Thesis (Ph. D.)--University of Washington, 2008. / Vita. Includes bibliographical references (p. 161-166).

Thesis (Ph. D.)--University of Florida, 1982. / Description based on print version record. Typescript. Vita. Includes bibliographical references (leaves 170-175).

Thesis (D. Mus. Arts)--University of Washington, 2002. / Vita. Includes bibliographical references (leaves 231-243). Includes discography and bibliography of music for flute and electronics.

Thesis (M.M.)--University of North Texas, 2001. / For flutist (flute, alto flute, piccolo and bass flute) and percussionist performing vibraphone, xylophone, woodblock, glockenspiel and marimba. Includes analysis by composer (p. i-xxxiii). Score includes performance notes. Includes bibliographical references (p. xxxiii).

Thesis (M.S.)--University of Wisconsin--Madison, 1975. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (M.A.)--University of Wisconsin--Madison, 1968. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (D.M.A.)--University of North Texas, 2005. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Mar. 25, 2002, Feb. 10, 2003, Mar. 29, 2004, and June 13, 2005. Includes bibliographical references (p. 147-149).

Thesis (doctoral)--Freie Universität, Berlin, 1961. / Includes bibliographical references (p. 7-13).

The flute literature to be discussed in this study will be limited to the first half of the eighteenth century. During that period the choice of solo instrument was often left to the discretion of the performer. Many composers marked their music flute or violin or oboe and wrote in such a manner that it could be played on either. The term “flute” often meant either the recorder or transverse flute. There recently has been an interest in reviving eighteenth century flute music, much of which was clearly intended for the transverse flute. Music intended for other media which was transcribed for flute will not be covered in this study. However, the titles of some of the early flute tutors indicate that the transcribing of “...Song Tunes, Minuets, Marches, Duets, etc.” was a popular practice.

James Wintle's, Northwest Miniatures for flute, trumpet and piano is a unique work in the chamber music repertoire. In addition, the use of auxiliary instruments makes this piece a rarity in the flute and trumpet chamber music repertoire. There are a limited number of resources presently available to performers regarding Northwest Miniatures.This dissertation provides a pedagogical performance guide addressing the inherent challenges for the flutist and this instrumentation and serves as a new resource for performers and scholars of this work. It provides a performance analysis of the piece along with pertinent pedagogical information and exercises to assist the flutist. Insight from the composer on how to address these challenges is also included. Because there are a limited number of scholarly resources available on the subject of flute and trumpet chamber music, this dissertation is a significant contribution to this genre of repertoire.