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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

O discurso do fotojornalismo independente na guerra do Iraque

Furtado, Orleães Alan Mendonça 28 February 2008 (has links)
Made available in DSpace on 2015-03-05T18:24:06Z (GMT). No. of bitstreams: 0 Previous issue date: 28 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / o presente trabalho investiga o fotojornalismo independente produzido durante a Guerra do Iraque (2003), ao tomar como objeto de análise o livro de fotografia Unembedded: four independent photojournalists on the war in Iraq (2005). O objetivo central dessa investigação é entender o que um livro de fotografias pode endereçar ao leitor justamente num conflito que recebeu uma extensa cobertura jornalística em outros meios de comunicação. O desenvolvimento da pesquisa está centrado em três abordagens: a examinação do livro de fotografia enquanto um processo comunicacional (uma prática fotojornalística diferenciada), a observação dos fotojornalistas independentes durante a guerra e uma análise específica do discurso do livro Unembedded. O estudo está ancorado teórica e metodologicamente em quatro autores centrais: a Semiótica de Roland Barthes e Umberto Eco acerca da fotografia e do signo visual; as abordagens do discurso fotojornalístico de John Tagg (estabelecidas a partir de uma leitura de Michel Foucault); e o / this work investigates the independent photojournalism produced during Iraq War (2003), taking as objects of analysis the photographic book Unembedded: four independent photojournalists on the war in Iraq (2005). The main objective of this investigation is understood what a book can address to a reader in a war that received a huge coverage in the mainstream media. The progress of the research is based in three ways: the examination of the photographic book while a communicative process (a specific practice in photojournalism), an examination of the independent correspondents during the war and a specific analysis of the book’s discourse. The study is theoretically and methodologically based in four central authors: the Semiotics studies of Roland Barthes and Umberto Eco about the photography and the visual communication; the analysis of the photojournalism in John Tagg (establish through the Michel Foucault’s perspective); and the studies about Sociology of Violence in John Keane. It realized that the book U

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