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Der Schlangenkuss Die Geschichte eines Erlösungsmotivs in deutscher Volksdichtung.Frank, Emma, January 1928 (has links)
Inaug.-Diss.--Kiel. / Lebenslauf. Includes bibliographical references.
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Die Schilderung der Natur im deutschen Minnesang und im älteren deutschen Volkslied Teilpublikation /Stoecklin, Adèle, January 1913 (has links)
Thesis (doctoral)--Universität Basel. / Issued in full form in: Quellen und Forschungen zur Sprach- und Culturgeschichte der germanischen Völker. Vita. Includes bibliographical references (p. [iii]-vii).
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State patronage of Burmese traditional music /Douglas, Gavin Duncan. January 2001 (has links)
Thesis (Ph. D.)--University of Washington, 2001. / Vita. Includes bibliographical references (leaves 245-264).
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Oneness within the diversity of music : a suite for jazz chamber ensemble in four movementsKim, Christian Jinsan 30 October 2013 (has links)
Oneness within the Diversity of Music is a four-movement suite with world music and jazz influences. The suite includes world music elements from Asian folk sources, as well as Hungarian gypsy, Hindustani, Brazilian and Argentine music. The underlying concept -- the goal of this suite, is to combine jazz language with world music elements. The musical arrangement of Oneness within the Diversity of Music integrates Asian and jazz styles. Two main styles characterize the musical arrangements throughout the suite: the Asian-influenced style, which incorporates non-harmonized linear melodic lines and multiple counter-lines in unison simultaneously, and the jazz style, with chamber strings, wind section, and piano harmonized using jazz language. / text
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When the horse runs offMaguire, Randy Allen 02 August 2011 (has links)
"When the horse runs off" is a one-act chamber opera, which features an original libretto by playwright Sarah Saltwick, and is based on a Buddhist fable. The piece is scored for four singers and six instrumentalists. Similar to the manner in which the original fable is used as a point of departure, the opera incorporates folk music of Nepal and China into a larger, more varied palette of sounds. These are places from which this fable could have originated, so this is a natural way to create a world within the piece that feels organic. / text
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'Micro-music' of the Ottoman Empire : the case of the Phanariot Greeks of IstanbulPlemmenos, John George January 2001 (has links)
No description available.
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Some surviving elements of Spanish folklore in ArizonaAcosta, Vicente Sánchez, 1918- January 1951 (has links)
No description available.
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The English mummers' plays as magical rites of passage /Moore, Grace Winifred. January 1975 (has links)
No description available.
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The Smaller the Particles the Bigger the QuestionsVice President Research, Office of the 12 1900 (has links)
Josh Folk explains how the traditional rules of physics don't make sense at the quantum-mechanical level - and how those discrepancies can be turned into opportunities.
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The laughing storyteller: metafolklore about the origins of mummers' playsLevitt, Mathew Unknown Date
No description available.
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