Diss.--Heidelberg, 2002. / Catalogue thématique des oeuvres d'E. Mayer p. 213-311. Bibliogr. p. 313-326.

Inaug.-diss.--Munich. / Lebenslauf. "Quellen-und literaturverzeichnis": p. 93-94.

Inaug.-diss.--Munich. / Lebenslauf. "Quellen-und literaturverzeichnis": p. 93-94.

Diss.--Basel. / Vita.

Doktorsavhandling--Unmeå, 2003. / Bibliogr. p. 324-332. Résumé en anglais.

Emma Nordin: Emilie Du Châtelets analys av lycka: Upplösning av polemiken mellan illusion och förnuft. Uppsala universitet: inst. för idé- och lärdomshistoria, C-uppsats, höstterminen, 2012.   The 18th century is a time period known for its battle with superstition, illusion and falseness. With the Torch of Reason the philosophers of the time were set on vanquishing everything untrue and lead mankind into what they themselves called the Enlightenment. Happiness had moved from Heaven to Earth in science, truth and pleasure. But is it that simple? This essay will analyze and discuss the French philosopher Emilie Du Châtelet’s concept “illusion”, something she did not encourage people to vanquish, but to nourish and cherish. Her ideas of illusion did not only contradict the ideas of many of her contemporaries and predecessors, but the associations the word has today as well. Unlike many others she did not consider illusion as falseness that eliminated reason, on the contrary, only with the two combined could one be truly happy. Du Châtelet argued for the apparent oxymoron: conscious illusion. She showed how this worked in happy occasions such as love, hopes of glory and something as simple as a visit to the theatre. She did not construct these definitions and reasoning in a vacuum, but in constant debate with predecessors such as Spinoza and Hobbes and her contemporaries such as La Mettrie and Rousseau. This essay will show that the relationship between reason and illusion during the Enlightenment was more complicated than one might think and that Du Châtelet argues for a fully functioning and necessary combination of illusion, happiness and reason. Illusion was not necessarily something the philosophers of the Enlightenment saw as something oppose to, or even threatening to, their flickering Torch.

This original play, a full-length drama in two acts, is the story of the last 18 months in the life of Emilie du Châtelet. It explores the relationship between Emilie and Voltaire, who was her lover for 15 years. Theirs was a romance of not only the heart, but also of the mind, as they shared their passions for science, philosophy and intellectual discourse. Emilie was an extraordinary woman, writing what is still the definitive French translation and commentary on the work of Isaac Newton. This play introduces her to a modern audience; a woman who for centuries was relegated to a footnote in her more famous partner’s biography, she can now be discovered and celebrated for her own self. / February 2016

Thesis (M.A.)--University of Montana, 2008. / Title from title screen. Description based on contents viewed May 15, 2008. Includes bibliographical references (p. 140-146).

The purpose of this master’s thesis is to describe by a gender approach what ideas and values are expressed in the novel One Night at Bullar Lake and how they do coincide to a tendency. We also want to discuss authority and class divisions and how these can be connected to the novel and the author. Our final question is to examine in what way the voice of the female author is represented in the novel. To approach our material we use Yvonne Hirdman’s theories about the construction of sexes and Susan Sniader Lanser’s work about voices of female authors, as well as Horace Engdahl’s studies about the silent voice in literature. We also use Pierre Bourdieu’s theories regarding the discussion about class divisions and authority. The method used for analysing the novel is a descriptive idea analysis where we have developed two ideal types on the basis of Åsa Arping’s research concerning the female situation around the 1840`s. The result of the study shows a novel with several meanings. Apart from the religious theme about the revivalist movement which the novel is based on, appear questions concerning the self-fulfilment and independence of women. The novel can be seen as an example of how female authors could find a way to express themselves in a literary world dominated by men.

Diss. Umeå : Univ., 2003.