Global ETD Search

1	"Domestic Memory": The Journals Correspondence and Artifacts of Henrietta McGuffey Hepburn Toothaker, Erin A. 19 August 2013 (has links) No description available. History Thesis Ohio Oxford McGuffey Hepburn
2	Cover and Contents Vice President Research, Office of the January 2009 (has links) No description available. Climate in Crisis John Robinson sustainability IPCC John Hepburn
3	Role imaginace v estetickém oceňování přírody / Role of imagination in aesthetic appreciation of nature Vaculová, Veronika January 2017 (has links) The topic of this diploma thesis is the matter of the role of imagination in aesthetic appreciation of nature. Starting points of the inquiry are the concepts of Ronald W. Hepburn, Emily Brady, Marcia Muelder Eaton and others. This work tries to show, in spite of the divergencies of views that the philosophers hold, not only the differences but also similarities of their apprehensions of the role of imagination in aesthetic appreciation of nature. The aim of the thesis is among others to answer the following questions: What are the modes of imaginative activity relating to aesthetic object? What is the difference between execution of imagination in aesthetic experiencing of nature and in experiencing works of art? What is the role of exercise of imagination in developing and preserving sustainable environments? Is the cooperation of imaginative model and science- based model of aesthetic appreciation of nature possible? The first part of the work concerns the presentation of relevant approaches. The second part compares different understandings of the role of imagination in aesthetic appreciation of nature and it answers the question of how imagination relates to the discussed aesthetic object. The following parts of the work focus on answering above-mentioned questions.
4	Selling props, playing stars virtualising the self in the Japanese mediascape / Yipu, Zen. January 2005 (has links) Thesis (Ph.D.) -- University of Western Sydney, 2005. / Includes bibliography.
5	Nine Lives: A History of Cat Women, Subversive Femininity, and Transgressive Archetypes in Film Barnett, Katrina 08 1900 (has links) The intention of this thesis is to identify and analyze the cat woman archetype as a contemporary extension of the transgressive witch archetype, which rampantly appears over the course of cinema history, working as a signifier of a patriarchal society's fear of autonomous and subversive women. The character of Catwoman is the ultimate representation for this archetype on grounds of her visibility, longevity, and ability to return again and again. More importantly, Catwoman and her sisterhood of cat women work against male creators as a means of female empowerment through trickery. Within this thesis, key films of varying genres are drawn from throughout cinema history and analyzed in order to demonstrate the intertextual network of characters that make up the cat woman archetype, and the importance of the Catwoman character in her many forms. Catwoman subversive women witches femme fatale female archetypes in film cats and women cat goddess female sexuality strong willed women female laughter womens laughter unruly women patriarchal storytelling batman returns bringing up baby war of the roses that darn cat bell book and candle cat people the dark knight rises batman television curse of the cat people tomb of ligeia the blue bird cat girl gale sondergaard michelle pfieffer anne hathaway eartha kitt julie newmar halle berry nastassja kinski paul schrader tim burton island of lost souls panther woman katharine hepburn cary grant christopher nolan female resurrection Cinema Gender Studies Women's Studies

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