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“The Disposable Camera” theorizes the relationship between the cinematic image and energy resources. Framed by the emergent carbon-neutral cinema, the recent UCLA report on the film industry’s environmental footprint, as well as common perceptions about digital sustainability, “The Disposable Camera” posits that cinema has always been aware of its connection to the environment, the realm from which it sources its power, raw materials and, often enough, subject matter. But because the natural environment is so inextricably embedded within film’s basic means of production, distribution and reception, its effects remain as overlooked as they are complex. “The Disposable Camera” argues that cinematic history and theory can and indeed ought to be reappraised against the emerging ascendancy of environmental politics, all films; as such, all cinema could logically be included within the analytical parameters of this project. Primary focus, however, is given to documentary cinema, as well as notable experimental and narrative films. Selected texts do not overtly represent an environmental issue; rather, they reflexively engage with and theorize themselves as films, thus addressing the technological, industrial, and resource-derived essence of the moving image. Of import here are films that reveal how specific formal or aesthetic choices evidence and critique the ideology attached to resource consumption and/ or abuse. While it composes a distinctly environmental trajectory of the cinematic image, this project likewise historicizes and critiques these same stages and also challenges the utopian and/ or apocalyptical tendencies challenging eco-politics. Additionally, “The Disposable Camera” is committed to mapping out the shift from a distinctly tangible celluloid-based cinematic infrastructure to the ostensibly immaterial form of digital filmmaking. Indeed, the tension that now pits cinema’s material past against its immaterial future corresponds with the decline of natural reality on the one hand and the rise of cyber realities on the other, a parallel condition that fully evidences the increasingly palpable overlap between environmental and cinematic politics.

The main objective of this thesis was to understand the environmental variables that affect humans psychological states when it comes to stress. More specifically, the environmental variables at the company Maintpartner AB's  new Swedish headquarters office in Årsta, Stockholm, a company concentrated on customized industrial maintenance and operation service. In my thesis I found evidence that open-plan solutions would be a stressor due to increase disturbance from coworkers. Open-plan offices could also be perceived as a stressor because of the limitation in personal control. Through implementing nature and/or integrating it via visual escape the space could be perceived as more attractive and less crowded. Maintpartner AB's administrative personnel has highly individual work tasks and therefore a need for customized workplaces.  This resulted in a design concept with separated office rooms, individually designed to meet the staffs individual need. Some areas are designed to work as meeting areas for work or social related encounters

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[Abstract]This dissertation presents the development, testing and application of a chemical film UV dosimeter based on the polymer Poly (2, 6-dimethyl-1, 4-phenylene oxide) (PPO) prepared especially for long – term high – exposure underwater use. Initial testing of the dosimeter was performed in a water tank within a controlled laboratory environment with an artificial UV source in which various optical and physical properties of the film were rigorously tested such as UV dose and depth response, cosine response, interdosimeter variation, dose rate independence, dark reaction, watermarking effect, exposure additivity and visible and UVA wavelength response. In each of these tests the PPO dosimeter displayed results proving that it could be reliably used in aquatic environments at a level of accuracy only slightly lower than what could be expected for in – air dosimetric measurements. The use of a polyethylene derived neutral density filter (NDF) was then employed with the PPO dosimeter in order to extend exposure time. Results from this investigation showed that the polyethylene NDF could extend the effective life time of the PPO dosimeter by as much as five days in early autumn. Following this the PPO dosimeter was calibrated in the field to the solar erythemal action spectrum in – air and to the solar UVB spectrum in clear water, creek water, sea water and dam water over the duration of a year. In both the in – air and underwater calibrations it was found that the response of the PPO dosimeter lasted over a much greater amount of time when compared to the more commonly used polysulphone dosimeter and also varied with the modulation of the incident solar spectrum brought on by changing SZA and fluctuations in atmospheric column ozone. Additionally, it was discovered that in – air and underwater calibration regimes could not be interchanged and that the PPO dosimeter response underwater is dependent upon water type, but only when transmission spectra differed between two water types by a difference on average of more than 5% across the UVB waveband. As a final test, the PPO dosimeter was deployed over a year to take UVB exposure measurements with the use of a custom built submersible float in three different real – world field environments that included a creek, a sea water tank and a stagnant dam. Exposures could be measured reliably up to a depth of 5 cm in the creek water and the dam water and up to and possibly beyond a depth of 35 cm in the sea water. From the sea water PPO dosimeter measurements a series of attenuation coefficients were estimated for each season. These coefficients showed reasonable agreement when compared to attenuation coefficient calculations made using a calibrated spectrometer in the same sea water, further proving the usefulness of the PPO dosimeter.

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