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<p>Uppsatsen belyser olika händelser som finns beskrivna i tre olika dystopiska filmer från 2000-talet. Uppsatsen jämför händelser i filmerna med historiska och nutida händelser i vårt samhälle. Uppsatsen försöker även visa om filmerna visar trovärdiga framtidsscenarion.</p>

The following report describes the pre-production, production and post-production of the film The Gliders of Arco-do-Santi, by tracking how diverse elements of the story changed from the original story concept into the finished film. / text

Uppsatsen belyser olika händelser som finns beskrivna i tre olika dystopiska filmer från 2000-talet. Uppsatsen jämför händelser i filmerna med historiska och nutida händelser i vårt samhälle. Uppsatsen försöker även visa om filmerna visar trovärdiga framtidsscenarion.

This thesis describes the design and construction of a Brewster Angle Microscope (BAM) to investigate monolayer films at the air/water interface. A Schiff base coordination polymer, Cu(ll) 5,5'-methylenebis(N-hexadecyl- sallcylideneamine (poly(CuMBSH)), was initially investigated using the BAM equipment. This material is being developed as the active material in vapour sensing devices produced by the Langmuir Blodgett (LB) method. Transfer of the monomer (MBSH) to the substrate was found to be poor but poly(CuMBSH) had a good deposition ratio (>0.95). The film was polymerised at the air/water interface by injecting a solution of Cu(ll) ions into the subphase. BAM was able to record the polymerisation of MBSH to poly(CuMBSH) in real time. Qualitative image analysis indicates a reordering of the material at the interface and a decrease in film thickness. The technique of BAM clearly displays the change in structure between the monomer film and the polymer film and that the poly(CuMBSH) film is homogenous at the micron level. Poly(para-phenylenevinylenes) PPV derivatives are presently being examined as potential LED devices. One method used to produce such devices is the LB method. BAM was used to investigate ordering of the monolayer prior to deposition. Results by the Physics and Engineering department indicated that if subphase contained water that had been left to stand for several days film transfer was improved. A range of BAM experiments were conducted with varying subphases to determine the cause of this effect. A new technique of determining the surface excess concentration was developed in this work which is known as Brewster Reflectivity (BAR). The reflectivity of simple surfactants; sodium dodecylbenzenesulfonate, Getyltrimethylammonium bromide, tetradecyltrimethylammonium bromide and dodecyltrimethyl-ammonium bromide at concentrations above and below the critical micelle concentration (CMC) were correlated to surface excess. This is a new, simple, non-invasive method for probing the surface excess using intrinsic properties of the system.

This study took the widely-accepted, ‘industry standard’ Structural Paradigm of feature film plotting, and ‘road tested’ it, assessing its value as a tool in the process of actually writing a feature film script. The methodology employed was to write a feature film script (titled THE ARM THAT DOES THE HARM) and look to apply the Paradigm to the writing process. Journals recording the process were kept and peer assessment undertaken. The data from these sources was then analysed and conclusions drawn. The reason for and value of this study are that, while this Paradigm is widely espoused by screenwriting gurus, taught as part of film courses and applied as a tool of script assessment and review, there is very little documented evidence of its actual value to the practice of writing a script. My findings revealed that, though a useful reference point throughout, the Paradigm is most valuable during the early stages of story structuring and again, most particularly, when editing later drafts. An important outcome of this study was that it identified the Paradigm as a valuable tool, not a rule that must be adhered to, a series of points a narrative must be seen to ‘hit’ in order for it to be considered to have been told correctly. Further, this study demonstrated in practice how this tool can be applied. This study suggests that trying to force an evolving story into the confines of the Paradigm can inhibit the story from developing ‘organically’ from its characters. Rather, the Paradigm should be applied as a tool for helping shape stories that first and foremost should be character-driven.

Includes bibliographical references (p. 119-128).

Thesis (M.A.)--Ohio University, March, 2009. / Title from PDF t.p. Includes bibliographical references.

Thesis (M.A.)--Virginia Polytechnic Institute and State University, 1992. / Vita. Abstract. Includes bibliographical references (leaves 182-187). Also available via the Internet.