Recent research studies have confirmed that curved I-girders are capable of developing substantial shear postbuckling resistance due to tension field action and have demonstrated that the AASHTO LRFD equations for the tension field resistance in straight I-girders may be applied to curved I-girders within specific limits. However, the corresponding demands on intermediate transverse stiffeners in curved I-girders are still largely unknown. Furthermore, a number of prior research studies have demonstrated that transverse stiffeners in straight I-girders are loaded predominantly by bending induced by their restraint of web lateral deflections at the shear strength limit state, not by in-plane tension field forces. This is at odds with present Specification approaches for the design of transverse stiffeners, which are based on (1) providing sufficient stiffener bending rigidity only to develop the shear buckling strength of the web and (2) providing sufficient stiffener area to resist the in-plane tension field forces. In this research, the behavior of one- and two-sided intermediate transverse stiffeners in straight and horizontally curved steel I-girders is investigated by refined full nonlinear finite element analysis. Variations in stiffener rigidity, panel aspect ratio, panel slenderness, and stiffener type are considered. New recommendations for design of transverse stiffeners in straight and curved I-girder bridges are developed by combining the solutions from the above FEA studies with the results from prior research.

The research addresses the effect of diagonal and horizontal stiffeners on shear transfer in rigid frame square knees. Rigid frame square knees are an integral component of pre-manufactured metal building systems. This paper examined a more efficient design of the rigid frame square knee. Five full-scale laboratory tests on square knee joints were performed to verify the effects of a diagonal stiffener on shear transfer. Two frames were fabricated without diagonal stiffeners, and three frames were fabricated with 1/8- inch- thick diagonal stiffeners, not extending the full diagonal length of the knee web. Experimental results, coupled with a finite element analysis, are compared to AISC provisions in Section F4: shear yielding and shear buckling, and in Section G3: tension field action. This research shows that if diagonal stiffeners are needed, then thin, shortened diagonal stiffeners are sufficient to restrain shear buckling of the knee web until shear yielding occurs.

Made available in DSpace on 2016-03-15T19:43:48Z (GMT). No. of bitstreams: 1 Antonio Xavier de Queiroz.pdf: 3828598 bytes, checksum: b4a4f127dd9bee731ba2cf317c561311 (MD5) Previous issue date: 2010-03-18 / Fundo Mackenzie de Pesquisa / This research is an invitation to the act of looking, or, in other words, to an intimate "action" towards such a different organic element called Blood, which can be either represented, or materialistically presented as a significant vehicle in the artwork at different times of Art History. Such evolution of Blood as a sthetic material will be done by analyzing the works of different artists such as: Pietro Lorenzetti, Mathias Grünewald, Annibale Carracci, Caravaggio, Artemisia Gentileschi, Francisco Goya, Pedro Américo, Gustave Moreau Frida Kahlo and Candido Portinari. Hermann Nitsch, Ana Mendieta, Gina Pane, Chris Burden, Artur Barrio, Karin Lambrecht, Marc Quinn, Betina Sor, Vanessa Tiegs e Regina José Galindo are contemporary artists, most of them representative either of the so called Body Art or of other innovative styles born after the Second World War or of Vietnam War or after 1968 movements. Anyway, all of them have blood as a fundamental and meaningful element, and this is what will be focused in this work. / Esta pesquisa é um convite à ação , ao exercício do olhar, a um olhar atento, diferenciado sobre o elemento orgânico sangue , que ora é representado, ora é apresentado e materializado como veículo expressivo na obra de arte, em diferentes momentos da história da Arte. Serão analisadas obras de diferentes artistas, tais como Pietro Lorenzetti, Mathias Grünewald, Annibale Carracci, Michelangelo Merisi, Caravaggio, Artemisia Gentileschi, Francisco Goya, Pedro Américo, Gustave Moreau, Frida Kahlo, Hermann Nitsch, Ana Mendieta, Gina Pane, Chris Burden, Artur Barrio, Karin Lambrecht, Marc Quinn, Betina Sor, Vanessa Tiegs e Regina José Galindo, em trabalhos em que o sangue se faz presente.