Spelling suggestions: "subject:"hence""
241 |
The inner court of Nonsuch PalaceTurquet, Josephine Clare January 1983 (has links)
No description available.
|
242 |
Crown patronage and local administration in Berkshire, Dorset, Hampshire, Oxfordshire, Somerset and Wiltshire, 1485-1509Luckett, Dominic January 1992 (has links)
No description available.
|
243 |
From tempus werre to pax publica : The reconstruction of royal government in England, c. 1149 to c. 1159Amt, E. M. January 1988 (has links)
No description available.
|
244 |
The American Businessman in the Novels and Stories of Henry JamesSmith, Margaret Hart 08 1900 (has links)
The critical interest in Henry James and his relationship with the "Gilded Age," or the "golden age of American business," indicates that a chronological study of the American businessman, as this character appears in James's fiction, may have some value. The term businessman in this study will simply be understood to mean a maker of money. To consider in detail all of James's writings would exceed the scope of this study; only those novels and stories which deal most obviously and directly with American businessmen will be included.
|
245 |
Fielding's Creative Psychology: A Belief in the Good-Natured ManDundas, Doris Hart 12 1900 (has links)
The philosophy of Henry Fielding turns more upon a study of human nature than upon any stated adherence to a system of beliefs. The thesis of this paper is that he was a moderate law-and-order Anglican of his time, but strongly influenced by the deist Shaftesbury's studies of the psychological characteristics of men. These inquiries into motivations and Shaftesbury's advocacy of the social virtue of desiring good for others seem to have helped determine Fielding's philosophy.
|
246 |
The Booster/Delta nexus : Henry Miller and his friends in the literary world of Paris and London on the eve of the Second World Warvon Richthofen, Patrick Mansur Freiherr Praetorius January 1987 (has links)
No description available.
|
247 |
Music by members of the Choral Foundation of Durham Cathedral in the 17th centuryAnderson, Simon John January 2000 (has links)
Durham Cathedral is known to possess one of the largest and most intact collections of 17th-century liturgical music manuscripts in the world. That so much material survived the trauma of the Commonwealth is fortuitous indeed. The history of the pre-Civil War manuscripts has already been researched, and those after the Restoration have been investigated to a degree. The present research is concerned with a detailed study of the music composed by the many Durham musicians of the 17th century contained in the manuscripts, and their related sources. In total over 80 works by 20 composers are represented in varying degrees of completeness. These range from complete autograph texts through to solitary tenor parts. The study is concerned solely with the scene at Durham. To enlarge on earlier research, a detailed study of the manuscripts from the second half of the century is presented. These show the stability of the repertoire and the introduction of much new material towards the end of the century. A newlycompiled catalogue of the related manuscripts at Peterhouse, Cambridge is presented as an appendix. A representation of every piece of Durham-composed music is given. Extracts only are presented of fragmentary items, and also for reasons of space and time where a whole piece of music does not reveal anything significant. Reconstructions are presented of works with one or two parts missing, or where a large amount of material can be recovered from an extant organ part. Transcriptions are presented in cases where a complete text survives. The study is divided into two volumes. Volume one describes the music and its sources, and volume two contains musical transcriptions.
|
248 |
The text of Henry Constable's Sonnets to Penelope DevereuxSledd, Hassell Brantley January 1965 (has links)
Thesis (Ph.D.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / The aims of the present study are to establish the relationships among the sources of Constable's sonnets to Penelope Devereux and to offer a critical edition of these sonnets. Sonnets to Penelope Devereux appear in the Marsh manuscript in Trinity College Library, Dublin; the Dyce manuscript 44 in the Victoria and Albert Museum, South Kensington; the Arundel Harington manuscrit in Arundel Castle; the Diana of 1592; the so-called Diana of 1594; A Poetical Rhapsody of 1602, 1608, 1611, and 1621; and the Ashmole manuscript 38 in the Bodleian Library [TRUNCATED] / 2031-01-01
|
249 |
Formal ambiguity as ironic perspective in Henry James's The ambassadorsBradbury, Nicola. January 1975 (has links)
No description available.
|
250 |
Thuyet / by Karl H. Cameron-Jackson.Cameron-Jackson, Karl Henry January 2003 (has links)
"December 2003" / Errata inside front cover. / Bibliography: leaves 89-96. / 2 v. (vi, 789 leaves) ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Contained in this thesis are the novel Thuyet and an exegetical essay concerning the novel Thuyet. The essay examines issues in the novel, the formation of each character and their historical reality, and plot and structure. The exegetical essay is also concerned with the role of myth, the genre of Thuyet, and the evolution of a 'special breed of heroes, the Heroic Warrior.' / Thesis (Ph.D.)--University of Adelaide, School of Humanities, Discipline of English, 2004
|
Page generated in 0.0425 seconds