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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
221

Walt Disney ist ein Gott : eine religionspädagogische Studie zu Phänomenen impliziter Religion in der Lebenswelt der Moderne /

Ketzer, Johannes. January 2005 (has links)
Teilw. zugl.: Wien, Universiẗat, Diss., 2003 u.d.T.: Ketzer, Johannes: Die Religion des Löwenkönigs.
222

Philosophie des Films : seine ästhetischen und metaphysischen Grundlagen /

Harms, Rudolf. January 2009 (has links)
Überarb. Diss.
223

Why not a Scots Hollywood? : fiction film production in Scotland, 1911-1928

Merz, Caroline January 2016 (has links)
This thesis addresses a neglected area of British national cinema history, presenting the first comprehensive study of Scotland’s incursions into narrative film production before the coming of sound. It explores both the specificity of Scottish production and its place within the broader cultural, political and economic contexts of the British film industry at key periods in the ‘silent’ era before and after the Great War. Early film production in Scotland has been characterised as a story of isolated and short-lived enterprises whose failure was inevitable. The work problematises this view, focusing instead on the potential for success of the various production strategies employed by Scottish film-makers. It demonstrates that producers were both ambitious and resourceful in the manner in which they sought to bring their films to local, national and international screens. Previously unknown markets for these films are also identified. In 1911 the first British three-reel film, Rob Roy, made in Scotland by a Glasgow production company, reached audiences as far away as Australia and New Zealand. Scottish efforts in film production, including the development of synchronised sound systems, were not haphazard but mirrored trends in the British and worldwide film industries until the late 1920s. With the coming of sound, the costs of commercial film production represented too great a challenge for the limited resources of Scottish producers. The study encompasses a detailed exploration of efforts in feature film production; how far these productions travelled and for whom they were made; the presentation and treatment of Scottish-made films by the trade press and local newspapers and their critical reception both at home and overseas. The majority of these films are lost, but close scrutiny of contemporary publicity and archival documents including business records has enabled a detailed picture to emerge of their content, nature and production background. Scottish stories and the Scottish landscape were important to the British film industry from its earliest days, and feature films shot on Scottish locations by outside producers are also discussed. Were these the films Scots would have made, if they could?
224

The marriage of two minds: The divine deliverance of Peter Shaffer's Amadeus from stage to film

Smyth, Pamela Lou 01 January 1994 (has links)
No description available.
225

The Pleasure Center

Blackburn, Taylor 01 April 2018 (has links)
A web series pilot about a young woman who attempts to lose her virginity before starting a job in sex education.
226

Development of the documentary film in Jamaica

Rennalls, Martin Alexander January 1967 (has links)
Thesis submitted 1967; degree awarded 1968. Thesis (M.S.)--Boston University, 1968. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / This thesis is a study of the development of documentary films in Jamaica from 1938 - 1966, what has been accomplished, and how it has been achieved, as well as a critical analysis of the present situation and recommendations for improvements. The study should be of value to the country as it is the first that has been attempted in this particular field, and one of the few to be attempted by a Jamaican in the many areas of the country's development. [excerpt from Introduction]
227

ZUGZWANG

Thompson, John Ross 01 January 2022 (has links)
ZUGZWANG is a proof-of-concept short horror film following Ian Sepela, a man being haunted by the Shadow Man, a sleep paralysis demon. He must confront his past to save himself and his mother from the Shadow Man’s clutches or lose their lives just like he’d lost his father’s to the Shadow Man twenty years prior.
228

My Perfect Little Doll

(Noriega) Hagan, Tilsik 01 January 1997 (has links)
My Perfect Little Doll tells the story of a fourteen year old girl, Jenny, who lives with her adopted parents and has a fascination with dolls. Her father is a troubled man who suffers from violent mood swings due to a work-related injury. He blames the world for his ailments. Jobless and home-stricken, Jenny's father is a frustrated individual who has built up anger and resentment over the years. Without proper medication, his problem becomes severe. His mood swings lead to abusive behavior toward shy Jenny, who constantly blames herself for her father's abusive ways. Through a flashback, we learn of the special relationship that Jenny has with Laura, a classmate. Laura feels a duty to help the powerless, which leads her into a friendship with Jenny. Eventually, Jenny invites Laura to her house to seek comfort during times of chaos. Upon arrival, Laura sees one of Jenny's father's violent mood swings and his ability to slip into abusive behavior. Eventually, Laura witnesses Jenny's father's physical abuse on Jenny and tries to convince her to leave. However, Jenny is torn between the love for her father who can be a loving, gentle man, and her own need for safety. This story weaves its tale with a mixture of pathos and hope. Based on a true story, this film draws from the multileveled emotions that the situation contains. The drama is framed in reality, where even the monsters have hearts. We learn that it is the victim as much as the perpetrator who denies the problem. But what will the victim do when offered a chance to escape...?
229

Hope For A Thorn: The Making Of A Microbudget Digital Feature Film

Kitzinger, Leslie 01 January 2008 (has links)
This paper provides a look at the making of a microbudget feature film. It seeks to explain my growth as a filmmaker and an artist, through the challenges, both narrative and practical, that I encountered, as well as provide documentation following the process. Hope for a Thorn: The Making of a Microbudget Digital Feature Film includes elements from each phase of filmmaking, from script and preproduction to the marketing plan. This document shows the tremendous amount of preparation and planning that goes into the making of a microbudget digital feature film.
230

We Should Be Together: An Exploration of Acting in and Directing the Same Film

Wells, Zachery D. 26 August 2014 (has links)
No description available.

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