published_or_final_version / Chinese / Master / Master of Philosophy

Han Shu is our first history book which narrates the story by dynasty. It carries a lot of valuable information of the Han dynasty, both historically and literarily. However, because of the long-ago history, a lot of language, pronunciation, naming system, names of officials and places are now difficult to read and understand. Throughout the history, a number of people had analyzed Han Shu. These people have solved a lot of queries. Yang Shuda has high achievements in analyzing Han Shu. He is not only good at etymology and phonology but also analyzing parts of speech and sentence patterns. In terms of the use of materials, not only does he compare different versions of literature, but also uses inscriptions and even cultural data such as marriage and death for analysis. All these contribute to his unique analysis. The analysis of Han Shu has opened up a new field as more and more materials are excavated. Bronze, lacquer and even lute and currency are used in research. This has broadened the academic horizons and solved many mysteries. In 1983, in Hubei province, a lot of Han bamboo slips were excavated, which have provided tremendous help to our understanding of the medicine, law, mathematics and others of the Han dynasty. By the time when current books of Han analysis such as Yang Shuda’s Han Shu Kui Guan were punished, bamboo clips of Zhangjiashan were not yet unearthed. It is unable to invoke this important information, resulting in some doubtful content. I hereby try to make use of these bamboo slips to supplement previous comments, provide new research directions, or affirm previous results. This dissertation is divided to six parts. Each uses the notes of current analysts as the starting point while incorporating Zhangjiashan Han bamboo slips. My analysis is based on Yang Shuda Han Shu Kui Guan, together with the analysis of some current analysts. / published_or_final_version / Chinese Language and Literature / Master / Master of Arts

Thesis (M.Phil.)--Hong Kong Baptist University, 2005. / Thesis submitted to the Dept. of Education Studies. Includes bibliographical references (leaves 109-120).

Thesis (D. Min.)--Southwestern Baptist Theological Seminary, 2005. / Added title page in Korean: Hanmin Kyohoe yugŭpcha sayŏk kaebal Orientation 880-02 Includes bibliographical references (leaves 98-103).

Thesis (M.A.)--Furen da xue. / Reproduced from typescript. Includes bibliographical references (p. 197-200).

Thesis (M.A.)--Guo li zheng zhi da xue, 1972. / On double leaves. Includes bibliographical references (leaf 56).

Thesis (M.A.)--Zhongguo wen hua xue yuan. / Reproduced from typescript. Includes bibliographical references (p. 275-295).

Thesis (M.A.)--Furen da xue. / Reproduced from typescript. Bibliography: p. 197-200.

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The thesis examines four films by Lee Han—Wandeugi (2011), Thread of Lies (2013), A Melody to Remember (2016) and Innocent Witness (2019)—that highlight disability problems in contemporary South Korea. While exposing the prejudice against and misunderstanding of people with disabilities embedded in society, these motion pictures promote social integration through development of trusted relationships and effective communication within familial structures. The representations of disability indicate that the cinematic images of exclusion can reinforce disabled characters' marginalized identity and promote inclusive efforts among the viewer at the same time. Through textual, cultural, theoretical analysis, it is argued that the films progressively decrease discriminative description of disability and gradually empower isolated individuals, making Innocent Witness an exemplary disability rights film.