Akademische Abhandlung--Helsingfors.

Thesis (doctoral)--Helsingin yliopisto, 1998. / Extra t.p. with thesis statement inserted. Includes bibliographical references (p. [234]-247) and index.

Thesis (doctoral)--Turun yliopisto, 2001. / Includes bibliographical references (p. 262-277) and indexes.

Thesis (doctoral)--Helsingin yliopisto, 1998. / Extra t.p. with thesis statement inserted. Includes bibliographical references (p. [234]-247) and index.

Die Studie untersucht den Erwerb der frühen Verbmorphologie im Estnischen. Als Datengrundlage der Arbeit dienen Spontansprachaufnahmen von 10 estnischsprachigen Kindern im Alter zwischen 10 und 32 Monaten.<br /> <br /> Die Studie versucht eine detaillierte Analyse des Erwerbs des estnischsprachigen Verbmorphologie vorzunehmen. Dabei werden die aufeinander folgenden Entwicklungsstadien, ihre ungefähren Altersgrenzen, sowie Erwerbsreihenfolge dargestellt und mit typologisch unterschiedlichen Sprachen verglichen. / The thesis 'The acquisition of early verbal morphology in Estonian' examines the development of the early stages of acquisition of Estonian verbal morphology.<br /> The study based on recordings of the spontaneous speech production of 10 monolingual Estonian children between the age of 10 and 32 months.<br /> More specifically the study focusses on the investigation of aspects of the acquisition of inflectional morphology which can be derived from the language specific morphophonological properties of Estonian and compared with those of typologically different languages like English.

These (Ph.D.)--Northeastern University, 2008. / Title from PDF title page. Available through UMI ProQuest Digital Dissertations. Includes bibliographical references (leaves 102-117). Also issued in print.

The aim of this thesis is to show that standard approaches to grammatical case fail to provide an explanatory account of such cases in Estonian. In Estonian, grammatical cases form a complex system of semantic contrasts, with the case-marking on nouns alternating with each other in certain constructions, even though the apparent grammatical functions of the noun phrases themselves are not changed. This thesis demonstrates that such alternations, and the differences in interpretation which they induce, are context dependent. This means that the semantic contrasts which the alternating grammatical cases express are available in some linguistic contexts and not in others, being dependent, among other factors, on the semantics of the casemarked noun and the semantics of the verb it occurs with. Hence, traditional approaches which treat grammatical case as markers of syntactic dependencies and account for associated semantic interpretations by matching cases directly to semantics not only fall short in predicting the distribution of cases in Estonian but also result in over-analysis due to the static nature of the theories which the standard approach to case marking comprises. On the basis of extensive data, it is argued that grammatical cases in Estonian have underspecified semantic content that is not truth-conditional, but inferential, i.e. it interacts with linguistic context and discourse. Inspired by the assumptions of Relevance Theory (Wilson & Sperber 1993, 2002, 2004) and Dynamic Syntax (Cann et al 2005), it is proposed that grammatical cases in Estonian provide procedural information: instead of taking cases to encode grammatical relations directly, and matching them to truth-conditional semantics, it is argued that it is more useful and explanatory to construe case marking in Estonian as providing information on how to process the case-marked expression and interpret it within an immediate discourse (or sentence). This means that grammatical cases in Estonian are seen to encode a heavily underspecified semantics which is enriched by pragmatic processes in context. In this way, certain problematic constructions in Estonian, such as transitive clauses in which the object is marked by either genitive or nominative, depending on number (often referred to as the accusative in the relevant literature, e.g. Ackerman & Moore 1999, 2001; Hiietam 2003, 2004) and constructions in which the nominative occurs on the object both with singular and plural nouns, are shown to have a unitary explanation.

Estonian composer Veljo Tormis (1930-2017) is one of the most prolific in his country’s history. A significant portion of his writing has been for choirs. Tormis composed most of his works under Soviet rule. During this communist reign of Estonia, Tormis turned to using traditional music. The source material for a large portion of Tormis’ choral output is regilaul, a type of ancient Estonian folk song. In 1991, Estonia gained their independence, thereby allowing Tormis’ compositions to be more easily seen, heard, and performed around the world. This dissertation presents a conductor’s analysis of a set of choral cycles composed by Tormis between 1964 and 1969, Looduspildid, or Nature Pictures. A set of cycles representing all of the seasons and incorporating prominent Estonian poetry, Loodispuldid represents one of Tormis’ most important works. It illustrates Tormis’ maturing style as he utilized a variety of 20th Century techniques like extended tertian harmonies, modal scales, pandiatonicism, clusters, and mixed meters. Tormis also employs his own orchestrally-derived techniques of carefully constructed simultaneous articulations along with cumulative chording. Each cycle contains its own unique style and feel. Sügismaastikud is perhaps the most tonal of the four. Most movements are pandiatonic and one uses the whole tone scale. On a macro level, Sügismaastikud moves from soft in the earlier movements to a fff climax on the final chord of the last movement. Talvemustrid also begins at a very soft dynamic level on a unison D4, grows to multiple ff dynamics throughout, and ends back at a soft dynamic on Db. The cycle is more harmonically adventurous than Sügismaastikud, with consistent chromaticism, octatonic scale, and marked dissonance. Suvenmotiivid only contains three movements, but continues the harmonic and rhythmic complexity of Sügismaastikud. The first movement, Põualim, immediately begins on a tritone with octatonic scale. Different meters occur simultaneously during the second movement, which also moves quickly through 4 keys. The final movement ends with orchestral voicing and a 10-note chord cluster. Kevadkillud contains six very short movements, most of which are pandiatonic like Sügismaastikud. There is far less chromaticism and harmonic complexity than the middle two cycles, almost as if Tormis is bringing the set full circle. Moreover, the final movement of this cycle (and the entire set) is really just one major chord with embellishments. As a set, Loodispuldid represents a thorough perspective of Tormis’ mature style. The analyses done as a part of this paper reveal an incredible efficiency in his writing. Motives have purpose and context. Each movement possesses a well-defined harmonic language and rhythmic identity. A variety of formal structures exist, from binary to rondo. Even the many through-composed movements are expertly crafted with clear direction.

This thesis utilizes a multi-perspectival cultural and media studies approach analyzing the production, filmic text, and reception of Taarka, the first film about Setos, that is advertised as a (docu)drama. However, the analysis shows that it can also be interpreted as an ethnographic film. It examines which intersecting identities related to Seto women are depicted in the film and whether audiences and critics recognize the power dynamics of these intersections. It also analyses how the Estonian cultural economic environment, the filmic text, audience comments and critics reviews reinforce or challenge hegemonies connected with these intersections. Drawing on the principles of postcolonial feminism, intersectionality, and other critical theories, the thesis concludes that even though the filmic text challenges traditional gender roles, it still reinforces the Estonians’ one-sided portrayal of an exotic, commodified Seto ethnicity. Moreover, the cultural economic environment and reception of the film also bolster this view of Seto ethnicity. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2014. / FAU Electronic Theses and Dissertations Collection

The thesis applies a modification of the concept of landscape to embody physical settings, social behaviour and affixed meanings. The argument focuses on both how a specific environment was created as well as perceived on four Estonian islands from the late seventeenth century until the present. Islands have clear natural boundaries, and thus they comprise well-defined entities. Physical environment is seen as an important factor in the formation of home and identity. Island life in Estonia was on the background of complicated power relations dominated by foreign ruling classes less restricted, and historically the islanders had better opportunities for gaining a livelihood. They were thus part of a common Baltic Sea world often passed by in native Estonian research, which has concentrated on mainland farming traditions. Living conditions on the islands were drastically changed by Soviet occupation after the Second World War when they came to belong to the strictly regulated border area towards the West. The occupation is seen as a focal point of the thesis lending it a before and after perspective. The local variation was great and therefore island communities and landscapes are critically examined in a long-term perspective focusing on settlement history, the outward signs of belonging to a place (kinship, way of doing things, skills, dialect, humour, traditions) and on landscape biography. It is argued that constant change was accommodated in the mental picture, but an abrupt one caused an idealisation of national cultural values. The mythical elements are examined after first establishing the content of the islescapes of home and of popular islescapes of the 1930s. At present, people are in the process of renewing contacts and revising their islescapes of memory and imagination into possible futures.