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Proefschrift Universiteit van Amsterdam. / Met lit. opg. - Met samenvatting in het Nederlands.

In this thesis an attempt is made to show the peculiar features of Fontane's narrative style as well as his art of characterization. I have tried to interpret his concept of humaneness in the two novels, Unwiederbringlich and Effi Briest, and to show how the composition of these novels is directed to the portrait of the individual. Theodor Fontane's unusual distinction lies in his keen observation of the Prussian scene and his craftsmanship as a cosmopolitan storyteller. The principal elements of his works are a sense of historical continuity and an uncommon perception of the speech and gestures by which his characters reveal their particular virtues. In his early writings about his travels abroad and his excursions through the province of Brandenburg, he developed powers of observation and a narrative style which served him well in his major novels. His composition is picturesque. The plots are enlivened with anecdotes and surprising detail; the portraiture is subtle and precise. Fontane's portrayal of human relationships takes into account the impact of coincidences of life. His symbolism, apparent not only to his readers, but also to his characters, is simple but effective. Fontane seems to favor particularly the individual who is restricted by conventions and whose conflicts derive from these restrictions. His characters, like himself, are caught between the meaningless traditions of former times and the dawn of a new awareness. Fontane seems to favor particularly the individual who is restricted by conventions and whose conflicts derive from these restrictions. His characters, like himself, are caught between the meaningless traditions of former times and the dawn of a new awareness.

This thesis examines Theodor Fontane's novels Effi Briest and Irrungen Wirrungen and shows how he used them to express his dissatisfaction with the Berlin society of his time.

No / Next-generation 5G networks is the future of information networks and it will experience a tremendous growth in traffic. To meet such traffic demands, there is a necessity to increase the network capacity, which requires the deployment of ultra dense heterogeneous base stations (BSs). Nevertheless, BSs are very expensive and consume a significant amount of energy. Meanwhile, cloud radio access networks (C-RAN) has been proposed as an energy-efficient architecture that leverages the cloud computing technology where baseband processing is performed in the cloud. In addition, the BS sleeping is considered as a promising solution to conserving the network energy. This paper integrates the cloud technology and the BS sleeping approach. It also proposes an energy-efficient scheme for reducing energy consumption by switching off remote radio heads (RRHs) and idle BBUs using a greedy and first fit decreasing (FFD) bin packing algorithms, respectively. The number of RRHs and BBUs are minimized by matching the right amount of baseband computing load with traffic load. Simulation results demonstrate that the proposed scheme achieves an enhanced energy performance compared to the existing distributed long term evolution advanced (LTE-A) system.

Zielsetzung der vorliegenden literaturwissenschaftlichen Studie ist es, einige Romanfiguren in Fontanes Roman Effi Briest (Ersterscheinung im Jahr 1896) im Spiegel der protestantischen Ethik näher zu betrachten und dabei Verständnis für ihr Agieren und für ihre Mentalität zu bewirken. Wissenschaftlicher Ansatz der Studie ist die diskurstheoretische Analyse mit Fokus auf die Interdiskurstheorie. Diese Studie hat die Hypothese formuliert, die sagt, dass die situations- und ortsbedingte Interpretation von Religion sich zum moralischen Verständnis entwickelt, die sich im sozialen Handeln als ausschlaggebend für die jeweilige Entwicklung der Einzelnen zeigt. Um diese Hypothese zu bestätigen, hat die Studie drei zentrale Fragestellungen in den disziplinären Untergruppen Literaturwissenschaft, Soziologie und Soziokultur ausgearbeitet. Erkenntnisfortschritte dieser drei disziplinären Untergruppen werden in einer längeren und thematisch zugeordneten Analyse, miteinander und im fließenden Text verbunden, um so einen interdisziplinaren fachlichen Zusammenhang zu bilden. Am Leitgedanken der Hypothese dieser Studie orientiert, wird belegt, dass Verständnis von Religion und Kultur nicht voneinander getrennt zu verstehen sind und dass die Romanfiguren in Effi Briest, dementsprechend, ein moralisches Verständnis erwirken, mit eine für sich perspektivierende Sicht der Wirklichkeit, durch die sie im sozialen Kontext agieren. Die Studie belegt auch, dass das normengeleitete und normenorientierte Handeln der Romanfiguren in Effi Briest, durch einen normenprüfenden Diskurs an Geltung gewinnt und dass ethische Diskurse, so als Prozesse der sprachlichen Erzeugung von Realität zu verstehen sind, die aus moralischen Begründungen und moralischen Einsichten entstehen.

Objective: Listening self-efficacy refers to the beliefs, or confidence, that listeners have in their capability to successfully listen in specific situations, which may influence audiologic rehabilitation outcomes. The objective of this study was to develop and validate the Listening Self-Efficacy Questionnaire (LSEQ), which quantifies listening self-efficacy in a variety of situations where the goal of the listener is to understand speech. Study Sample: Older listeners with hearing loss (N = 169) participated in the study. Design: A factor analysis showed that the LSEQ has three subscales, with beliefs about listening capabilities relating to the following situations: (1) dialogue in quiet, (2) focusing attention on a single source, and (3) complex auditory scenes. Internal consistency reliability was excellent (Chronbach's α > .80). Results: The validity of the LSEQ was demonstrated by comparing the LSEQ scores to audiologic measures, responses on questionnaires, and to the scores for reference groups of younger and older listeners with normal hearing. Conclusion: The findings indicate that the LSEQ is a valid and reliable measure of listening self-efficacy with good potential for use in clinical and research settings.

Theodor Fontane’s famous novel Effi Briest (1895) has been widely discussed in secondary literature, and every single aspect of the novel’s complex content and style seems to have been analysed; however, the similarities in content and style between Fontane’s Effi Briest and his less known and discussed work Schach von Wuthenow (1882) have not yet been recognized. A remarkable and meaningful similarity between the two regarding the content is the portrayal of a close relationship between mother and daughter which is strongly influenced by the latter’s relation to the mother’s (former) admirer. The relationship of Josephine von Carayon and her daughter Victoire and that of Luise von Briest and her daughter Effi will be compared by means of an analysis based on Michel Foucault’s theories on discourse, truth and power; in particular, the discourse of beauty, illness, honour and love will be closely examined. A method based on Foucault’s theories facilitates an analysis of the female protagonists’ actions that is free of moral implications for the protagonists are understood in their non-freedom of action owing to their discourse-constructed identity. Since the constellations of power in which the female protagonists are living cannot be analysed without the male protagonists’ influence, the constitution of Schach and Innstetten’s characters will be closely examined, too. The analysis of the discourse of beauty and illness shows that those disourses are portrayed as inseparably connected. In the society outlined by Fontane in Schach von Wuthenow, Victoire is made an outsider due to the pockmarks in her face; during the private conversation at Prince Louis’ castle, however, the prince calls Victoire a beauté du diable whose beauty is based on the survival of a fatal disease which has resulted in a passionate character. Innstetten, on the contrary, considers Effi to be particularly beautiful when she looks pale, lethargic and frail for he connects Effi’s ill appearance with his wife finally becoming a woman. Beauty, however, is exposed as a construct in both of Fontane’s works: on the one hand, by the (in itself) contradictory argumentations of the characters; on the other hand, by the narrators who criticize and disprove the prince’s idea of Victoire, which is temporarily accepted by Schach, and Innstetten’s connection of illness, beauty and femininity. The examination of the discourse of honour and love reaches the conclusion that both of Fontanes’s works portray honour as a construct with changing truth. In Schach von Wuthenow honour is exposed and critiziced mainly by Josephine, in Effi Briest mainly by Innstetten and Luise because these characters are aware of the identity-constructing quality of the demands made by society. Nevertheless, Innstetten submits his love for Effi to the claims by the disourse of honour; Luise, however, realizes in her love for Effi a part of her human essence. Luise’s love for her daughter is completely accepted since it is considered natural; thus it turns out to be beyond the demands of honour. Josephine also acknowledges the greater truth of parental love and retreats from her strong wish to live a life in harmony with society in favour of her daughter. By means of their female protagonists, Fontane’s story Schach von Wuthenow and his novel Effi Briest demand a re-evaluation of the discourse of love. Not the love between a man and a woman but the love of a mother for her daughter is portrayed as natural and is thus considered beyond any demands of the disourse of beauty and honour.

Theodor Fontane’s famous novel Effi Briest (1895) has been widely discussed in secondary literature, and every single aspect of the novel’s complex content and style seems to have been analysed; however, the similarities in content and style between Fontane’s Effi Briest and his less known and discussed work Schach von Wuthenow (1882) have not yet been recognized. A remarkable and meaningful similarity between the two regarding the content is the portrayal of a close relationship between mother and daughter which is strongly influenced by the latter’s relation to the mother’s (former) admirer. The relationship of Josephine von Carayon and her daughter Victoire and that of Luise von Briest and her daughter Effi will be compared by means of an analysis based on Michel Foucault’s theories on discourse, truth and power; in particular, the discourse of beauty, illness, honour and love will be closely examined. A method based on Foucault’s theories facilitates an analysis of the female protagonists’ actions that is free of moral implications for the protagonists are understood in their non-freedom of action owing to their discourse-constructed identity. Since the constellations of power in which the female protagonists are living cannot be analysed without the male protagonists’ influence, the constitution of Schach and Innstetten’s characters will be closely examined, too. The analysis of the discourse of beauty and illness shows that those disourses are portrayed as inseparably connected. In the society outlined by Fontane in Schach von Wuthenow, Victoire is made an outsider due to the pockmarks in her face; during the private conversation at Prince Louis’ castle, however, the prince calls Victoire a beauté du diable whose beauty is based on the survival of a fatal disease which has resulted in a passionate character. Innstetten, on the contrary, considers Effi to be particularly beautiful when she looks pale, lethargic and frail for he connects Effi’s ill appearance with his wife finally becoming a woman. Beauty, however, is exposed as a construct in both of Fontane’s works: on the one hand, by the (in itself) contradictory argumentations of the characters; on the other hand, by the narrators who criticize and disprove the prince’s idea of Victoire, which is temporarily accepted by Schach, and Innstetten’s connection of illness, beauty and femininity. The examination of the discourse of honour and love reaches the conclusion that both of Fontanes’s works portray honour as a construct with changing truth. In Schach von Wuthenow honour is exposed and critiziced mainly by Josephine, in Effi Briest mainly by Innstetten and Luise because these characters are aware of the identity-constructing quality of the demands made by society. Nevertheless, Innstetten submits his love for Effi to the claims by the disourse of honour; Luise, however, realizes in her love for Effi a part of her human essence. Luise’s love for her daughter is completely accepted since it is considered natural; thus it turns out to be beyond the demands of honour. Josephine also acknowledges the greater truth of parental love and retreats from her strong wish to live a life in harmony with society in favour of her daughter. By means of their female protagonists, Fontane’s story Schach von Wuthenow and his novel Effi Briest demand a re-evaluation of the discourse of love. Not the love between a man and a woman but the love of a mother for her daughter is portrayed as natural and is thus considered beyond any demands of the disourse of beauty and honour.

Theodore Fontane is best known as the author of numerous women's novels, which he wrote in the last ten years of his life. This diploma thesis deals with the topic of women's emancipation on the basis of textual analysis of two latter novels by Theodore Fontane - Effi Briest and Mathilde Möhring. In the first part, it characterizes the topic of the period women's emancipation and puts the author's biography into context. In the second part, it creates the picture of position of the main women characters. The last part describes the personal development of the women characters, on the basis of which I determine how much the women's emancipation reflects in the author's work and what is his attitude towards it. This thesis deals with the interpretation of the author's intent to illustrate the creation of an advanced character like Mathilde Möhring. Key words: Theodore Fontane, women's emancipation, Effi Briest, Mathilde Möhring, development of women's characters, women's novels, interpretation, author's intent, counterpoint