The aim of my thesis is to show based on a compilation of selected documentary films and my own creation that originated documentary department, which does not yet have a specific name . And it is a kind of documentary film in which the central protagonist of director. Based on analyzes of individual directors approach and my own experience in the end trying to create instructions or procedures , which could be used to better understand how this new documentary department directorial grab and how to treat it . In my work I will try to find rules which governed tetno direction .

The goal of my Master thesis is to sketch requirements and possibilities in scriptwriters profession and to find out, what options student have in order to work as a scriptwriter professionally. What can Department of Screenwriting and Script-editing offer to the students in order to prepare them to be successful in this field. My work is based on interviews with active professional screenwriters, questionnaires of students and last but not least, my own experience from being student and becoming professional.

The dissertation is mainly focused on the leading modi and models in communication

BBS was a unique production company focusing on poetic, dokumentary and experimental films with a special production system. Most important directors were: Huszárik, Toth, Szirtes,Gazdas,Bódy,Erdély,Szabó

This masters thesis titled "Hollywood mainstream marketing tools analysis: Has Hollywood marketing outrun the production itself?" aims to describe the state and issues of contemporary film marketing. It poses the question of whether the marketing behind the films is so sophisticated that it gets ahead of the movies. Furthermore, the thesis deals with the fact that this excessive attention to endless refinement of promotional materials for the film - together with the individual marketing tools - ultimately harms the impression from the movie in the eyes of its viewers. They can often feel dissatisfied or even defrauded. This hypothesis is demonstrated and disproved on the basis of specific examples and partial analysis.

Filmy kontroverzního polského režiséra Andrzeje Żuławského se v duchu synchronicity měnily rovněž v závislosti na trajektorii jeho osobního života. Užití duality ovšem i přesto zůstalo konzistentním principem jeho uměleckého přístupu, což zároveň přispělo k protichůdným reakcím diváků, jenž byli s jeho filmovou produkcí konfrontováni.

Thesis named The Main Dramatic Conflict In the Contemporary Czech Film analyzes what is the impact of the position of the main dramatic conflict in the structure of the five full lenght czech films made in 2014. The films are The Way Out, Fair play, Nowhere in Moravia, Three Brothers and the documentary film Into the Clouds We Gaze. The work is divided into two main parts. The firs part summarizes theoretical resources relating to the problematic of the main dramatic conflict and it also includes historic point of view. The second part appertain to five practical film analyzes that are based on films together with a screenplays. It reveals the changes that was made during the editing process and the way how they impacted the story structure.

This diploma thesis named Current Technology Trends in Film Distribution and Their Development aims to provide a comprehensive overview of video, audio and other technologies currently used in film distribution. In the introductory chapter it summarizes the history of digitalization and its impact on the discussed technologies. The work then analyzes them from different perspectives: explains their technical principles, describes their evolution, focuses on their use from the perspective of filmmakers, producers, distributors and exhibitors, discusses their financial aspects and lastly focuses on their significance within home entertainment. In one chapter it also analyzes the use of discussed technologies in the Czech film industry. Finally the thesis reflects on the future of technology in cinematography and also determines directions that in the author's opinion cinematography will take from a technological point of view.

The goal of this work is to popularize certain sound theory issues (e.g. storytelling, interactivity/immersion, sound/image perspective, semiotics). It deals with the basic sound/image and diegetic/extradiegetic relations, compiling the works of various sound theoreticians. Despite being focused on narrative film, it discusses specific features of four most common semi-narrative genres and gives a hint of sound/image relations in non-narrative and interactive audiovisual media. Apart from the sound/image/diegesis relations, this work briefly explains the synchresis phenomenon and the meaning of tight or loose sound/image synchronicity for tampering with the perspective and perception of the filmic time and space. The appendices contain some information concerning related themes – a short combinatorics column, a column explaining the three basic sound planes, the use of sound as a signifier and a longer quotation of Michel Chion’s article on rendered sound.

This thesis called dual concept of a character deals with the existence of films where the protagonist is not the main character of a viewer. The work examines on the basis of which principles this effect occurs. Then it is described, what kind of relations these characters have with each other, and how they influence each other during the narration. A few rules are set on the basis of the particular film examples, which fulfilment contributes to this effect. The aim of this work is to explain the difference between the function of a protagonist and the main character of a viewer. It also classifies types of stories, where the effect of a dual concept of a character occurs most often.