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271	Gaiete perverse et rire de force dans l'œuvre de Victor Hugo Prévost, Maxime. January 2000 (has links) This thesis studies the theme of laughter in the works of Victor Hugo, distinguishing two topical networks: that of perverse gaiety and that of forced laughter. Part One (La Gaiete perverse) shows how Hugo, drawing various commonplaces related to cruel laughter in the gothic novel, creates a first family of characters whose laugh derives from their demented nature (the monster, the headsman, the priest, the outlaw, the mob, the court jester). Part Two (La Tristesse des justes) concerns the Hugo which, between 1845 and 1862, fashions a mythology of the People renewing with commonplaces related to perverse gaiety, which he now links to characters seen as pillars of the Second Empire (the tyrant, the soldier, the police officer). While the wicked laugh, the just man cries, and the laughter of the oppressed (the convict, the prostitute, the street urchin) is constrained. Part Three (Le Rire de force) considers three works dating from Hugo's exile, including L'Homme qui rit, where the author clearly defines what constitutes forced laughter: a victim's exultation caused by the perversity of his social torturer, the tyrant. This transition from perverse gaiety (which stems from individual perversion) to forced laughter (the result of society's perversion) will be interpreted as the reflexion of a shift in the identity of Hugo's implied reader. While the first Hugo wrote about the people, the later Hugo aspires to write for the people, which considerably affects the meaning conferred to various commonplaces used throughout his writing career. Laughter in literature.
272	Justice Hugo L. Black and the "wall" between church and state reasons behind the Everson v. Board of Education (1947) decision / Larsen, Daniel P. January 1988 (has links) Thesis (M.A.)--Trinity Evangelical Divinity School, 1988. / Abstract. Includes bibliographical references (leaves 90-97).
273	Schwebende, webende Bilder : strukturbildende Motive und Blickstrategien in Hugo von Hofmannsthals Prosaschriften / Scheffer, Katrin. January 2007 (has links) Zugl.: Marburg, Universiẗat, Diss., 2007.
274	Verkörperte Musik zur Dramaturgie der Gebärde in den frühen Opern von Strauss und Hofmannsthal Bayerlein, Sonja January 2004 (has links) Zugl.: Würzburg, Univ., Diss., 2004
275	Soft means and hard ends : assessing Hugo Chavez's efforts to counter United States' preponderance / Allen, Samuel R. January 1900 (has links) Thesis (M.A. in Security Studies (Defense Decision-Making & Planning))--Naval Postgraduate School, 2007. / Cover title. "December 2007." AD-A475 997. Includes bibliographical references. Electronic version available on the Public STINET.
276	Das Prosagedicht im Wien der Jahrhundertwende : Altenberg, Hofmannsthal, Polgar / Nienhaus, Stefan. January 1986 (has links) Diss. : Philosophische Fakultät : Münster : 1984. - Bibliogr. p. 245-256. Index. -
277	Gesellschaftliche und private Interaktionen : Dialoganalysen zu Hofmannsthals "Der Schwieriege" und Schnitzlers "Das weite Land / Söhnlein, Heike. January 1900 (has links) Diss. : Neuphilologische Fakultät : Tübingen : 1984-1985. - Bibliogr. p. 155-161. -
278	Christ in the poetry of Lamartine, Vigny, Hugo, and Musset Maria Consolata, January 1947 (has links) Thesis (Ph. D.)--Bryn Mawr College, 1946. / Includes bibliographical references (p. 203. Bibliographical footnotes).
279	Grundlagen der wissenschaftlichen Welterkenntnis Janssen, Paul, January 1977 (has links) Habilitationsschrift--Cologne. / Includes bibliographical references (p. 246-251).
280	Renovamini spiritu deutsche Übersetzungen als Modernisierung im späten Mittelalter = Ernüwent den geist üwers gemütes Kramp, Igna Marion January 2002 (has links) Zugl.: Frankfurt (Main), Univ., Diss., 2002

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