吳火有. / 手稿本 (c. 2-3為複印本) / Thesis (M.A.)--香港中文大學. / Shou gao ben (c. 2-3 wei fu yin ben) / Includes bibliographical references (leaves 392-406). / Wu Huoyou. / Thesis (M.A.)--Xianggang Zhong wen da xue. / 引言 --- p.1 / Chapter 第一章 --- 韓侂冑得勢之經過 / Chapter 第一節 --- 紹熙內禪與定策之功 --- p.8 / Chapter 第二節 --- 排斥異己與慶元党禁 --- p.18 / Chapter 第二章 --- 北伐的決策及其準備 / Chapter 第一節 --- 党禁之弛與權位動搖 --- p.86 / Chapter 第二節 --- 北伐的決策 --- p.96 / Chapter 第三節 --- 北伐的準備 --- p.129 / Chapter 第三章 --- 金章宗時代的國情及其對宋人敗盟的態度 / Chapter 第一節 --- 金章宗時代的國情 / Chapter (一) --- 章宗之繼位及其對宗室諸王之處理 --- p.171 / Chapter (二) --- 胥持國與李元妃之亂政 --- p.176 / Chapter (三) --- 漢化的加劇與猛安謀克制的衰退 --- p.181 / Chapter (四) --- 章宗時期的外患 --- p.194 / Chapter (五) --- 財政困弊與漢族人民反抗的激烈 --- p.205 / Chapter 第二節 --- 金章宗對宋人敗盟的態度 --- p.214 / Chapter 第四章 --- 南宋開戰前的國情 / Chapter 第一節 --- 政治情況 --- p.261 / Chapter 第二節 --- 軍事情況 --- p.282 / Chapter 第三節 --- 財政情況 --- p.289 / Chapter 第五章 --- 北伐戰事的經過與侂冑之死 / Chapter 第一節 --- 初期戰況 --- p.316 / Chapter 第二節 --- 金人之反攻 --- p.326 / Chapter 第三節 --- 吳曦之叛及其對戰局的影響 --- p.331 / Chapter 第四節 --- 宋金議和與侂冑之被殺 --- p.343 / 結論 --- p.384 / 參考書目 --- p.392

The Han-Nan poems of Ho Xuan Huong

Typescript. / Thesis (Ph. D.)--University of Hawaii at Manoa, 1975. / Bibliography: leaves 279-301. / ix, 301 leaves

Thesis (M. A.)--University of Hong Kong, 2005. / Title proper from title frame. Also available in printed format.

Thesis--Munich. / In Periodical Room.

No description available.

Le han est un type architectural lié au commerce et au logement qui s’est développé dans l’ensemble du monde islamique. Le han traditionnel présente un plan à cour intérieure bordée d’un portique à l’arrière duquel sont disposées les cellules. A Istanbul, ce type d’édifice s’est surtout développé dans le quartier commerçant principal de la péninsule historique et dans le Grand Bazar. Son évolution a suivi celle de la ville. Cette étude se concentre sur les han construits entre le début du XVIIIe s. et le milieu du XIXe s. Durant cette période, les échanges entre l’Empire ottoman et l’Occident s’intensifient. En architecture, l’influence occidentale se manifeste d’abord dans le décor puis dans la typologie, tendance observée également dans les han. Par ailleurs, d’autres transformations, liées cette fois-ci à l’évolution interne de l’architecture ottomane, y sont perceptibles. Enfin, le modèle architectural du han traditionnel se transforme peu à peu et à partir du milieu du XIXe s. apparaît un type de han proche de modèles occidentaux. Les divers remaniements dans la ville d’Istanbul, notamment ceux qui ont suivi incendies et tremblements de terre, ont eu pour conséquence la disparition de nombreux han ou leur réfection. L’exploitation d’une documentation très variée (sources d’archives ottomanes, documents graphiques anciens, relevés, plans de restitutions, photographies et autres) et le croisement des différentes données permettent de combler certaines lacunes relatives à la commande, à la construction, aux réparations, aux diverses transformations ainsi qu’aux fonctions des han. / The han is an architectural structure related to trade and housing which developed throughout the Islamic world. The traditional han consisted of an inner courtyard surrounded by a portico that gave access to rooms. In Istanbul, this kind of buildings is mostly located in the main commercial area of the historical peninsula and in the Grand Bazaar. The evolution of the han is linked to the development of the city. This study focuses on the han built between the early 18th century and the mid 19th century. During this period, there was an increasing exchange between the Ottoman and Western worlds. In the field of architecture, the western influence was at first noticed in the decorative elements and later in the architectural typology, a trend that is also valid for the han. In addition, one can observe further changes linked to the evolution of the ottoman architecture itself. Consequently, the architectural model of the traditional han gradually changed through time and by the middle of the 19th century, a type of han very similar to western buildings could be seen. Various changes in the cityscape of Istanbul, particularly after great fires and earthquakes led to the disappearance or restructuring of many han. This work is based on research of a wide range of documents (Ottoman archival documents, historical graphics, plans, restoration projects, photographs etc.) and the cross examination of these data made it possible to find unedited informations concerning patrons, original constructions, repairs, various transformations as well as the uses of the han.

L'unité de ces cinquante-six minzu 民族 est promue comme fondement « naturel » et « historique » de la nation chinoise, ainsi définie par un corps multinational ou « multiethnique ». Cette conception de la nation est rendue visible et publique par le biais de manifestations spectaculaires autour des différentes « minzu minoritaires » (shaoshu minzu 少数民族), qui sont des occasions répétées de soutenir l'unité nationale et l'ordre social. Notre étude se penche sur les images des « minzu minoritaires » dans le cinéma de la République populaire de Chine, et tente de dégager leur implication dans le contexte historique de la construction nationale chinoise après 1949. Deux périodes sont analysées plus spécifiquement, de 1950 à 1965, et du milieu des années 1980 à 2005.

The master thesis called "Semiotics Han Tombs" does not only deal with the semiotics view of space of Han dynasty tombs, when we are examining the number of structures, which are permeating Han graves, we find structures of the world of man living in China, but this process also points to problems of culture interpretation which cultural semiotics helps to eliminate. Problems associated with the sign plays an important role in shaping the very cultural and social identity. The issue of understanding and interpretation of cultures occurs at the time when we select certain features or characters from the structure of a culture to freely create a system without having analyzed the real culture. Always all these elements must be considered in the context of the overall system or structure, or we only deal with empty concepts or definitions. In other words, we do not see the whole picture. Han tomb as a text is polysemous and in many respects incomprehensible. However, the creation, reading and semiosis takes place in it and it is the statement of understanding of this world. So revealing the speaker's worldview depends on the process of interpretation, because the statement may involve a degree of ideological connotations which determined the interpretation independently on the previous coding. Key...

This thesis concerns the factors underlying the popularity of the cliff tomb, a local burial form in the Sichuan Basin in China in the Eastern Han dynasty (AD 25-220). The development of the cliff tomb was held in a complex set of connections to the development of the burial forms, and existed through links to many other contemporary burial forms, the brick chamber tomb, the stone chamber tomb, and the princely rock-cut tomb. These connections and links formed to a large extent through the incorporation of the Sichuan area into the empire which began in the fourth century BC. It was in this context, a series of factors contributed to the formation and popularity of the cliff tombs in Sichuan. The hilly topography and the soft sandstone, easy to cut, provided the natural condition for the development of the cliff tombs. The decision to make use of this natural condition was affected by many factors rooted in the social background. The inherent nature of the cliff tomb structure was fully explored, which was then followed by a series of corresponding innovations on the pictorial carvings and the burial objects. The meaning of a continuous family embedded in the cliff tomb structure was explored, as the construction of the tomb was the result of the continuous endeavours from many generations of the family, and the physical form of the cliff tomb was a metaphor for a prosperous family. Following this intention of the tomb occupants underlying the design of the cliff tomb structure, the pictorial carvings and the burial objects in the cliff tomb made adaptations to make the cliff tomb an embodiment of relations between different family members and different generations.