Diss.--Phil.--Saarbrücken, 1994. / Bibliogr. p. 379-390.

Submitted by Edileide Reis (leyde-landy@hotmail.com) on 2013-05-17T10:52:29Z No. of bitstreams: 1 Viviane Ramos de Freitas.pdf: 1110715 bytes, checksum: a495ee02bdce88c97dcbb1be60876c7d (MD5) / Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-05-20T18:13:57Z (GMT) No. of bitstreams: 1 Viviane Ramos de Freitas.pdf: 1110715 bytes, checksum: a495ee02bdce88c97dcbb1be60876c7d (MD5) / Made available in DSpace on 2013-05-20T18:13:57Z (GMT). No. of bitstreams: 1 Viviane Ramos de Freitas.pdf: 1110715 bytes, checksum: a495ee02bdce88c97dcbb1be60876c7d (MD5) Previous issue date: 2006 / Este trabalho consiste numa leitura de Meu Amigo Marcel Proust Romance de Judith Grossmann, ampliada pelo entrecruzamento deste com outros textos ficcionais e não ficcionais da escritora, a fim de definir o horizonte da arte e de uma pedagogia do amor pela arte que há no romance. Estabelece-se uma articulação do diálogo entre a escritora, a teórica-crítica literária e a professora, bem como entre a narradora do romance e seus interlocutores eleitos a partir de uma tradição artístico?literária, analisando-se a marca da intertextualidade em Meu Amigo Marcel Proust Romance. O shopping center, cenário e local onde a narradora escreve o seu romance, é configurado como uma metáfora da sociedade de consumo. A subversão anunciada pela protagonista ocorre quando ela contrapõe as leis do mercado e da indústria cultural à sua pedagogia do amor através da arte, restaurando os valores humanos e acenando novas possibilidades de reinvenção do sujeito e do mundo, tão silenciadas na contemporaneidade. O lugar ocupado pelo amor no romance de Grossmann é articulado com o texto freudiano ?O mal estar na civilização? a fim de mostrar o papel do amor na sua luta com a morte e com o poder de destruição do ser humano. / Salvador

Dissertation work Andrej Krob follows Krob`s remarkable journey to theatre from meeting Vaclav Havel during his military service in 1957, through Krob`s arrival to Divadlo Na zabradli in the early sixties of 20th century and especially his collaboration with director Jan Grossman, next to who Krob gradually work his way up from stage technician to the director. From the numerous Krob`s productions is the attention paid to the very first one, almost unknown directorial act, student production of Kral Ubu, presented on chateau Breznice in 1964, however this dissertation is mostly dedicated to the selected and key Krob`s productions of Vaclav Havel`s plays. Meeting this author was for Krob personaly as well as for his directorial poetics progress entirely fundamental. That`s why this work describes and analyses in detail semi illegal production of Havel`s play Zebracka opera, presented by Krob in Horni Pocernice in 1975, which has became establishing production of Divadlo na tahu, as well as Krob`s production of the same play from 1995. Separate chapter of dissertation has been also dedicated to Krob`s video production of Havel`s play Pokouseni from 1988 that brings unique opportunity of artistic performance observation. This dissertation determines at the very end, based on in-depth analysis of the...