolution.
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