1 |
L'affaire Dreyfus et les intellectuels québécois, 1894-1906 /Leblanc, Katleen. January 1998 (has links)
Mémoire (M.A.) - Université du Québec à Trois-Rivières, 1998. / Bibliogr. : f. 106-117. Le résumé et la table des matières sont disponibles en format électronique sur le site Web de la bibliothèque. CaQTU
|
2 |
The Dreyfus affair and the Chamber of Deputies, 1897 to 1899 an analytical and interpretive study /DeJohn, Wayne Anthony, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1975. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 289-297).
|
3 |
Influence of the Dreyfus affair upon prominent literary figuresJordan, Brady R. January 1926 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1926. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [289-294]).
|
4 |
Der Intellektuelle als Protagonist der Öffentlichkeit Krise und Räsonnement in der Affäre Dreyfus /Franzmann, Andreas, January 2004 (has links)
Originally presented as the authors's thesis (doctoral)--Universität, Frankfurt (Main), 2002. / Includes bibliographical references (p. 546-550).
|
5 |
Anatole France et l'Affaire Dreyfus.Cullum, Pamela. January 1968 (has links)
No description available.
|
6 |
Anatole France et l'Affaire Dreyfus.Cullum, Pamela. January 1968 (has links)
No description available.
|
7 |
The Catholic press in France on the eve of the Dreyfus Affair, 1895-1897Pieragastini, Steven. January 2009 (has links)
Thesis (M.A.)--Brandeis University, 2009. / Title from PDF title page (viewed on May 29, 2009). Includes bibliographical references.
|
8 |
Melodrama bacharelesco : um estudo estilistico da recepção do caso Dreyfus no Brasil / Melodrama "Bacharelesco" (derived from the law rhetoric) : an stylistic study of the Dreyfus affair's reception in BrazilAlmeida, Milene Suzano de 13 August 2018 (has links)
Orientador: Jeanne-Marie Gagnebin / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-13T04:15:08Z (GMT). No. of bitstreams: 1
Almeida_MileneSuzanode_M.pdf: 1702820 bytes, checksum: 12779a7120d9ef0a5ee4e2442278ef30 (MD5)
Previous issue date: 2009 / Resumo: O objetivo inicial desta pesquisa foi investigar se a história do caso Dreyfus - na qual o oficial judeu Alfred Dreyfus foi injustamente acusado de crime de traição à pátria - teria estimulado os escritores brasileiros. Porém, diferentemente da França, onde escritores como Anatole France, Marcel Proust e o próprio Émile Zola inseriram eventos do caso em seus romances, por aqui, nada foi encontrado no mesmo nível, apesar da forte presença do caso nos meios de comunicação. Partiu-se então para a análise de crônicas, artigos em revistas e outras fontes no intuito de pensar a recepção a partir de um estilo de escrita comum. Este estilo de escrita teve como fonte teórica principal o modo melodramático elaborado por Peter Brooks (1995), a partir do qual foi feita uma primeira análise dos textos encontrados nos arquivos visitados (Casa de Rui Barbosa, Arquivo Edgar Leuenroth e Arquivo Histórico Judaico Brasileiro). Feita esta primeira abordagem, buscou-se agregar um outro elemento, desta vez restrito ao universo brasileiro: um estilo bacharelesco (advindo das escolas de direito) que pareceu presente na maior parte dos textos analisados. Por fim, tentou-se compor as características deste híbrido, denominado aqui como "melodrama bacharelesco" no intuito de pensar um todo possível da recepção do caso Dreyfus no Brasil. / Abstract: The initial goal of this research was to investigate if Dreyfus affair's history - in which the jewish officer Alfred Dreyfus was unfaithfully accused of home betrayal - would have stimulated brazilian writers. Although, unlikely in France, where writers such as Anatole France, Marcel Proust and Zola himself put some affair's events inside their novels, here nothing was found on the same level, despite the affair's strong presence in brazilian media. Then, we start to analyse some chronicles, magazine articles and other sources aiming to elaborate the reception based on a common writing style. This style has as the main theoric source the melodramatic imagination by Peter Brooks (1995), based on which we analyse some of the documents found in our archive research (Casa de Rui Barbosa, Arquivo Edgar Leuenroth e Arquivo Histórico Judaico Brasileiro). After this first approach, we tried to integrate another idea, specifically attached to the brazilian scenario: an "bacharelesco" style (derived from the law rhetoric) that seemed to appear in the majority of the analysed texts. Finally, we tried to compose the caracteristics of this hybrid, here called "melodrama bacharelesco", in an attempt to achieve a large and possible understanding of of Dreyfus affair's reception in Brazil. / Mestrado / Teoria e Critica Literaria / Mestre em Teoria e História Literária
|
Page generated in 0.0263 seconds