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Out of the Shadows: The Mezzotints of Graeme PeeblesCraig, Gordon January 2005 (has links)
Out of the Shadows: The Mezzotints of Graeme Peebles investigates Victorian printmaker Graeme Peebles' engagement with the mezzotint medium since the early 1970s. Over fifty works from the artist's oeuvre of nearly 300 mezzotints are examined to demonstrate Peebles' high quality technical skills and his unique approach to subject matter. This has ranged from enigmatic, surrealist-inspired subject matter to landscapes of the Lake Eucumbene region in the Kosciusko National Park, which range from the ominous and foreboding to the romantic and sublime. In this thesis I explore the intellectual groundwork on which much of Peebles work is based. In doing so I am redressing the imbalance between the popularity of Peebles' work and the lack of critical writing about his art. While his work has been widely collected (see for instance the list of Public Collections that contain holdings of Peebles' work, on page 96), to date his work has not received the attention as deserved by a master of their chosen medium. In reviewing his work in such a manner I believe that Peebles deserves greater recognition in contemporary Australian Art. In conjunction with this thesis I have curated an exhibition bearing the same title, which was displayed at the QUT Art Museum, Brisbane, 12 March - 30 May 2004. It then toured to the Latrobe Regional Gallery, Warrnambool Art Gallery, Geelong Gallery, Gold Coast City Art Gallery and Perc Tucker Regional Gallery. A 16-page colour catalogue was also produced to accompany the exhibition.
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Digging Up Interest in the Past: An Evaluation of Public Archaeology and Site Interpretation at Graeme ParkMacBride, Laura January 2014 (has links)
Both academic and professional archaeologists have realized the need to include the public in their work, whether it be volunteers in the field and/or laboratory, or outreach programs that aim to engage the public in new and innovative ways. Ten excavations were conducted at Graeme Park from 1958 to 1997, yet none of the projects utilized a Public Archaeology approach in the methodology. Although some of the data was used to reconstruct outbuildings and features as well as supplement the way the site is presented to the public, no efforts were made to directly include the staff, volunteers, and/or visitors. There are three glaring reasons as to why the archaeology and site interpretation have lacked synergism over the last fifty years. The first issue is a dearth of academically driven research. The majority of excavations were under the management of the Pennsylvania Historical & Museums Commission; Public Archaeology was not a goal of the state department given limited time and finances. Secondly, the budget of the PHMC has been drastically cut and historic sites across the state have been shut down or forced to function on very limited budgets. This has resulted in the creation of anachronistic or irrelevant programming that brings in revenue, but veer from the mission statement of Graeme Park. Finally, as a result of the budget cuts, the historic site lacks a full-time staff member to oversee programs and archaeological projects. I propose a plan for future site interpretation that brings together archaeology and historic site interpretation, citing Stenton House as an example of successful integration between the two. / Anthropology
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Perspective vol. 37 no. 3 (Sep 2003)Fernhout, Harry, Crapo, Ruthanne, Tucker, Ansley M. 30 September 2003 (has links)
No description available.
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Perspective vol. 37 no. 3 (Sep 2003) / Perspective (Institute for Christian Studies)Fernhout, harry, Crapo, Ruthanne, Tucker, Ansley M. 26 March 2013 (has links)
No description available.
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NewswireVice President Research, Office of the January 2008 (has links)
No description available.
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