Thesis (M.A. (English))--University of Pretoria, 2003. / Includes bibliographical references.

During the reign of Queen Victoria was seen the gradual emergence of the emancipated woman. The idea that women were innocent beings who must be kept from real knowledge of the world died hard, however, and to the end of the era there were many who repudiated the very concept of emancipation whether in literature or life. Coupled with the chivalrous, idealistic concept of womanhood was Victorian respectability, and it is not surprising that in the earlier Victorian novels we see clearly the idealistic concept of women and the effects of the cult of respectability. To illustrate my theme, of the gradual change in the concept of the novel which naturally kept pace, more or less, with the progress the emancipation of women was making, I have chosen one novel from each of seven great Victorian novelists whose works span the whale era. The only exception I have made is with Charlotte Bronte. In her case the heroines of two of her novels are discussed mainly because she is the first Victorian novelist to sound a note of protest against the then conventional concept of the heroine.

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Chan Ka-ling. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 160-167). / Abstracts in English and Chinese. / Acknowledgements --- p.iv / Introduction --- p.1 / Chapter Chapter One --- Bridget Jones's Diary： A Novelistic Adaptation of Pride and Prejudice --- p.18 / Chapter Chapter Two --- The Image of Elizabeth Bennet in Pride and Prejudice and Its Adaptations --- p.4 7 / Chapter Chapter Three --- The Image of Bridget Jones in Bridget Jones' s Diary and Its Film Adaptation --- p.85 / Chapter Chapter Four --- Evolution of a Heroine: From Pride and Prejudice to Bridget Jones's Diary --- p.110 / Conclusion --- p.142 / Notes --- p.157 / Works Cited --- p.160

Thesis (Ph.D.) -- McMaster University, 1998. / Includes bibliographical references (leaves 236-247). Also available via World Wide Web.

Thesis (M.A.)--Eastern Illinois University, 2008. / Includes bibliographical references (leaves 63-64).

Thesis (Ph. D.)--West Virginia University, 1998. / Title from document title page. Document formatted into pages; contains v, 183 p. Vita. Includes abstract. Includes bibliographical references (p. 174-182).

There are many heroines in American fiction, and in this thesis I have tried to show the development of the characterization of women in the American novel.

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Hero characters and their narratives serve as important sites for negotiating a culture’s values. Informed by sexism in Western cultures, female heroes often construct and perpetuate women’s statuses as second-class citizens. However, female heroes also can and sometimes do work against such representations. This thesis argues for a third wave feminist interpretation of Joss Whedon and John Cassaday’s Astonishing X-Men comic books as a text that brings multiple feminist perspectives into conversation with each other and that opposes certain patriarchal systems. Through narrative and formal analysis, I explore female X-Men Emma Frost and Kitty Pryde as characters who reject gender essentialism and misogynist value systems and whose relationship addresses concepts of difference in third wave feminism. Using similar methods, I also explore an interpretation of villain Danger as a failure to integrate radical feminist ideologies into third wave feminism. I believe that Astonishing X-Men provides an example of how norms of the mainstream superhero comic book medium, which scholars have criticized as sexist, can be reworked for a new generation of feminists. / text