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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
31

The right to represent the transformation of Topsy in Robert Alexander's I aint yo' uncle /

Allen, Stephanie Andrea. January 2007 (has links) (PDF)
Thesis (M.S.)--Auburn University, 2007. / Abstract. Vita. Includes bibliographic references (ℓ.42-43)
32

Leilões: a utilização do fictitious play para simular o comportamento dos agentes

Craizer, Luis Eduardo 11 March 2016 (has links)
Submitted by Luis Eduardo Craizer (lecraizer@gmail.com) on 2016-09-26T19:40:04Z No. of bitstreams: 1 Dissertação - Versão Final.pdf: 1700556 bytes, checksum: 6dce561cf40774feced5f3a980199830 (MD5) / Approved for entry into archive by Janete de Oliveira Feitosa (janete.feitosa@fgv.br) on 2016-09-27T13:30:15Z (GMT) No. of bitstreams: 1 Dissertação - Versão Final.pdf: 1700556 bytes, checksum: 6dce561cf40774feced5f3a980199830 (MD5) / Approved for entry into archive by Maria Almeida (maria.socorro@fgv.br) on 2016-10-18T11:49:02Z (GMT) No. of bitstreams: 1 Dissertação - Versão Final.pdf: 1700556 bytes, checksum: 6dce561cf40774feced5f3a980199830 (MD5) / Made available in DSpace on 2016-10-18T11:49:53Z (GMT). No. of bitstreams: 1 Dissertação - Versão Final.pdf: 1700556 bytes, checksum: 6dce561cf40774feced5f3a980199830 (MD5) Previous issue date: 2016-03-11 / In an auction, both the good’s seller and the potential buyer desire to maximize their profit. The seller aims to obtain the highest possible value for the good, whereas the buyers want to win the auction paying the less they can for the object. In this scenario, this study suggests an algorithm based on the Fictitious Play, which seeks to simulate the agents’ behavior for the different kinds of auctions. In this simulation, we are also going to embed the risk aversion and try to forecast rational behavior of the agents. The main goal of the work is to make a parallel between the strategy functions, which maximize the agents’ utilities cataloged on books and texts, and the optimal strategies, which are obtained in the simulation through the usage of the proposed algorithm. / Em um leilão, tanto o vendedor quanto os potenciais compradores desejam maximizar suas receitas: no caso do leiloeiro, ele quer obter o maior valor possível pela venda de seu bem; no caso dos agentes participantes, eles desejam pagar o menor valor possível pelo objeto e, ainda assim, vencer o leilão. Tendo como base de estudo o cenário descrito, este trabalho sugere um algoritmo baseado no Fictitious Play que visa simular o comportamento dos agentes perante um certo tipo de leilão específico. Esta simulação pretende também incorporar a aversão ao risco e pretende-se prever o comportamento racional dos agentes participantes perante este cenário. O objetivo principal desta dissertação é realizar uma comparação entre as funções que descrevem as estratégias que maximizam as utilidades dos participantes já catalogadas na literatura e as estratégias ótimas que são obtidas na simulação através do algoritmo proposto.
33

Books surreptitiously printed in England before 1640 in contemporary foreign languages

Woodfield, Denis B. January 1964 (has links)
At least 65 of the books, pamphlets or broadsides printed in England in foreign vernaculars during the period covered by the Short Title Catalogue share a common characteristic: there is no clear indication anywhere on their title-pages, or within their colophons or texts, that they were printed in England and by English printers. Often the purpose of these ommissions was not so much to conceal the fact that the books were printed in England as to create a false impression that they were printed abroad. This thesis tries to resolve the various problems set by this class of book. As many as possible of the works have been identified, and bibliographical descriptions and photographs are given of all title-pages ornaments and capital initials contained in them. Although in the main printers have been identified through the presence of ornaments and initials to be found in other books which contain their full and clear imprint, occasionally supporting evidence of a different nature has been discovered and presented. The problems raised by these books are complex, and an Introduction of six chapters examines the background and origin of each individual item and attempts at the same time to trace the historical development of this distinctive branch of printing. Copies have been located in every major library in England and on the continent with the aim of discovering the trends and patterns of their sale and distribution, and it has been possible to distinguish sub-categories of these books which share a surprising number of characteristics. Thus in the period of nearly 90 years between the first of these publications, in 1552-3, and the delimiting date of 1640, there are three clear stages of evolution, each occupying approximately 30 years. The first, from 1553 to early 1584, is marked by the casual ommission of imprints. No fictitious imprints are found, and the motives of the various printers do not go beyond an implied intention to conceal the truth. The second stage begings in late 1584 and ends wwith the death of Sir Robert Cecil, Earl of Salisbury, in 1612. It was inaugurated by John Wolfe, a London printer who travelled and practised his craft in Italy and Germany before settin up shop in his own country. The privilege of printing certain profitable books was monopolised in late Elizabethan London by a small group of established printers, and newcomers often had difficulty in finding sufficient profitable material to keep their presses occupied. John Wolfe was one of these newcomers and in the course of his efforts to keep his presses busy he hit upon the idea of reprinting, in the original Italian, editions of well-known works by Machiavelli and Pietro Arentino which could no longer be produced in Italy after they had been placed on the recently-established Index Liborum Prohibitorum. There was no law of international copyright at that time, and in using fictitious impints in most of his early books in foreign vernaculars Wolfe was guided entirely by commercial considerations. English books printed in foriegn languages had a bad reputation in both foreign and domestic markets, since the insular English printer seldom had access to compositors with a reasonable grasp of foreign languages, and the occasional attempts to print in foreign vernaculars had usually resulted in inaccurate or even garbled texts. A statement made by John Charlewood to Giordano Bruno confirms this interpretation of Wolfe's motives; and it should be emphasised that at no time during this period did the English Government or the Stationers' Company express disapproval of the printing of any of these works. Wolfe naturally had his imitators. Charlewood in London and Joseph Barnes in Oxford both tried this expedient for increasing their sales of books in foreign vernaculars. Neither of them persevered, but the growing threat of Spanish invasion introduced a new motive for the use of fictitious imprints. The urgency of the times compelled Lord Burghley to write and get published a pamphlet called 'The Copie of a Letter ... to Don Bernadin de Mendoza'. This appeared in September, 1588, just after the news had been received of the English victory over the Spanish Armada. Its translation into Italian, specifically entered to John Wolfe, was produced with a fictitious imprint and it was the first piece of political propaganda to be surreptitiously printed in England in a foreign vernacular. Wolfe continued to produce books with misleading imprints for another three years, but in 1591 he virtually ceased to do his own printing and his place in this particular branch of the trade was taken by Richard Field. Field's first productions of this sort were his editions of the French translation of Burghley's pamphlet. These were followed by a group of books and pamphlets which are all but one characterised by bearing only the date, with occasionally a non-committal imprint such as "Nouvellement Imprimé". The exception, the Pedaços de Historia by Antonio Péres, bears the imprint: 'Impressoo in Leon'; but this was the only occasion that Field ever used a completely fictitious imprint. His later publications in this category consist of the books written by his Italian proof-reader, Petruccio Ubaldini, which appeared without any imprint at all, except for the date; and the books written, translated or edited by his Spanish proof-reader, Cipriano de Valera. The works produced by de Valera bear only Field's name translated into Spanish (Ricardo del Campo), and they have no geographical location. This imprint was designed to be misleading as most of these books were printed with the intention that some copies should be clandestinely exported to Spain. Thus during this second stage the motives of the authors and printers developed into a conscious aim of suggesting a false origin for their wares. The third stage extends from 1612 to the delimiting date, 164O. Salisbury does not seem to have been responsible for any surreptitiously printed political propaganda. After the death of his father he was by far the most powerful man in the English Government, and possibly it was because he did not use these tactics that no one else seems to have dared or cared to use them either. Three trends emerge in this final stage, and one of them may be noted in a pamphlet that was surreptitiously printed at the time of Salisbury's death. The surreptitiousness is only incidental, consisting of the omission of the imprint; and, as in the first stage, the imprint was left out rather because the edition was produced for a private order than because the printer had any intention to mislead or deceive. The second trend, concerned with the production of propaganda directed against particular groups of foreigners, was a continuation of the methods discovered by Wolfe and pioneered by Burghley. This had become a well-known and accepted strategem, and it was used on various occasions for definite purposes. The third trend, the production of illegal political propaganda directed against the home Government, was inaugurated in 1632 with Harper's edition of The Prince. It is hoped that this thesis will fill a gap in English bibliography. Books in English can be hard enough to identify when they contain authentic imprints. The problem becomes much more complicated when the books, although in English, were printed abroad with fictitious imprints, or when they were printed in England in foreign vernaculars but bore a fictitious imprint or no imprint at all. Messrs. Allison and Rogers have studied the problems of books printed abroad, and the present thesis tries to clear up some of the difficulties surrounding the books surreptitiously printed in England. Sixty-five titles are discussed, of which some two-thirds are not in STC.
34

The Pantalone code: patrician fatherhood unmasked in sixteenth-century Venice

Jordan, Peter Edward Rees. January 2008 (has links)
published_or_final_version / History / Doctoral / Doctor of Philosophy
35

Myopic Best-Response Learning in Large-Scale Games

Swenson, Brian Woodbury 01 May 2017 (has links)
This dissertation studies multi-agent algorithms for learning Nash equilibrium strategies in games with many players. We focus our study on a set of learning dynamics in which agents seek to myopically optimize their next-stage utility given some forecast of opponent behavior; i.e., players act according to myopic best response dynamics. The prototypical algorithm in this class is the well-known fictitious play (FP) algorithm. FP dynamics are intuitively simple and can be seen as the \natural" learning dynamics associated with the Nash equilibrium concept. Accordingly, FP has received extensive study over the years and has been used in a variety of applications. Our contributions may be divided into two main research areas. First, we study fundamental properties of myopic best response (MBR) dynamics in large-scale games. We have three main contributions in this area. (i) We characterize the robustness of MBR dynamics to a class of perturbations common in real-world applications. (ii) We study FP dynamics in the important class of large-scale games known as potential games. We show that for almost all potential games and for almost all initial conditions, FP converges to a pure-strategy (deterministic) equilibrium. (iii) We develop tools to characterize the rate of convergence of MBR algorithms in potential games. In particular, we show that the rate of convergence of FP is \almost always" exponential in potential games. Our second research focus concerns implementation of MBR learning dynamics in large-scale games. MBR dynamics can be shown, theoretically, to converge to equilibrium strategies in important classes of large-scale games (e.g., potential games). However, despite theoretical convergence guarantees, MBR dynamics can be extremely impractical to implement in large games due to demanding requirements in terms of computational capacity, information overhead, communication infrastructure, and global synchronization. Using the aforementioned robustness result, we study practical methods to mitigate each of these issues. We place a special emphasis on studying algorithms that may be implemented in a network-based setting, i.e., a setting in which inter-agent communication is restricted to a (possibly sparse) overlaid communication graph. Within the network-based setting, we also study the use of so-called \inertia" in MBR algorithms as a tool for learning pure-strategy NE.
36

Orual, a therapeutic appreciation masks, mirrors, and metamorphosis /

Heikkila, David Laurie, January 1998 (has links)
Thesis (M.C.S.)--Regent College, 1998. / Abstract and vita. Includes bibliographical references (leaves 167-176).
37

Rancidness, pain, and confusion Brett Ashley and the lack of resolution in The Sun Also Rises /

Morrison, Laurie L. January 2003 (has links)
Thesis (B.A.)--Haverford College, Dept. of English, 2003. / Includes bibliographical references.
38

Detecting masculinity the positive masculine qualities of fictional detectives /

Griswold, Amy Herring. Simpkins, Scott, January 2007 (has links)
Thesis (Ph. D.)--University of North Texas, Aug., 2007. / Title from title page display. Includes bibliographical references.
39

Harry Potter and the evolving hero archetype

Gates, Kellynn. January 2009 (has links) (PDF)
Senior Honors thesis--Regis University, Denver, Colo., 2009. / Title from PDF title page (viewed on May 12, 2009). Includes bibliographical references.
40

Opposing Buffy: power, responsibility and the narrative function of the Big Bad in Buffy the Vampire Slayer /

Lipsett, Joseph, January 1900 (has links)
Thesis (M.A.) - Carleton University, 2006. / Includes bibliographical references (p. 179-181). Also available in electronic format on the Internet.

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