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1	“A FRIEND FROM FAR AWAY”: BERTOLT BRECHT AND HIS CHINESE-INFLUENCED WORKS Qiao, Yiyuanfang 01 January 2016 (has links) In the theatre field, Bertolt Brecht could be counted as a representation of cross-cultural phenomenon. His Verfremdungseffekt theory, Marxist beliefs and wide application of Chinese elements made him a significant stop for every person in theatre who has a passion for Chinese culture. For this reason, I am studying Brecht as a representative innovator who adapted the Eastern Asian elements, especially those from China, into his work, to illustrate this cultural phenomenon and the artistic achievement of his works as well. As an old saying in the Confucian Analects, “Isn’t it delightful to have friends coming from far away? ”, Brecht is like an old friend of China even though he never went to there. Since his works have been introduced into China from 1930s to 1940s, research of Brecht experienced ups and downs through the different political eras. Even now, Brecht’s theory and practice still has a deep impact on the Chinese drama. I particularly focus on Brecht’s works toward China, and try to illustrate them based on the former research from the European and American scholars as well as from Chinese scholars. I will clarify the Chinese traditional philosophy as the foundation of the whole thesis as well as the beginning of the first chapter, and analyze the Chinese-styled abstraction of Brecht’s poetry. In Chapter Two, I will illuminate the interaction between Brecht and traditional Chinese opera based on Huang Zuolin’s research. In addition, I will clarify the long-term misunderstanding that Chinese drama had for Brecht. In Chapter Three, I will focus on A Good Woman of Sichuan and The Caucasian Chalk Circle as representations to interpret the relationship between Brecht’s and the original versions as well as the Chinese philosophy that Brecht’s version has employed. Finally, the conclusion contains not only the summary, but also the possibilities for Brecht research in the future. Hopefully my work could balance both the objective truth and my personal thoughts, and contribute to the ones who may need them in the future. Brecht Chinese Culture Cross-cultural Interaction Eastern Philosophies Mei Lanfang Good Woman of Setzuan Caucasian Chalk Circle
2	Wilde's Women : A feminist study of the female characters in Oscar Wilde’s comedies of manners: Lady Windermere’s Fan, A woman of No Importance and An Ideal Husband Weber, Minon January 2017 (has links) Towards the end of the 19th century, Wilde produced the three comedies that I will focus on in this essay. These plays, Lady Windermere’s Fan, A woman of No Importance and An Ideal Husband, are all comedies of manners: intelligent dramatic comedies satirising contemporary fashionable circles of society and its manners, as well as social expectations. This type of comedy is often represented by stereotypical characters, such as the fallen woman, the good woman and the young innocent maiden, all three of which I will investigate in this essay. oscar wilde wilde comedies of manners victorian England society Victorian Society patriarchy feminism A Woman of No Importance An Ideal Husband Lady Windermere's Fan Rita Felski Felski patriarchal society transgressing gender boundaries gender boundaries fallen woman fallen women good women good woman stereotypes theatre play plays comedies Oscar Wilde feminism Oscar Wilde plays Specific Literatures Litteraturstudier Specific Languages Studier av enskilda språk

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“A FRIEND FROM FAR AWAY”: BERTOLT BRECHT AND HIS CHINESE-INFLUENCED WORKS

Wilde's Women : A feminist study of the female characters in Oscar Wilde’s comedies of manners: Lady Windermere’s Fan, A woman of No Importance and An Ideal Husband