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Han wen yan jiuWang, Shirui. January 1900 (has links)
Thesis (M.A.)--Guo li zheng zhi da xue, 1977. / Cover title. On double leaves. Includes bibliographical references.
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Han Feizi si xiang de jian taoSun, Changxiang. January 1900 (has links)
Thesis (M. A.)--Zhongguo wen hua xue yuan, 1979. / Cover title. Reproduced from typescript. On double leaves. Bibliography: p. 177-180
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Han Feizi si xiang ping shuWan, Binbin. January 1900 (has links)
Thesis (M.A.?)--Furen da xue. / Reproduced on double leaves from typescript. Bibliography: leaves [93]
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Han Yu shi guan ji qi shiZhang, Huilian, January 1900 (has links)
Thesis (M.A.)--Fu ren da xue. / Reproduced from typescript. Bibliography: p. [153-156]
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Han Fei di fa, shu, shi si xiang zhi fen xi yu zong heSong, Benggui. January 1900 (has links)
Thesis (M.A.)--Guo li zheng zhi da xue, 1985. / On double leaves. Reproduced from typescript copy. Includes bibliographical references (p. 157-168).
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The pre-leftist one-act dramas of Tian Han (1898-1968) /Kaplan, Randy Barbara, January 1986 (has links)
Thesis (Ph. D.)--Ohio State University, 1986. / Includes bibliographical references (leaves 459-472). Available online via OhioLINK's ETD Center.
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Professor Han Xianguang and His Contribution to the Horn WorldYeoh, Li Zhi 12 1900 (has links)
This dissertation verifies Professor Han, Xianguang as the most significant Chinese horn player and teacher in the twentieth century. He was the first Chinese horn player to win in an international horn competition and the first president of the China Horn Association. He was the premier performer of the only known Chinese horn concerto: Fantasy-Concerto <In Memory>, composed by Professor Shi Yongkang in 1962. Professor Han also served as a judge for many international horn solo and chamber music competitions, and was president of the first (2012), second (2013), and third (2014) CCOM (Central College of Music) International Horn Festivals in Beijing. This dissertation explores Professor Han’s professional and pedagogical contributions to the horn world. These contributions will, in turn, provide an overview of the evolution of the horn and horn playing in China. The horn, historically and musically an instrument of Western Europe, was transported to Asia by many horn players and teachers, with Professor Han the most significant figure in its evolution in China. During Professor Han’s 60-year teaching career, he developed a special pedagogical system. A number of his outstanding horn students, including two sons, eventually became principal hornists in orchestras throughout China, with a few hired by European orchestras, and some have won international competitions. A secondary purpose of this dissertation is to offer historical and pedagogical information to young horn players, especially those of Asian descent, to give them a more thorough musical and aesthetical understanding of their instrument in the Asian history and culture. As part of his DMA Lecture Recital on September 6, 2015, the author presented the US premiere of Fantasy-Concerto <In Memory> in its piano reduction.
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noneLiu, Yu-Xiu 25 July 2003 (has links)
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Han Liu wen bi jiao yan jiuChu, Zhizhong. January 1900 (has links)
Thesis (M.A.)--Guo li zheng zhi da xue, 1966. / Reproduced from typescript. Includes bibliographical references (leaf 65).
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Ming dai han lin yuan zhi yan jiuFu, Xianda. January 1900 (has links)
Thesis (M.A.)--Guo li zheng zhi da xue, 1978. / Cover title. Reproduced from typescript on double leaves. eContent provider-neutral record in process. Description based on print version record. Bibliography: p. [231]-[238]
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