Thesis--Université de Montréal, 1967. / Includes bibliographical references (p. v-viii).

Thesis (B.A.Hons.) -- University of Adelaide, Dept. of History, 1981. / Typescript (photocopy).

No description available.

Thesis (M.A.)--Michigan State, 1973. / Typescript. Includes bibliographical references (p. 95-98).

"The Enchanted Plantation: Literature, Speculation, and the Credit Economy in Virginia, 1688-1754" examines the beginnings of a regionally-based literary culture in colonial Virginia and focuses specifically on texts that either originate from, or have close ties to, the colony's political and administrative capital at Williamsburg. The dissertation argues that literary practices and literary production in Virginia at this time were crucial to the imagination and material construction of Virginia's unevenly-developed plantation landscape, specifically as this plantation landscape arose within the new speculative and financial markets of the early eighteenth century. Individual chapters demonstrate how reading, writing, and publishing--practices that enabled, and were enabled by, a transatlantic empire built upon speculation and credit--were increasingly tied to land speculation and a managerial ethos of plantation administration. While surveying and bringing to light the many genres and writers associated with Virginia and its capital during this period (including financial literature by government officials, public oratory and ballads in Williamsburg, quitrent poetry, the periodical culture of the Virginia Gazette, and William Byrd II's historical narratives), the dissertation analyzes how Virginia's early literary culture assisted in both creating and managing the Virginia plantation as a slave society, a colonial contact zone, and a scene of financial investment.

An examination of reporting during the First World War by Montreal’s two most respected newspapers shows that these newspapers articulated divergent messages about the war and domestic events. This thesis argues that during the First World War, Le Devoir refused to be limited by the traditional impassive reporting style of Montreal’s managerial class newspapers, but the Montreal Gazette did not. Where Le Devoir became more defiant and aggressive in its defence of Francophone rights, the Gazette managed to appear more detached even as it reported the same events. This divergence is important because it represents a larger pattern of wartime change taking place as quality dailies gambled their reputations on the ideals of their owners and editors. Each newspaper carefully constructed their attempts to influence public opinion, but where Le Devoir was responding to what it considered a crisis, the Gazette’s interests and alliances mandated loyalty and a calmer tone.

No description available.

Master of Arts / This thesis suggests how studying material culture can yield important insight into the lives of 18th-century craftswomen in scholarship and at public history sites, where they have historically been minimally interpreted. Objects and their physical features reveal important insights that go beyond existing written records, especially for populations that have been excluded from or misrepresented in historical records. This research utilizes The Virginia Gazette, a newspaper produced by Clementina Rind before the Revolutionary War, to show her involvement in early American discussions and events. It also addresses how material culture can be used to teach visitors about the 18th-century women who labored in other non-domestic trades, including blacksmiths, bookbinders, silversmiths, and carpenters. Applying these methods can help scholars and public history audiences think more critically about diverse perspectives within and contributions to early American history.

Master of Music / Department of Music / Craig B. Parker / Igor Stravinsky and Aldous Huxley maintained a sincere and abiding friendship for nearly two decades while both men were living in Los Angeles, California. Huxley’s command of music literature and understanding of musical concepts promoted a vital exchange of ideas between the two men. By the time of their meeting in Hollywood, each man appreciated the importance of the other in his field of expertise, despite Huxley’s negative criticisms of Stravinsky’s music in the 1920s. This mutual respect led to collaborations between Stravinsky, Huxley, and the American conductor Robert Craft on a series of concert-lectures and recordings. Stravinsky esteemed his friend so highly that he was compelled to dedicate a composition that he had been writing at the time of Huxley’s death to the writer’s memory. This paper includes a chapter of biographical information on Aldous Huxley, a chapter detailing the friendship of Stravinsky and Huxley in chronological order, a chapter about Huxley’s criticisms of Stravinsky’s music, a chapter about Huxley’s concert collaborations with Stravinsky and Craft, and a chapter detailing the compositional history and techniques of Stravinsky’s Variations for Orchestra (in Memory of Aldous Huxley). The first appendix lists additional meetings between Stravinsky and Huxley, as detailed in the writings of Igor Stravinsky, Vera Stravinsky, and Robert Craft. The second appendix is a chronological list of all Huxley writings mentioning Stravinsky.

The dissertation examines how economic matters were depicted between 1770 and 1820 in two European kingdoms. Britain and Sweden are studied during this Age of Revolutions from the state’s perspective; state-managed newspapers are examined, one from Britain, the London Gazette, and two from Sweden, Stockholms Post-Tidningar and Inrikes Tidningar. These were stable types of media that transformed slowly alongside the changing popular press. State-managed newspapers were produced both to inform and manage the loyalty of populations. Aside from the continued development of the centralized state, this was also the time when Enlightenment ideals were spreading, the public sphere was transforming, notions of the nation and nationalism were developing, and communication strategies were changing; these concepts are the basis for the model of the development of modernity used in this study. Economic matters are seen as existing in a value-realm model that gradually disintegrated over time, expressing the birth of the modern world. This model included political, social-cultural, and technological values, in addition to economic matters. This disintegration involved a sense of uniformity. In both Britain and Sweden, economic objects, practices, ideas, and discourses received similar treatments over time. This process was, however, non-linear and not complete by the dawn of industrial transformation.   The first two chapters discuss the theory and methodological approaches. The form, order, and content of the newspapers are analyzed to show how economic matters became separate or unembedded to varying degrees over a fifty-year time span. British and Swedish descriptions are compared, as well as how the other state was portrayed in the opposing newspapers. These observations are described in three empirical chapters, relating events and analyses from 1770 to 1775, 1790 to 1795, and 1815 to 1820. The results of this dissertation show how early modern economic matters can be viewed beyond quantitative contents as an expression of becoming modern, offering complimentary context. Advances in thinking about data generated modern numerical indicators, also reflected by form and order qualities. The unembeddedness of economic matters was an ongoing and non-linear process that was expressed by increased abstractness, separation, and emphasis.