The problem with which this study was concerned involved the identification of minimally brain-injured children. The performance on the "Birch-Belmont Auditory-Visual Integration Test" by twenty-five minimally brain-injured students was compared to the performance of twenty-five non-brain-injured children. It was found that when ages and I.Q. scores were not significantly different, and when sexes were approximately proportionate, the M.B.I. children scored significantly lower than did the non-brain-injured children. While it was indicated that the minimally brain-injured children perform less adequately on auditory-visual integration, no comparison of intrasensory and intersensory functioning was made. It was suggested that the test not be employed for sole determination of minimal brain injury, but that it may be used as a screening device quite appropriately.

Ce mémoire comprend deux volets : une étude théorique et un texte de création littéraire. Dans un premier temps, il s’agir d’étudier le rôle du désir dans la démarche thématique et philosophique employée par l’écrivain Wilson Harris dans son roman The Palace of the Peacock. Ainsi démonterons-nous dans le premier chapitre que Harris se sert – de façon paradoxale – du désir empirique pour faire valoir les limites mêmes de celui-ci. Nous aborderons dans le deuxième chapitre le rapport problématique qu’entretient, chez Harris, la subjectivité féminine avec la subjectivité masculine. En particulier, nous examinerons la représentation de ce rapport sous la forme de métaphores ayant trait à l’environnement et à l’anatomie. Nous avancerons que le caractère problématique que revêt le rapport entre subjectivités féminine et masculine dans le roman est en quelque sorte nécessitée par l’écriture même de Harris. Dans le troisième chapitre, nous prendrons part aux débats sur la poétique qui animent la littérature contemporaine afin de situer notre propre élan vers la création littéraire. En même temps, nous entreprendrons une tentative de récupération de certains des concepts théoriques formulés par Harris, en lien avec notre propre poétique. S’ensuivra notre projet de création littéraire, intitulé HEROISM/EULOGIES, qui constitue le quatrième et dernier chapitre du mémoire. Ce texte, extrait d’un projet d’écriture créative plus vaste, trace les mouvements d’un certain nombre de sujets à travers une Amérique imaginée. / This study contains two parts: a theoretical component and a literary text. The theoretical component discusses desire as a thematic and philosophical methodology in Wilson Harris’s The Palace of the Peacock. Chapter one argues that Harris paradoxically makes use of forms of empirical desire to demonstrate its epistemological limits. Chapter two discusses the problematic situation of female subjectivity in relation to male subjects, through environmental and anatomic metaphors, which Harris’s writing necessitates. Chapter three discusses contemporary poetics in order to situate my impetus for literary writing and attempts to salvage some of Harris’s theoretical concepts in dialogue with my own poetics. Chapter four contains the creative writing project, HEROISM/EULOGIES—an excerpt from a larger project—that charts the movement of various subjects across an imagined American landscape.

This essay takes a closer look at femininity/masculinity, sexuality and queer time and place in Charlaine Harris’ novel Dead Until Dark (2001). The essay’s theoretical framework consists of queer theory and skev theory. Skev is a Swedish word that translates loosely into strange or twisted. Skev theory has queer roots but is used to search for and question forms of normativity other than sexuality. This essay examines Bill and Sookie, the two main characters in Dead Until Dark, with the main aim of analyzing the different ways in which they are portrayed that makes them challenge (and sometimes confirm) norms concerning femininity/masculinity, sexuality and the use of  time and place. The analysis talks about Proper Girls and Proper Boys and how Sookie and Bill may or may not be able and/or willing to be Proper. Monsters and how being a monster impacts Bill’s and Sookie’s Properness is also central to the analysis. In short the essay shows that Bill and Sookie exist in a state of (in)betweenness and that this makes their characters subversive in that they are both skeva.

There is an increasing trend towards object detection from aerial and satellite images. Most of the widely used object detection algorithms are based on local features. In such an approach, first, the local features are detected and described in an image, then a representation of the images are formed using these local features for supervised learning and these representations are used during classification . In this thesis, Harris and SIFT algorithms are used as local feature detector and SIFT approach is used as a local feature descriptor. Using these tools, Bag of Visual Words algorithm is examined in order to represent an image by the help of histograms of visual words. Finally, SVM classifier is trained by using positive and negative samples from a training set. In addition to the classical bag of visual words approach, two novel extensions are also proposed. As the first case, the visual words are weighted proportional to their importance of belonging to positive samples. The important features are basically the features occurring more in the object and less in the background. Secondly, a principal component analysis after forming the histograms is processed in order to remove the undesired redundancy and noise in the data, reduce the dimension of the data to yield better classifying performance. Based on the test results, it could be argued that the proposed approach is capable to detecting a number of geo-spatial objects, such as airplane or ships, for a reasonable performance.

Harris County Mosquito Control Division (HCMCD) is responsible for surveillance of mosquito species that are vectors of St. Louis Encephalitis (SLE) virus and West Nile Virus (WNV) within Harris County, Texas, including the Houston metroplex. The metroplex area has some unique attributes and a vast variety of environmental habitats that are attractive to vectors of arboviruses and for the transmission of arboviruses to the human population. Data describing the efficacy of Gravid (GV) and Underhouse (UH) CO2 traps were analyzed to determine if there is a significant difference between these two trap types with respect to the number of mosquitoes and the variety of mosquito species caught. This study was conducted during the off-peak HCMCD trapping season, to gain information in preparation for a yearround trapping program utilizing Underhouse CO2 traps for WNV and SLE virus surveillance. Adjusting for the week of collection, results suggest that Gravid traps caught significantly (P = 0.009) more mosquitoes (mean = 23.134 per trap) in the study area than Underhouse traps (mean = 3.616 per trap), and that Underhouse Traps caught a larger variety of mosquito species (n = 13) than Gravid Traps (n = 11), out of 15 total different species caught. Gravid and Underhouse traps caught 9 out of 15 of the same mosquito species during the study period. Culex quinquefasciatus mosquito catches in Gravid traps and temperature were strongly correlated (Spearman's Correlation Coefficient = 0.707, P = 0.005). Geographic Information System spatial analysis indicated clustering of Culex quinquefasciatus mosquito catches in both Gravid traps, week 9 and 21 (Moran's I = 0.69, P = 0.040 and 0.74, P = 0.021, respectfully ) and Underhouse traps, week 13 and 19 (Moran's I = 0.92, P = 0.002, and 0.89, P = 0.011, respectfully). It is recommended that Harris County Mosquito Control Division continue to utilize gravid traps as a primary method of surveillance. Gravid traps (16,194) caught 85% more mosquitoes than Underhouse traps (2,531) over the fourteen week study period. Their overall success far outweighs the additional materials or labor required for their use in a successful surveillance program.

In this thesis, I have analysed representations of a selection of fictional and factual serial killers from Thomas de Quincey to Thomas Harris’s Hannibal Lecter, from Mary Shelley’s Frankenstein to the autobiographical narratives of real life serial killers Carl Panzram, Donald Gaskins and Ian Brady. My analysis of these texts identifies the portrayals of serial killers in terms of representations as aesthetic, existential, socially othered phenomena. The thesis proceeds from the premise that serial killer narratives often obscure the existential brute reality of murder. As such, I examine serial killing vis-à-vis attempted explanatory shifts in such narratives which represent serial murder and serial killers in terms of aesthetic, psychopathological, moral/religious/supernatural and socio-political phenomena, and I investigate the implications of these shifts. I focus initially on Romantic ideas of the self, and in the relationship between the ‘outsider’ artist/poet and the textual emergence of the figure of the solitary ‘serial’ murderer in the early nineteenth century, particularly in relation to De Quincey’s aesthetic murder essays. Subsequent fluctuations of the representation of serial killing between mental-health, law-and-order and political/social discourses are discussed in relation to the subsequent texts. I conclude by examining cognitive dissonance theory, A.E. Van Vogt’s description of the Violent Man, and James Gilligan’s theories on violence, in order to propose a possible synergetic response to narratives and representations of serial killers and serial killing.

Ce mémoire comprend deux volets : une étude théorique et un texte de création littéraire. Dans un premier temps, il s’agir d’étudier le rôle du désir dans la démarche thématique et philosophique employée par l’écrivain Wilson Harris dans son roman The Palace of the Peacock. Ainsi démonterons-nous dans le premier chapitre que Harris se sert – de façon paradoxale – du désir empirique pour faire valoir les limites mêmes de celui-ci. Nous aborderons dans le deuxième chapitre le rapport problématique qu’entretient, chez Harris, la subjectivité féminine avec la subjectivité masculine. En particulier, nous examinerons la représentation de ce rapport sous la forme de métaphores ayant trait à l’environnement et à l’anatomie. Nous avancerons que le caractère problématique que revêt le rapport entre subjectivités féminine et masculine dans le roman est en quelque sorte nécessitée par l’écriture même de Harris. Dans le troisième chapitre, nous prendrons part aux débats sur la poétique qui animent la littérature contemporaine afin de situer notre propre élan vers la création littéraire. En même temps, nous entreprendrons une tentative de récupération de certains des concepts théoriques formulés par Harris, en lien avec notre propre poétique. S’ensuivra notre projet de création littéraire, intitulé HEROISM/EULOGIES, qui constitue le quatrième et dernier chapitre du mémoire. Ce texte, extrait d’un projet d’écriture créative plus vaste, trace les mouvements d’un certain nombre de sujets à travers une Amérique imaginée. / This study contains two parts: a theoretical component and a literary text. The theoretical component discusses desire as a thematic and philosophical methodology in Wilson Harris’s The Palace of the Peacock. Chapter one argues that Harris paradoxically makes use of forms of empirical desire to demonstrate its epistemological limits. Chapter two discusses the problematic situation of female subjectivity in relation to male subjects, through environmental and anatomic metaphors, which Harris’s writing necessitates. Chapter three discusses contemporary poetics in order to situate my impetus for literary writing and attempts to salvage some of Harris’s theoretical concepts in dialogue with my own poetics. Chapter four contains the creative writing project, HEROISM/EULOGIES—an excerpt from a larger project—that charts the movement of various subjects across an imagined American landscape.

Thesis (Dr. P.H.)--University of Texas Health Science Center at Houston, School of Public Health, 2008. / "May 2008." Source: Dissertation Abstracts International, Volume: 69-02, Section: B, page: 0968. Adviser: Maria Fernandez. Includes bibliographical references.

Source: Masters Abstracts International, Volume: 46-05, page: 2642. Adviser: Jan Risser. Includes bibliographical references.

Thesis (MPhil)--University of Stellenbosch, 2006. / On title page: Master of Philosophy (Ancient Cultures). Bibliography.