Learning relational terms such as verbs and prepositions is fundamental to language development. To learn relational words, children must first dissect and process dynamic event components, and then uncover how the particular language they are learning encodes these constructs. Building on a new area of research, this dissertation investigated two event components, figure (i.e., the moving entity) and ground (i.e., the stationary setting) that are central to learning relational words. In particular, we examine how English- and Japanese-reared infants process figures and grounds in nonlinguistic events and how language learning interacts with their conceptualization of these constructs. Four studies were designed to probe our questions. Study 1 examined English-reared infants' ability to form nonnative ground categories encoded only in Japanese. For example, "crossing a road," which extends in a line and is bounded, is expressed differently than "crossing a field" that extends in a plane and is unbounded. We found that infants can detect the geometry of the ground and form a nonnative ground category. Study 2 indicated that the path of an action plays a role in construing these categorical ground distinctions such that without the bounded paths infants do not differentiate between grounds. Study 3 demonstrated that even though infants notice figures and grounds in static representations of the dynamic events (even earlier for the ground discrimination), the Japanese categorical ground differentiation no longer emerged. In the last set of studies, we showed that despite the sensitivity to the event structure and categorical ground distinctions in dynamic events by both English- and Japanese-reared infants (Study 4a), only Japanese toddlers retained these categorical distinctions (Study 4b). Overall, these results suggest that 1) infants distinguish between figures and grounds in events with differential attention to static and dynamic displays; 2) before learning much about their native language infants form nonnative event categories; and 3) the process of learning language appears to shift earlier formed categorical boundaries. / Psychology

No description available.

Uppsatsen har undersökt de gotiska verbalprefixen med utgångspunkt i att de ingår i ett system, i vilket prefixen hör hemma på olika positioner före verbets stam. Syftet har varit att fastställa, om någon av dessa positioner har varit avsedd för prefix bärande särdraget State or Change of State, som inom det teoretiska ramverket Lexical Template Morphology antas bära tre variabler. Materialet har bestått av belagda kombinationer av preverbala element, samtliga påträffade förekomster av verb på miþ- och dis-, samt stickprov av verb på ana- och us-. Genom en i huvudsak morfologisk analys har fem preverbala positioner i en ordbildningsmall föreslagits, här från det yttersta till det innersta kallade P5–P1. Den semantiska undersökningen visar att P5–P3 markerar medfölje, centrum-periferi-orientering respektive polaritet. För prefix hörande till P2–P1 har de excerperade satserna med dis-, ana- och us- analyserats med avseende på de semantiska rollerna figur och grund. Prefixet dis- har kunnat ges en ny definition, vilken förklarar 31 av dess 32 förekomster. Undersökningen visar, att de tre variablerna i State or Change of State kan vara fördelade över P2–P1, samt att rollerna figur och grund är av betydelse i sökandet efter de gotiska verbalprefixens funktioner.

This thesis examines a new genre in Bible publishing: the BibleZine, a combination of the Bible with the formatting and visual elements of a teenage fashion magazine. The first BibleZine, Revolve: The Complete New Testament, appeared in the summer of 2003 and sold all of its 40,000 copies in a matter of months. This success has inspired a new line of Bible products, as several follow-up editions of Revolve and other BibleZines have flooded the marketplace. While the publisher and editors of Revolve claim that their modern creation is meant to inspire young readers to connect with the text of the New Testament, the forceful combining of the two disparate genres has produced an artifact whose form undermines and trivializes biblical content.<p> The significance of the BibleZines message extends beyond its updated magazine format. This thesis uses the theories of Kenneth Burke, George Dillon, Edwin Black, and several other rhetorical critics to reveal and critique the editorial influence found in this updated New Testament. The analysis is divided into three chapters that examine specific elements of the carefully orchestrated BibleZine, from the impact of Revolves prominent magazine-like features to the pseudo-friendships the editors create to influence its young target audience. Revolve does not represent a unique way of interpreting the Bible for a new generation. It may look contemporary in its format, but Revolve masks a materialistic and highly conservative ideology that will negatively influence its young readers in how they approach matters of identity and spirituality. My analysis will reveal the numerous ways the editors of the BibleZine use and manipulate biblical sanction in order to convey a consumeristic ideology.

This thesis examines a new genre in Bible publishing: the BibleZine, a combination of the Bible with the formatting and visual elements of a teenage fashion magazine. The first BibleZine, Revolve: The Complete New Testament, appeared in the summer of 2003 and sold all of its 40,000 copies in a matter of months. This success has inspired a new line of Bible products, as several follow-up editions of Revolve and other BibleZines have flooded the marketplace. While the publisher and editors of Revolve claim that their modern creation is meant to inspire young readers to connect with the text of the New Testament, the forceful combining of the two disparate genres has produced an artifact whose form undermines and trivializes biblical content.<p> The significance of the BibleZines message extends beyond its updated magazine format. This thesis uses the theories of Kenneth Burke, George Dillon, Edwin Black, and several other rhetorical critics to reveal and critique the editorial influence found in this updated New Testament. The analysis is divided into three chapters that examine specific elements of the carefully orchestrated BibleZine, from the impact of Revolves prominent magazine-like features to the pseudo-friendships the editors create to influence its young target audience. Revolve does not represent a unique way of interpreting the Bible for a new generation. It may look contemporary in its format, but Revolve masks a materialistic and highly conservative ideology that will negatively influence its young readers in how they approach matters of identity and spirituality. My analysis will reveal the numerous ways the editors of the BibleZine use and manipulate biblical sanction in order to convey a consumeristic ideology.