The purpose of this essay is to investigate the working conditions of professional photographers at the start of the 20th century. The aim of this essay is to provide a glimpse into this specific time-period with the main question: How were the working conditions for professional photographers? More specifically, this essay will provide a detailed picture that focuses on the difficulties women encountered, when attempting to make photography a legitimate professional career and combined with the traditions as wife and woman.The essay is divided into three main parts. By looking at statistical databases such as Swedish National Archive’s and other recourses, the first part establishes what Swedish society was like after the reforms that had taken place by the end of the 19th Century. Once the working conditions, and life in-general for women, are set, the second section of the essay examines the lives of specific photographers through the analyses of different categories and relevant statistics. Finally, the third part discusses the reasons why there were, at times, similar working conditions for women, and at other times, the working conditions were not equal. The analysis of the material supports a conclusion that suggests that, although there was a great deal of progress toward equality, working conditions of women professional photographers differed because of the rights married and unmarried women had in 1900.