Thesis (M.A.)--West Virginia University, 2006. / Title from document title page. Document formatted into pages; contains v, 182 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 168-172).

Inaug.-Dis.--Breslau. / Lebenslauf. Includes bibliographical references.

No description available.

No description available.

Abstract not available

Thesis (MA--Art and Design) -- Auckland University of Technology, 2003. / Also held in print (83 leaves, col. ill., 30 cm.) in Wellesley Theses Collection. (T 791.4572 GOI)

Thesis (M.A.)--Brigham Young University. Dept. of Theatre and Media Arts, 2007. / Includes bibliographical references (p. 140-147).

Thesis (M.A.)--Bowling Green State University, 2009. / Document formatted into pages; contains vii, 103 p. : col. ill. Includes bibliographical references.

LL.M. (Commercial Law) / This research will consider to what extent fictional characters may be protected by copyright law. The discussion will concentrate on the position in the United States of America, the United Kingdom and South Africa. It appears that the reluctance to afford copyright protection to fictional characters stems from their dichotomic nature. As such, the impact of the idea/expression dichotomy will be examined as it is the key issue in determining whether a fictional character will be protected by copyright.

The character of James Bond which was first introduced in Ian Fleming’s first novel Casino Royale in 1953 and was then featured in 11 subsequent novels, 2 volumes of short stories, and 24 film adaptations has long been considered to be the ultimate man’s man. There is no feat he cannot conquer, villain he cannot best, or lady he cannot bed. However, in an examination of both the novels and the film, clues exist to Bond’s deeper psyche—most notably his repressed homosexuality. While much discussion has been had of Bond’s misogyny, in many ways it masks his true identity possibly even from himself. Utilizing a framework of theoretical analysis drawing upon Sigmund Freud, Jack Hallberstam, Judith Butler, Susan Sontag, Laura Mulvey, and Charles Klosterman (among many others), this dissertation will fully explore the character Fleming created. Additionally, by examining how the male gaze and camp elements have been utilized by the filmmakers in the Bond films, analysis will be conducted how those elements contribute to a “queerness” of the character’s film incarnations. / Includes bibliography. / Dissertation (Ph.D.)--Florida Atlantic University, 2019. / FAU Electronic Theses and Dissertations Collection