This thesis aims to explore the relationships between dramatic texts and the Elizabethan topic of the humours. It covers Burton's Anatomy of Melancholy, Jonson's plays Every Man Out of His Humour and Every Man in His Humour, and Shakespeare's plays Hamlet and As You Like It. Each of these works provides a glimpse into society and its opinions specifically on melancholy, from its most basic and complex definitions to how it is perceived and addressed.

Through a comparison of Tennessee Williams’ Blanche in A Streetcar Named Desire and Neil LaBute’s Steph in reasons to be pretty, this thesis explores the ways in which the female position has both changed and remained relatively the same over the course of the last sixty years.

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Higher education currently seeks to increase female enrollment in STEM. Women face many challenges attempting to breach this male dominated arena with misconceptions, gender stereotypes, and few female role models. With the recent trend in higher education to encourage more women to enter the STEM disciplines and K-12 schools cutting funding for arts programs, theatre may be losing its value in the education system. The value of interdisciplinary studies is beginning to be forgotten during the grade school years as school boards battle budget cuts, but we can remind society of it through science plays. Theatre artists use other disciplines such as psychology, history, and science to enhance their work, but I argue that theatre can also help promote the needs of other disciplines. Science plays have become increasingly popular over the last two and a half decades and have done much for theatre. Science plays can assist in addressing the issues facing women attempting to enter STEM disciplines. The majority of science plays feature historical people and can therefore provide the much needed role models and address the other issues and misconceptions. To do this, science plays featuring women should target middle and high school girls as well as their teachers, parents, and guidance counselors who often discourage girls from pursing STEM interests.

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Presentation in panel, Samuel Beckett’s Dystopias.

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