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Graffiti als kriminologisches und strafrechtsdogmatisches Problem /Wolf, Ingmar, January 2004 (has links)
Thesis (doctoral)--Universiẗat, Augsburg, 2004. / Includes bibliographical references (p. 247-269).
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O grafite de Alexamenos: o cotidiano na imagem do grafite e a magia da imagemMunhoz, Marcos Martinez 25 September 2017 (has links)
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Previous issue date: 2017-09-25 / The objective of this study is to discuss the various meanings attributed to the Alexamenos Graffito. This piece of graffiti, possibly produced between the 1st and 3rd century AD, was discovered on a wall in the proximity of the Palatine Hill, in Rome, and depicts the unique image of a man with a donkey-like head and a crucified human body. This research addresses art in its communicational aspect, focusing on the imagery representation of a mythical ensemble. The methodology involves literature review, historical and anthropological investigation and document analysis. A historical and anthropological approach is employed to attempt to understand the relations of the image in places of worship, from prehistoric times to the artistic production that contextualizes the artist’s interference in Rome. The problematic of this study is developed under the aegis of the image system in Western religious thought. The discussion centers on the representation processes of mythical imagery from rock art to the art of graffiti, which encompasses the Alexamenos Graffito. The object at hand is always observed in its materiality and investigated from the theoretical framework developed by the semiotics of culture. Moreover, this study incorporates textual collaborations from scholars such as Hans Belting and Margot Berthold. With this theoretical underpinning, this thesis focuses mainly on indicating a mythical presence and its communicational interferences in the image of the Alexamenos Graffito—which are potentially interwoven into the everyday life of a certain community within a spatial and cultural context. The results suggest an image that provides a mimetic representation of facts on the wall by the artist, among the everyday temporal events of Rome / O presente trabalho tem como objetivo discutir os vários sentidos atribuídos ao Grafite de Alexamenos. Trata-se de um grafite produzido possivelmente entre os séculos de I e III d.C., descoberto em uma parede nas proximidades do monte palatino, em Roma, e que representa a singular imagem da cabeça de um equino com o corpo humano crucificado. A pesquisa aborda a arte em seu aspecto comunicacional apontando um conjunto mítico de representação imagética. A metodologia envolve revisão bibliográfica, pesquisa histórica e antropológica e análise documental. A partir da abordagem histórica e antropológica, buscou-se compreender as relações da imagem nos ambientes de culto, desde a pré-história até a produção artística que contextualiza a interferência do artista em Roma. A problemática deste trabalho se desenvolve sob a égide do sistema imagético no pensamento religioso ocidental. Discute-se, assim, a os processos de representação da imagem mítica desde os grafismos rupestres até a arte do grafite no qual se situa o grafite de Alexamenos. O objeto em questão é sempre observado em sua materialidade e investigado a partir do arcabouço teórico desenvolvido pela semiótica da cultura. Além disso, traz colaborações textuais de estudiosos como Hans Belting e Margot Berthold. Com essa sustentação teórica, esta tese tem como foco principal indicar uma presença mítica e suas interferências comunicacionais na imagem do grafite de Alexamenos possivelmente, imbricadas no cotidiano de uma determinada comunidade contextualizada espacialmente e culturalmente. Os resultados apontam para uma imagem que traz a mimética de fatos na parede por seu artista, dentre os acontecimentos temporais cotidianos de Roma
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Graffites et société en Gaule lyonnaise : contribution à l'étude des inscriptions gravées sur vaisselle céramique / Graffiti and society in Gallia Lugdunensis : contribution to the study of engraved inscriptions on pottery tablewareAndrieu, Morgane 28 November 2015 (has links)
L'écriture latine est l'un des principaux outils permettant d’étudier la période gallo-romaine. Les contacts entre Romains et indigènes ont favorisé sa diffusion à l'ensemble de la Gaule. Bien que peu de traces nous soient parvenues, l'écriture est un précieux témoignage du passé et l'objectif de cette thèse est d'en étudier l'usage quotidien dans les capitales de cité de Gaule Lyonnaise à travers l'exemple des cités d'Autun, Chartres et Sens. Pour cela, notre étude s'appuie sur l'analyse desinscriptions gravées (graffites) sur vaisselle céramique. La vaisselle en céramique constitue un objet du quotidien accessible à toute la population gallo-romaine et un support épigraphique non périssable. Ainsi, les graffites sur céramique font partie des rares témoignages à notre disposition pour comprendre le quotidien épigraphique des gallo-romains. La première partie de ce travail a consisté à recenser l'ensemble des graffites sur céramique découverts à Autun, Chartres et Sens. Les missions organisées avec l'aide des différentes équipes de bénévoles et le soutien financier du Centre archéologique européen (Bibracte), celui du Ministère de la Culture et celui de l'Université Paris-Sorbonne (Paris IV) nous ont permis de recenser un total de 676 graffites dont la plupart sont inédits. Tous sont répertoriés, illustrés et commentés dans le catalogue de cette thèse. L'étude du corpus intègre les inscriptions, leur analyse linguistique etpaléographique ainsi que leur support et leur contexte de découverte. Les messages transmis par ces inscriptions sont divers (indications de contenu, mesures, voeux, dédicaces, etc.) mais la plupart consistent en des marques d'appartenance incisées sur de la vaisselle de qualité. L'étude révèle des pratiques épigraphiques similaires dans les trois cités et la confrontation des résultats avec les données issues des études précédentes montre que ces codes épigraphiques dépassent largement les frontières de la Gaule Lyonnaise. / Latin writing is one of the main types of evidence for studying the Gallo-Roman period. Contacts between Romans and natives have favoured its spread throughout Gaul. Although few traces have remained, writing is a valuable testimony of the past and the objective of this thesis is to study its everyday use in the capital cities of Gallia Lugdunensis through the examples of Autun, Chartres and Sens (France). Therefore, this study is based on the analysis of the incised inscriptions (graffiti) on pottery tableware which was an everyday object accessible to the entire Gallo-Roman population and made of a non-perishable material. Thus, graffiti on pottery are among the rare examples at our disposal to understand the daily epigraphic habits of the Gallo-Roman population. The first part of this work was to identify all graffiti on pottery discovered in Autun, Chartres and Sens. The missions, which were possible thanks to the help of volunteers and to the financial support of the European Archaeological Centre (Bibracte), the Ministry of Culture and Paris-Sorbonne University, allowed us to identify a total of 676 graffiti, most of them are unpublished. All are listed, illustrated and discussed in the catalogue of this thesis. The study of the corpus includes the inscriptions, their linguistic and palaeographic analysis, the identification and the dating of their support and context of discovery. The messages transmitted by these inscriptions were different contents, wishes, dedications, etc.), but most consisted of ownership marks incised on quality crockery. The study reveals similar epigraphic practices in the three cities and the comparison with the results of previously published studies shows that these epigraphic codes are used far beyond the borders of Gallia Lugdunensis.
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