No description available.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1928. / Typescript. With this is bound: Gold standard Democrats and the party conflict / by James A. Barnes, reprinted from the Mississippi valley historical review, vol. XVII, no. 3 (Dec. 1930), p. 422-450. Includes bibliography.

Thesis (Ph. D.)--University of Chicago, 2002. / "December 2002." Includes bibliographical references (p. 152-159). Also available on the Internet.

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David Ray Griffin claims that the commonly perceived conflict between religion and science, or between religious and scientific assertions is primarily that of worldview, or philosophical stance. Science is predominantly associated with the philosophy of materialistic naturalism, whereas religion is predominantly associated with supernaturalism. Griffin believes that the conflict between these worldviews can be overcome by a mutual modification based upon the tenets of process philosophy, thus allowing for one integrated worldview. In science this modification involves the adoption of a minimal as opposed to a maximal form of naturalism. In religion, this modification involves the adoption of naturalistic as opposed to supernaturalistic theism. Griffin argues that each respective domain would be more coherent and fruitful if these modifications were to be made. This study examines the details of this argument, and considers whether Griffin's process offering is religiously and scientifically compelling, or whether it is simply potentially philosophically satisfying.

Thesis (Ph.D.)--Ohio University, June, 2007. / Title from PDF t.p. Includes bibliographical references.

No description available.

This thesis explores interwar town planning in Australia, focusing on the period of large-scale urban expansion in the 1920’s. It problematises aspects of Australia’s urban planning history, particularly the 1920s ‘garden suburb. It also investigates the question of the use of international planning ideas in Australia, and the assertion or creation of authority by the Australian planning movement. The thesis additionally investigates the use of authoritative planning rhetoric for commercial or creative advantage. The thesis argues that the majority of innovative planning projects in the interwar years took place in the formation and foundation of the garden suburb. It shows that the garden suburb – assumed in much planning history to be an inferior form of Ebenezer Howard’s ‘garden city’ ideal – has, in fact, a number of precedents in 19th century Australian suburbia, some of which were retained in 20th century commercial estate design. Much of the Australian town planner’s authority at this time required recognition and awareness of the interests and needs of the general public, as negotiated through land vendors. As Australians looked to the future, and to the US for guidance, they were invited to invest in speculative real estate development modelled on this vision. The thesis concentrates primarily on the lives, careers and work of the British-Australian architect-planner Sir John Sulman; the Chicagoan architect-planners Marion Mahony and Walter Burley Griffin; and the Australian surveyor-planner Saxil Tuxen. These individuals were among the most prominent planners in Australia in the interwar years. All designed Australian garden suburbs, and combined advocacy with practice in private and public spheres. The thesis examines images and personas, both generic and individual, of the planner and the vendor. It shows that the formulation of the garden suburb and design practices, and the incorporation of international elements into Australian planning, are important in the creation of planning practice and forms. It also outlines the way these continue to have significant impact, in diverse and important ways, on both the contemporary built environment and planning history itself.

The Australian Constitution of 1901 required Parliament to establish its seat of Government in territory in New South Wales, but distant from Sydney. Interpreted as cause for building a new city it was, from the earliest deliberations, conceived as a city beautified by landscape and enhanced by water. Despite Australia's variable climate, particularly it's unreliable rainfall, the Canberra site on the Molonglo River provided an opportunity for storing a large body of ornamental water in a picturesque landscape setting, provided storage reservoirs were built to maintain water levels. Walter Burley Griffin's design gave the Lake form as a chain of ornamental lakes and parklands through the centre of the city. However, developing the Lake was complex and costly and although Parliament met at Canberra from 1927 it was not until the early 1960s that work began on implementing the Lake. Lake Burley Griffin was inaugurated in 1964. Inquiring into the significance of landscape setting and ornamental water for Australia's National capital the thesis reviews designed landscapes in cities that Australia aspired to emulate and the role of the professions in these designs. Using Canberra's lake as a focus this thesis examines the national and international context of landscape ideas, analyses the processes of landscape implementation in the public domain and evaluates the design outcome. The thesis also highlights the role of national aspiration, the rivalry between Federal and State governments, the power of government bureaucracy, the influence of the design professions and the ascendancy of Modernism as a design force in the built environment. The thesis establishes that over the sixty-year period Australian perceptions and expectations of landscape underwent a fundamental change. From the idea of landscape as a part of the aesthetic and moral high ground of national consciousness and international discourse, landscape, particularly landscape with water, became a device to consolidate power, bolster national pride, garner international recognition and enhance recreational opportunity. The thesis establishes the fundamental importance of the Lake landscape in creating a distinctive image of a visually unified National capital as well as a public place for people. As an empirical thematic history the thesis articulates landscape ideas and practice with the creation of a place of national significance. Through links with cultural context, the history of cities, and the history of design the research and its findings extend the knowledge base of the profession and practice of landscape architecture in Australia.

Thesis (Ph. D.)--University of Chicago, Dept. of Linguistics, Dec. 2002. / Includes bibliographical references (p. 152-159) Also available on the Internet.