The Master thesis named "Model situations and ornamental counterpoint in The Well Tempered Clavier, book 1, by J. S. Bach" deals with the musical language of composers, specially one like J. S. Bach. The first chapters shows historical facts about when the work was written, explains facts about the instrument and tuning. The second chapter explains the method of analysis, which is based on German musical theorists. Thethird chapter explains, what model situations are and their importance for a musician. In the fourth chapter I speak about ornaments in general and which importance they have for a musician, who is specialized on Baroque music. the fifth chapter deals with the prelude and his history, the sixth chapter deals with the fugue, and explains the process of composing. In the seventh chapter I analýze a fex compositions from the Well Tempered Clavier, book 1, to show different kinds of preludes and fugues in detail.

The baritone Dietrich Fischer-Dieskau was one of them most prominent personality in the vocal art in the 20th century. His interpretative art left a valuable mark in many areas of classical music.He was a man who could be describes as the Renaissance personality. In addition to singing, he also dedicated his time to conducting, writing music theoretical tracts and painting. In elder age he was occupied primarily with pedagogical activities. In my work I focus primarily on his singing activities. My work is divided into three parts where I gradually mention the important milestones in his life, after focus on his interpretation of German songs finally deal with contribution in the field of opera art.

The master thesis "Don Giovanni - history, its origin and interpretation in the 20th century" is dealing with an entire development of the opera and it reflects staging approaches of the 20th century. The thesis offers a brief analysis of the opera and the literary work it is based on. Furthermore it summarizes information about the origin of the work and its creators. Finally in the supplement there are cast lists of the productions of National Theatre Prague, photographs and pictures of the production in various opera houses worldwide.

Master thesis titled " Josef Suk - houslista., Journey of artist" is focused on mapping personality and life of this unique czech violinist.

Ivan Galamian's formidable reputation as a violin teacher is internationally recognized. Many of the world's outstanding violinists studied with him at the Curtis Institute in Philadelphia or The Juilliard School in New York City, and their fame perpetuates his. At the same time, very little is known about Galamian's early years, his exact methods on the violin, his nature as a teacher, and the general question of how he accomplished such outstanding results with his students. This lack of awareness is the case in the United States, where many of his students are aging or deceased. Members of the youngest generation of violinists tend to have only a vague awareness of his writings and perhaps familiarity with his scale method - even if they are close to Galamian in the "family tree" of violinists. This lack of awareness appears to be even more the case in Europe, whose music schools and orchestras are less likely to contain Galamian students (though they certainly do). The goal, then, of this thesis is to shed much-needed light on the extraordinary life, thoughts, and teaching of Galamian. The reader should come away with an increased awareness of an important life in the history of the instrument, greater awareness of key technical points on the instrument, and an understanding of what made Galamian - and could make any aspiring teacher - great. There is also an attempt to provide balanced criticism of Galamian's method so that the reader may see what did not work in his teaching and so that our awareness of Galamian is not simply as a mythic figure but as a fully three-dimensional participant in the history of the violin.

This thesis seeks to familiarize the reader with a unigue personality of Wolfgang Boettcher. This is the first comprehensive text on this brilliant cellist.It analyzes his from a childhood to the present. Deals in detail with his family and portrays the details and the background of a musical growing up. Introduces the reader to all important milestones in the life of Wolfgang and to his meetings with important personalities, which were the most important of his professional growth. I am trying to introduce Wolfgang Boettcher not only as a musician, cellist and teacher, but also as a big heart and depthless love of music. In the second part of work is detailed history of the Berlin Philharmonic Orchestra as it has played very important role in his life.

The theme of this thesis is groundbreaking 70s and 80s playing the tuba. The work divided into four chapters and subchapters. In the first chapter I write about major tuba players 70s and 80s. The first chapter and its subchapters consider crucial part of this thesis. The second chapter presents the most important authors and their songs that were to develop playing the tuba very important. The third chapter is devoted to the International Association of tuba, which was created at that time and for progress in the style of playing the tuba, it was very important. The fourth chapter is devoted to an interview with Jim Self and Pavel Trnka.

Lubomír Malý was a revolutionary who changed the world's understanding about the viola and violist in chamber music. He was an outstanding violist in two ways, as a soloist and as a violist in the string quartet. He brings his Bohemian heart to the world. In this way he advanced Czech music and compositions and influenced world music also.

This dissertation explores the field of new interpretation means in the compositions for the guitar solo by Czech contemporary authors. Nineteen works have been chosen, in the period from 1943 to 2015. The material obtained through analysis is by the means of comparison explored into a greater depth. The result of the research can be summarised in the statement that to write well for the guitar means to understand the right hand. In the chapter about instrumentation I further explain these features. The aim of this thesis is to inspire new works for the guitar.

The following thesis is divided into two parts. The first one is the mathematical and historical description of common available tuning systems, such as the Pythagorean-system, just intonation, Meantone-system, and other well-tempered tuning. Based on this knowledge there is in the second part theoretical considerations of ensemble and solo intonation and their putting into the practice. This thesis should not to learn to play ?clean?, but rather carry on thinking about the various possibilities in the tuning systems. The work also includes an audio attachment, a complete overview of intonation systems in the table and complete overview of all in European music known interval.