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Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen mit zahlreichen Notenbeispielen /Bukofzer, Manfred F., January 1936 (has links)
Issued also as inaugural dissertation, Basel. / "Notenbeispiele": 20 p. at end. "Literaturverzeichnis": p. 161-163.
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Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen mit zahlreichen Notenbeispielen /Bukofzer, Manfred F., January 1936 (has links)
Issued also as inaugural dissertation, Basel. / "Notenbeispiele": 20 p. at end. "Literaturverzeichnis": p. 161-163.
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Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice"Hamrick, David (David Russell) 12 1900 (has links)
De preceptis is considered a major source of information on the origins of fauxbourdon, despite its being regarded as a disorganized compilation of multiple authorship, uncertain date, and unknown provenance. Internal cross-reference and writing mannerisms, however, show it to be a compilation of a single author's writings. Comparison of its pedagogical content to that of other theory treatises suggests that it was written c. 1500, not the accepted c. 1480. Evidence also indicates that Guillaume Garnier, a Flemish associate of Tinctoris and Gaffurius working in Italy, was its author. De preceptis ought to be considered a source, not for the origins of fauxbourdon, but for its reception-history, evidenced by the centrality of the parallel-consonance duet in Guilielmus's composition formulas, many of which resemble the frottola.
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Zur Deutung der Begriffe Faburden - FauxbourdonWallin, Nils L. 24 March 2020 (has links)
No description available.
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›Bach-Choral‹ – Ästhetische Ansprüche und Grenzen des TonsatzunterrichtsJeßulat, Ariane 17 October 2023 (has links)
No description available.
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Kanonmodelle ›Note gegen Note‹ in der Musiktheorie des 18. JahrhundertsFroebe, Volker 17 October 2023 (has links)
No description available.
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