The main aim of the final thesis "Systematization of orchestral excerpts for percussion instruments" is to help percussionists to be more effective in their excerpts preparation process for their orchestral interpretation and also to help them succeed both at the domestic and at the foreign orchestra auditions. Firstly the thesis analyses the audition process, requirements for the musician and a ranking list of the most required musical excerpts. Secondly it shows a detailed analysis of typical excerpts. The analysis is classified according to particular instruments, highlights the most difficult places in the excerpt and gives explanations how the musicians should manage their preparation process. The thesis also includes the most important excerpts for percussion instruments besides the samples of audition invitations.Therefore it is becoming a small specific anthology for students of art schools and for those who are in the preparation process for an audition.

This diploma thesis focuses on works of different composers across the 20th century in the field of microtonal and micro-interval music. The aim of this thesis is to point out other solutions of this technique based on analysis of composition approaches of Alois Hába and his contemporaries. Systems of tuning relating the most convincingly to the application of micro-intervals into the melodic-harmonic process of music composition are also discussed in this paper. The core of the thesis is an author's explanation of the so called central reapplication based on a specific approach to the use of micro-intervals. The thesis contains an analytical view of two compositions of its author where central reapplication is utilized as one of the possible approaches to implementing micro-intervals into music compositions. The aim here is to define two different ways of thinking about this tone set and to bring at least a partial recontextualization in viewing of micro-interval music.

The theme of this Master thesis is the Opera in Azerbaijan. It come out of my Bachelor thesis. The work divided into the following chapters: Uzeir Hadžibejov biography, Uzeir Hadžibejov and Azerbaijani opera, Epos „Köroğlu“ and the genre of opera, Synopsis of the opera, Formal content of the opera, Musical forms in „Köroğlu“. In the first chapter I write about one of the representatives highlights from operatic works in Azerbaijan – Uzeir Hadžibejov. In the second chapter I talk about the influence of the hard-working genius to Azerbaijan opera. In the next chapters I analyze the most valuable works in the history of Azerbaijan – opera „Köroğlu“. As an attachment I attach a CD with musical examples.

The topic of my master thesis is to introduce piano piece from Ferenc Liszt Totentanz, which is very rarely interpretated and not very well – known, as it could be.

This thesis handles with contemporary literature for solo double bass as well as chamber ensembles with double bass, influenced by eastern cultures. It deals with masterpieces of european and asian componists, especially with Giacinto Scelsi’s life, his double bass pieces and also the duet for the violin and the double bass Together composed by Isang Yun. It searches for relationships among traditional music of different cultures and contemporary classical music. In this thesis you can find informations about interpretation techniques used in contemporary music and about innovators of the double bass playing techniques. As the information sources are used available books and catalogues, web pages, music recordings, as well as interview with the double bassist Joëlle Léandre.

The diploma thesis deals with opera The Tempest, Op. 40 by Zdeněk Fibich. Its task is to clarify the genesis of the work, its place in the context of the opera works written by this composer, mapping productions of the Tempest in Czech Republic and Slovakia, supplemented by a pictorial attachment from some historical productions. The main focus of the thesis is the dramatic analysis of the opera, which describes the basic differences between libretto (written by Vrchlický) and the William Shakespeare's original. The thesis also deals with the basic characteristic of characters and contains a list of Leitmotifs with examples. In the end of the thesis you will find a music and dramatic analysis of three particular places of the opera Tempest.

Dissertation titled Issues of musical programs on Czech Television II deals with the legitimacy of the occurrence of classical music on Czech TV, its quantitative volume and its relationship to other musical genres in the broadcasting. It compares the number of produced hours of the various musical genres at different times of Czechoslovak Television and Czech Television in Prague (the main redaction of musical broadcasting, Creative group Radim Smetana and Vitezslav Sykora, the Music and drama department and the Drama, music and children's department), esp. during years 1980 - 1990, 2000 - 2005 and 2006 - 2012 with researches of a leading Czech musicologist Mikulas Bek which deal with musical preferences of the Czech population and are unique due to its scale and treatment. The work also seeks to highlight the importance of making popular educational programs that improve viewers' orientation in more demanding genres of symphonic, opera and chamber music. It also mentions the necessity of teamwork with respect to a sufficiently broad range of music programs and appreciates musical education needed for the production of these programs.

Two perspectives that resemble the Chilean musical identity; one through the “Partita No.2” written for violoncello solo by the Chilean composer Gustavo Becerra-Schmidt, and the other, through a newly written piece for violoncello and piano titled “A Musical Trip around Chile” written by the Japanese musician Chiaki Yamazaki.

In the present paper, the author shares his experience in the field of compositional creation which integrates a whole range of stylistic and genre material, as well as essentially non-musical material. The topic of the so called open compositional creation is restricted by the use of computer within the compositional process and/or at the performance of the piece. The author´s creative starting points and experience are supported by an outline of the historical and cultural context, a short characteristic of computer technologies and specific examples from the author´s own work as well as the work of other composers.

The introduction is justified by the choice of thesis topic. The aim is to present chamber music for voice, clarinet and piano and additional chapter to present works for voice, clarinet, piano and other instruments. The work consists of an introduction, main chapters, additional chapters and the conclusion. This work formed a brief overview of chamber works and their authors that were written in a composition for voice, clarinet and piano. There are some plot mentioned songs. The main chapters are listed: 1. soprano, mezzo-soprano, alto, tenor, baritone, bass, and their various combinations, 2. clarinet in B and in A, basset horn, bass clarinet. 3. piano. The additional chapters are used other tools such as strings, woodwinds, percussion, narrator, actor, electro-acoustic instruments. In the end, I evaluate my work and I thought of her course. Trying to convince readers and audiences.