Thesis (Ph. D.--Music)--University of California, San Diego, 1997. / Vita. For 6 marimbas, 3 vibraphones, and 3 tubular bells. Includes instructions for performance in English.

Dissertation (D.M.A.)--The University of North Carolina at Greensboro, 2008. / Directed by Edward Bach; submitted to the School of Music. Title from PDF t.p. (viewed Apr. 13, 2010). Includes bibliographical references (p. 127-131).

Thesis (D.M.A.)--Columbia University, 2003. / For flute, oboe, clarinet, horn, percussion, piano, violin, viola, violoncello and double bass. Duration: 16 min. Title from v. 2 (score). Department: Music. Proquest Digital Dissertations Online ; Subscription required. Also available via the World Wide Web;

Thesis (Ph. D.)--University of California, San Diego, 2006. / Vita.

D.M.A. final project--Department of Music, Stanford University, 2008. / Includes performance instructions (p. 16-18). "This piece will employ novel notation and scoring techniques using custom-designed software for animated notation, real-time composition and performance based interactivity."--p. iv. Accompanying CD-ROM contains computer-animated software. Includes bibliographical references (p. 20).

Macula is a two-movement piece of music written for a mixed ensemble often instruments. The piece explores an aspect of visual perception in which an object seemingly becomes both larger and more detailed as it draws closer. This becomes a metaphor for the structure of the piece, where materials are gradually transformed and re-contextualized to suggest the notion of continually zooming in. The accompanying analytical paper gives a general overview of the procedures and techniques used to organize and compose the piece.

Dialectics is a musical composition for 32-instrument wind ensemble. The materials and models used in the piece are based entirely on the harmonic series and on naturally-occurring acoustical phenomena that are stretched out in time, and that undergo a variety of transformational processes. A dialectic is created between two musical principles, each based in a different manner on the concept of reverberation.

Thesis (M.A.). / Written for the Schulich School of Music. Title from title page of PDF (viewed 2008/05/13). Score preceded by analysis. Includes bibliographical references.

Thèse (Ph. D.)--Université Laval, 2007. / Titre de l'écran-titre (visionné le 5 mai 2008). Bibliogr.

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