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Adobe Acrobat fuer WindowsWunderlich, Jan 07 May 1997 (has links)
Diese Arbeit beschaeftigt sich mit dem Softwarepaket Adobe Acrobat
fuer Windows 3.xx.
Die ersten Kapitel geben eine Uebersicht ueber die Komponenten
Reader, Exchange und Distiller. Dabei werden alle angebotenen
Funktionen und Moeglichkeiten dieser Komponenten erlaeutert.
Weiterhin erfolgt eine Gegenueberstellung der Formatbeschreibungen
PDF und Postscript.
Abschliessend habe ich die gebotenen Moeglichkeiten des Softwarepaketes
untersucht und bewertet.
Zur Untermalung meiner Ergebnisse wurden im Rahmen meiner Studienarbeit
zwei Beispieldokumente erarbeitet. Alle erstellten Dokumente sind als
Postscript-Dateien erhaeltlich.
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The New Press: a not-for-profit in American publishing /McCarroll, Julie. January 2005 (has links)
Project Report (M.Pub.) - Simon Fraser University, 2005. / Project Report (Master of Publishing Program) / Simon Fraser University. Also issued in digital format and available on the World Wide Web.
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The editorial handbook: a comprehensive document to guide authors through the editorial process at Douglas & McIntyre Publishing Group /Cheung, Iva. January 2005 (has links)
Project Report (M.Pub.) - Simon Fraser University, 2005. / Project Report (Master of Publishing Program) / Simon Fraser University. Also issued in digital format and available on the World Wide Web.
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Muestra de la poesia por la red y de la actitud que habitualmente comportaPalma, Alejandro, January 2001 (has links) (PDF)
Thesis (Ph. D.)--University of Kentucky, 2001. / Title from document title page. Document formatted into pages; contains vi, 179 p. : ill. Includes abstract. Includes bibliographical references (p. 167-179).
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Not just fun with typography : remediation of the digital in contemporary print fiction /Polk, Jonathan D. January 2009 (has links)
Thesis (M.A.)--Texas State University--San Marcos, 2009. / Vita. Reproduction permission applies to print copy: Blanket permission granted per author to reproduce. Includes bibliographical references (leaves 67-68).
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Dr. [i.e. Doktor] h.c. [i.e. honoris causa] Max Winkler ein Gehilfe staatlicher Pressepolitik in der Weimarer Republik /Wermuth, Helga. January 1975 (has links)
Thesis--Munich. / Vita. Includes bibliographical references (p. 293-296).
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Xiang cun she qu bao zhi yu xiang cun she qu fa zhan jian lun xiao zhong mei jie neng fou zai Taiwan xiang jian sheng cun /Huang, Sensong. January 1900 (has links)
Thesis (M.A.)--Guo li zheng zhi da xue, 1975. / Cover title. Reproduced from typescript. eContent provider-neutral record in process. Description based on print version record.
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Betwixt and between : Turkish print culture and the emergence of a national identity 1945-1954 /Brockett, Gavin D. January 2003 (has links)
Thesis (Ph. D.)--University of Chicago, Dept. of Near Eastern Languages and Civilizations, August 2003. / Includes bibliographical references. Also available on the Internet.
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Men reading men : homophile magazines in 1950s West Germany / Homophile magazines in 1950s West GermanyBoovy, Bradley Robert 19 November 2012 (has links)
This study focuses on how homophile magazines functioned to bring homosexual men together as readers and members of unique reading publics in the wake of National Socialist persecution of homosexuals, and in the context of postwar reconstruction, cultural normalization, and the Cold War. Through a combination of close and contextualized analysis, I argue that the magazines Die Freundschaft, Die Insel, Der Weg, PAN, Hellas, and Der Ring, created a space in which contributors and readers could articulate and come to understand their experience as homosexual West Germans. Through homophile magazines, they engaged in discourses that had bearing on their lives as homosexual men, yet the magazines also spoke to their concerns and interests as men living in the early Federal Republic. Thus on the one hand, homophile magazines provided forums for debate and discussion of homosexuality and other issues of interest to readers such as the nature and genesis of same-sex desire, the “role” of the homosexual man in society, campaigns for reform of Paragraph 175, or portrayals of same-sex desire in world literature. On the other hand, I argue that homophile magazines also reflected contributors’ and readers’ engagement with other, seemingly unrelated West German
publics beyond the ones engendered by the magazines themselves. As my examination of the magazines reveals, numerous points of intersection emerged between homophile publics and the larger West German public sphere under conditions of reconstruction. As such, this study contributes to scholarship on homophile cultural production and expands our understanding of sexual publics by asking both how West German homophile magazines were unique and how they were uniquely West German. / text
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'They opened up a whole new world' : feminine modernity and the feminine imagination in women's magazines, 1919-1939Hackney, Fiona Anne Seaton January 2010 (has links)
“They opened up a whole new world”, or something like it, was a phrase I heard repeatedly when I spoke to women about their memories of magazine reading in the interwar years. How the magazine operated as an imaginative window, a frame, space or mirror for encountering, shaping, negotiating, rethinking, rejecting, mocking, enjoying, the self and others became the central question driving this thesis. The expansion of domestic ‘service’ magazines in the 1920s responded to and developed a new female readership amongst the middle classes and working-class women, preparing the way for high-selling mass-market publications. The multiple models of modern womanhood envisaged in magazines, meanwhile, from the shocking ‘lipstick girl’ of the mid-1920s to the 1930s ‘housewife heroine’, show that what being a woman and modern in the period meant was far from settled, changed over time and differed according to a magazine’s ethos and target readership. In a period that witnessed the introduction of the franchise for women, divorce legislation, birth control, the companionate marriage, cheap mortgages, a marriage bar in the workplace, growth in the number of single women and panic over population decline, amongst other things, magazines helped resolve tensions, set new patterns of behaviour and expectations. This thesis, which examines the magazine as a material artefact produced in a specific historical context, argues that its complex ‘environment’ of coloured pictures, inserts, instructional photographs, escapist fiction, chatty editorial and advertising opened women up to conscious and unconscious desires to be a sports woman, a worker, a mother, a lover, or to look like their favourite film star; a ‘window’, that is, through which women without the benefit of £500 a year and a ‘room of their own’ could gaze and imagine themselves, their lives and those of their families, differently.
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