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Le présent travail de thèse portant sur la vie et l’œuvre de Carl Ludwig Fernow a pour principal objectif de présenter sous un jour nouveau la genèse de ses idées sur la théorie de l’art, aussi à l’égard des aspects socioculturels et anthropologiques de son temps. Pour ce qui est des principaux axes de recherche, on tentera, dans un premier temps, de reconstruire les sources philosophiques ayant nourri sa pensée esthétique et surtout les écrits de Kant, de Schiller et de Winckelmann, tout en opérant une sélection des textes les plus importants. Puis, nous nous demanderons, dans un deuxième temps, dans quelle mesure les monographies d’artistes de Fernow comportent des élans sociocritiques, se dirigeant non seulement contre la politique de formation des académies, mais également contre l’hétéronomie de la production artistique de son temps. Cet aspect sera envisagé sous la forme d’une comparaison de la monographie d’Arioste à celles d’Antonio Canova et d’Asmus Jakob Carstens. La troisième partie sera consacrée à une présentation synthétique des idées esthétiques de Fernow, afin d’évaluer, de façon cohérente et sous un nouveau jour, de l’originalité de sa conception de l’art autonome. / AThe main target of the present study is to reconstruct the genesis of the esthetical ideas of the German art theoretician and writer Carl Ludwig Fernow (1763-1808), whose work and intellectual importance has been recently rediscovered and revalued by several researches. Carl Ludwig Fernow’s name is particularly related to the art discussion of the so called “Weimarian art friends”, the circle of amateurs of beauty who assembled very famous members and personalities such as Goethe, Schiller and Meyer. However, Fernow has always acted in the shadow of these main actors, trying to make him known as an author. Thus, quite a number of his publications and articles in German appeared in German well known revues such as “The Propylees”, “The new Mercury” or “The journal of fashion and luxury” have never been touched a large public, but still would merit a closer look, based on a reexamination of the role he played for the formation of the movement of art’s autonomy, in order to show his art theory, resuming his main ideas and concepts concerning the character, the ideal of beauty and the enthusiasm of the artiste, which he personally considered as the principal components of genuine art expression representing the key to real artistic creation.

Zugl.: Stuttgart, Univ., Diss.

Zugl.: Tübingen, Univ., Diss., 2008

Slightly revised version of her dissertation (Ph. D.), Universität-Bremen, 1999--Cf. p. (7). / Anhang presents the aphorisms chiefly discussed, those by Jean Paul, Novalis, and Friedrich Schlegel. Includes bibliographical references (p. 110-115).

Zugl.: Jena, Univ., Magisterarbeit

Made available in DSpace on 2014-06-11T19:25:25Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-06-29Bitstream added on 2014-06-13T20:53:14Z : No. of bitstreams: 1 divino_le_me_arafcl.pdf: 316312 bytes, checksum: b04a67d25620506838b643550182ef05 (MD5) / O seguinte trabalho consiste em uma análise de um romance, Lucinde, escrito por Friedrich Schlegel em 1799. Este romance situa-se no período literário alemão conhecido como Primeiro Romantismo, em alemão Frühromantik. Tal período encontra-se entre os anos de 1798 e 1804. Um dos principais objetivos do trabalho é estudar a construção do romance de Schlegel, e descrever a alegoria, bem como seu emprego como forma de expressão estética, a qual compete decisivamente para a criação de um romance romântico. Como se vê em Lucinde, os românticos enfatizavam o caráter ficcional da obra literária e a reflexão sobre a criação e o ato criador. Com isso, por meio da alegoria e da poética romântica, estudamos os mecanismos para a formação da poesia romântica: a Poesia Universal Progressiva. A pesquisa também descreve o grupo de Jena, isto é, os Primeiros Românticos alemães e seu programa literário. Além desse estudo, o trabalho busca uma fonte para os principais conceitos presentes no programa literário dos românticos. Assim, a pesquisa descreve acerca dos gregos antigos, e principalmente a respeito de Heráclito de Éfeso, que já ditava os pressupostos para a totalidade da natureza humana, os quais seriam depois descritos na poética dos Primeiros Românticos e no próprio romance de Schlegel, como se vê neste trabalho. / The following paperwork consists of an analysis of a novel, Lucinde, written by Friedrich Schlegel in 1799. This novel is situated in the German literary period know as the Early Romanticism, or Frühromantik in German. That period is found between the years of 1798 and 1804. One of the main goals of this work was to study the building blocks of Schlegel's novel, and to describe the allegory, as well its use as an esthetic way of expression, which was decisive for the creation of a romantic novel. As we can see in Lucinde, the romantics emphasize the fictional character of a piece of work and the reflection of the creation and the creation act. Thus, with the allegory and the romantic poetics we can make a study upon the formation of a romantic poetry: the Progressive Universal Poetry. This paper also describes the Jena group, we mean, the German Early Romanticism and their literary program. Besides this study, this research paper describes a source for the main concepts found in the romantic literary program. This way, the paper describes a little about the ancient Greeks, mainly about Heraclites of Ephesus, who has already talked about the totality of the human nature which was later described by the Early Romantics and can be also found in Schlegel's novel, as we can see in this paper.

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Univ., Habil--Köln, 2007.