This thesis is about auteur execution of film dialogue in screenplays and also in film. By analysing four different feature films, Reservoir Dogs, Chasing Amy, Before Sunset, and Rushmore this work shows how their authors shoot conversational scenes in an innovative manner. The American Independent cinema is briefly introduced as well as the auteur theory. The choice of filmmakers and specific films is explained. The thesis subsequently demonstrates how film dialogue is being viewed by film handbooks and how a conventional dialogue scene looks like. The four analyses are based on all of this information.

Purpose of this work in to find possibilities of vizualization of music, analyze masterpiece of vizual music. There are written about relationships between arts and five senses ? mostly sight and hearing, to make clear how pictures and music work differently, several experiments of visual music on history, animation films as vizual music, composer inspirated by pictures, and writer inspirated by music. Finally there is mention about meaning of expression of art works in different forms.

The diploma thesis focuses on the phenomenon of cult film, its theoretical definition, its history from the beginning to the present days, in world vide and Czech context. Another topic is the typology of cult films, selected cult directors. The other aim are fan activities, which are essential for the acquisition of the cult status of the film. The aim of this work is to reflect the phenomenon of cult film and to analyse selected Czech films in order to find out whether these films meet the cult film criteria according to the characteristics of selected theoreticians. The resulting analysis will confirm or will rebut my hypothesis and will show whether the use of the term cult film is accidental and has its backing in the Czech environment.