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A Comparative Case Study: Investigation of a Certified Elementary Art Specialist Teaching Elementary Art vs. a Non-Art Certified Teacher Teaching Elementary ArtJensen, Jordan 13 December 2011 (has links) (PDF)
Most colleges and universities offer a general course in elementary art education to provide instruction to the elementary generalist to enable that student to later provide art instruction to students at the elementary level. This course is commonly referred to as the two-credit course in elementary art education throughout this thesis. This thesis is a case study investigation of a certified elementary art specialist and a non-art certified teacher teaching elementary art in the Subject School District in Utah. It asks and gathers data on three main questions. How is art education valuable for elementary students? What is a quality elementary art curriculum? How does an elementary art specialist change the learning experience of elementary art students? Under these three main questions the following questions are also considered: Where do teachers obtain their curricula? What research exists that describes differences between art specialists and non-art specialists teaching elementary art? What were the qualities within each art room? What types of art projects are being taught in these two different classrooms?Further, a survey was constructed to seek answers about the attitudes towards art education in the Subject School District in relation to the three questions under consideration. To ensure the maximum in statistical accuracy, the survey was sent to every elementary school in this district including all elementary administrators. The survey contained 49 statements on attitudes towards elementary art education. There were 129 elementary educators and administrators out of 2,300 from Subject School District that responded. The data from the survey was analyzed to determine where these attitudes lie and the thoughts on the importance of art education at the elementary level. The results of this survey show the typical elementary educator in Subject School District feel the arts are indeed an important part of the elementary curriculum. However, the majority do not feel fully prepared to teach a quality elementary art curriculum and feel elementary art should be taught by art specialists.
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Beyond visual imagery and imagination : a connection between art-making and the reading process /Stifel, Jessica L., January 2004 (has links)
Thesis (M.S.)--Central Connecticut State University, 2004. / Thesis advisor: Cora Marshall. " ... in partial fulfillment of the requirements for the degree of Master of Science in Art Education." Includes bibliographical references (leaves 148-159). Also available via the World Wide Web.
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Multicultural Curriculum: Models and Methods in Elementary Art EducationNa, Yoo Lim 11 August 2015 (has links)
This thesis is an analysis of existing approaches to multicultural curriculums and an original curriculum unit developed based on them. The study explores McFee and Degge’s (1977) Universal Institutions of an Evolving Culture and Related Curricular Themes in correlation with Banks’s (2009) Levels of Integration of Ethnic Content. The purpose of the study is to help educators make effective multicultural curricular choices when constructing unit lessons to give students a more comprehensive multicultural experience in art class. The goal is to understand that “culture can be a tool and a more powerful concept than language because it can be used to organize and teach more information” (Banks, p. 55).
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The incomparable means of instruction John Dewey's Art as experience applied as the conceptual foundation for kindergarten through elementary curriculum /Hefner, David Randall. January 1900 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2008. / Vita. Includes bibliographical references.
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First and second graders coming to know : the role of students and teachers in an expressive arts school /Aulgur, Linda McKay, January 1997 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 1997. / Typescript. Vita. Includes bibliographical references (leaves 200-220). Also available on the Internet.
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First and second graders coming to know the role of students and teachers in an expressive arts school /Aulgur, Linda McKay, January 1997 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 1997. / Typescript. Vita. Includes bibliographical references (leaves 200-220). Also available on the Internet.
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Visual Works of Art as a Stimulus for Linguistic References and Historical Time Conceptions in Third Grade StudentsBroadus, Cassandra Ann 05 1900 (has links)
This study investigated the relationship between visual cues in art reproductions, simple linguistic time vocabulary and children's temporal understandings. During interview sessions, 33 third-grade students attending two suburban schools were asked to place three art postcard reproductions sets in chronological order. Interviews were recorded, transcribed, and coded for analysis. Linguistic references used to represent historical time and visual cues within the art postcards which caused students to place art works in a particular time sequence were documented.
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It Will Always Be My Tree: An A/r/tographic Study of Place and Identity in an Elementary School ClassroomNeves, Molly Robertson 12 December 2013 (has links) (PDF)
This a/r/tographic research study examines how explorations of identity and place influence a sense of self. An elementary art educator investigated the roles of artist, researcher and teacher by having students create artwork individually and as a class. These pieces reflected their understanding of place and how it contributed to a sense of self. Using the methodology of a/r/tography, this teacher separated her identities of artist, teacher and researcher, and explored the complications and implications of all three in relation to her place as an elementary art specialist and her identity in the classroom. Several important understandings were drawn from this research study, specifically the idea of using art making as a learning tool to uncover identities in relation to place in an elementary classroom, the complications of working with elementary students on a deeper level due to the amount of students and the schedule of an art specialist, and the difficulties of coping with the demands placed on an art specialist.
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Facilitating Voluntary Risk-taking and Multimodal Art Instruction: Insights Gained from Preservice Elementary EducatorsHalsey-Dutton, Bonnie Rene, Halsey-Dutton, Bonnie Rene January 2016 (has links)
The purpose of this research is to examine ways that the instructional use of voluntary risk-taking and multimodality might decrease preservice elementary educators' artistic trepidation and assist them to reconceptualize elementary art education. The study investigates participant-reported impacts and insights, and inspects ways that participants utilize multimodality during course assignments. This qualitative action research study was conducted in a semester-long arts methods and materials course with 23 participants who were university preservice elementary education students. Data were collected during instruction through open-ended questionnaires, researcher fieldnotes, participant fieldnotes, course culmination projects, participant artwork, written reflections, and participant-created elementary art lesson plans. A hybrid theoretical construct utilized both multimodal and reconceptualist theories. Participant self-reported comfort ratings during the study indicate increased artistic comfort in both making art and teaching art after instruction. Findings from the study suggest the need for educators to focus on arts integration during course instruction and to address the art apprehension held by some preservice elementary educators. Insights shared confirm that recognizing preservice elementary educators' multimodal skills contributes to educational possibilities for their own future instructional practice. By facilitating voluntary risk-taking and multimodality opportunities during the teaching of art education to preservice elementary educators, this study contributes to scholarship about successful instructional strategies and the importance of contemporary arts methods.
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Možnosti rozvíjení spolupráce pedagogických pracovníků na základní umělecké škole / Development of the teaching staff cooperation at a primary art schoolHajíček, Aleš January 2014 (has links)
The diploma thesis deals with the problematics of cooperation among pedagogical employees from the point of view of executives of an elementary art school. It is devided into a theoretical and empirical part. The theoretical part specifies the concept of cooperation, sets it in the conditions of the elementary art school and describes the possibilities of cooperation control as well as approaches of the executives. Further it deals with concepts which influence the cooperation process, competences of the executives, organization structure and gender of the school director. The empirical part refers to a quantitative research which principle is questionnaire investigation of an accidentally chosen sample of directors of elementary art schools. The results of this investigation are further confirmed by interviews with the school directors and consequently with teachers. The subject of research are two experiments verifying the application of cooperation forms on this type of schools and observation of the cooperation process at the school of researcher's operation. A part of the thesis is also the overview of the results of used research methods. These are further analysed based on given hypotheses. The thesis is closed with an abstract of recommendations for the management of the elementary art...
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