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Film criticism : its relationship to economically successful films and an application of rhetoric to improving the critic's methods /Hillwig, Jack Leonard January 1980 (has links)
No description available.
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A phenomenological approach to the analysis of film viewing /Woodruff, Saundra Kay January 1976 (has links)
No description available.
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Anxieties of commentary : interpretation in recent literary, film and cultural criticism / Noel King.King, Noel January 1995 (has links)
Bibliography: leaves 277-300. / viii, 300 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of English, 1995
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Violence as (masculinist) epistemic rhetoric : a case for Memento /Avery, Robert, January 2004 (has links) (PDF)
Thesis (M.A.) in Communication--University of Maine, 2004. / Includes vita. Includes bibliographical references (leaves 90-97).
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Violence as (Masculinist) Epistemic Rhetoric: A Case for MementoAvery, Robert January 2004 (has links) (PDF)
No description available.
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A new note on the film : a theory of film criticism derived from Susanne K. Langer's Philosophy of Art /Curran, Trisha January 1978 (has links)
No description available.
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The Salta Trilogy of Lucrecia MartelJubis, Oscar 01 January 2009 (has links)
During the past decade, Lucrecia Martel has emerged as the most respected filmmaker from South America. This thesis is motivated by my conviction that Martel's films are worthy of serious engagement and critical scrutiny. It is also motivated by my curiosity about the seemingly inexhaustible pleasure and edification I derive from them. Martel describes her filmmaking as "cine de autor" (auteur cinema). Indeed, her films evidence a personal involvement in every aspect of filmmaking. This thesis will define and explore the characteristics and conditions of her authorship. This thesis constitutes an expression of the enduring usefulness of auteurist criticism. In this case, this critical approach is entirely appropriate and likely to yield the deepest insights into the films. The introduction to my thesis provides pertinent biographical information and the necessary socio-cultural context to set the stage for an intellectual immersion into her three features to date: The Swamp (2001), The Holy Girl (2004) and The Headless Woman (2008). I propose that these films constitute a trilogy that distills Martel's experience of growing up in the remote province of Salta and critiques the social and cultural forces at play in provincial Latin American life. However, no matter how specific the sense of place the films convey and how grounded they are in subjective experience, they illuminate universal aspects of being a person in the world and contain progressive prescriptions for living from which anyone can benefit. My research into the literature on the films of Lucrecia Martel failed to find any serious and thorough appraisal of Lucrecia Martelâ??s films as a trilogy. While my analysis benefits from familiarity with the available literature, the operative critical approach privileges my direct experience with the audiovisual material provided by the films. Each film will be subjected to a close reading illustrated with images from it. These readings focus sharply on certain sequences I deem crucial to the conveyance of characterization, meaning and ideology. These readings aim to think with the films rather than think against or about them. They explore the themes and issues that arise within the narratives of the films as well as the formal means by which they do.
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From formalism to Brecht the development of a political and aesthetic sensibility in Cahiers du cinema /Lellis, George. January 1976 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 1976. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 343-353).
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An evaluation and preliminary classification of guidelines used by selected journalistic film criticsBelcher, Clyde Walter, 1947- January 1974 (has links)
No description available.
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The films of Margarethe von Trotta and their reviews a feminist critical analysis /Ward, Jenifer Kay. January 1992 (has links)
Thesis (Ph. D. in German)--Vanderbilt University, 1992. / Includes bibliographical references (leaves 166-183) Also issued in print.
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